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May el-Toukhy’s ‘Woman Unknown’ Wins the Golden Lion at Venice — Surprise!

The short version: "Woman Unknown" was a compromise. The jury deadlocked over "Possible Love" and "NAZA," not able to com to terms, fell back on their #3, May el-Toukhy's film.

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Cory Finley's 'Reasonable People,' Starring Paul Rudd and Sam Rockwell, Shoots This Fall

Cory Finley, a talented filmmaker, has directed three films so far: "Thoroughbreds" (2017), "Bad Education” (2020), and "Landscape with Invisible Hand.”

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Bassam Tariq Says Making ‘Blade' at Marvel Was ‘“a Different Thing”: “Somebody Else Is Running This”

Bassim Tariq was the first one in the chair. The "Mogul Mowgli" director spent two years building out the Mahershala Ali vehicle before exiting in 2022, and he's now letting the air out on this one.

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‘The Family Stone’ Sequel Greenlit at Searchlight, Fall Shoot, Reunites the Entire Cast — Except Diane Keaton

Claire Danes, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker, Luke Wilson, Tyrone Giordano, Elizabeth Reaser, Paul Schneider, and Brian White will all be back.

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Critics Are Fighting About ‘Fjord’ at TIFF; Sebastian Stan: “Not A MAGA Movie”

I was curious how Cristian Mungiu's "Fjord" would be received this fall. The Palme d'Or winner has become a culture-war flashpoint, and critics are more split on it than you might expect.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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“Venom" is a time-capsule-worthy bomb [Capsule Review]

October 4, 2018 Jordan Ruimy
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I don't really want to go too much into detail about Ruben Fleischer's "Venom" because there are far worthier films that I need to write about today but, suffice to say, it's a total bomb. At some point during yesterday's press/audience screening the crowd was laughing at scenes that, I'm pretty sure of it, the filmmakers didn't intend to portray as comedic. This is a visually dull film, think back on Marvel films circa 2004 ("The Punisher" etc.) ,but more importantly, this is a project that seems to have died in the editing room. The PG-13 rating has handicapped its creators, as you're watching "Venom" you feel as if Fleischer is trying to transcend the restrictions at hand, he wants to create a unique take on the superhero movie and, in a way, this is indeed a unique superhero flick, dealing with identity and scientific malevolence among other heavy themes. However, the editing is a mess. There's no fluidity to the whole thing, just when you think the film is about to turn nasty it cowers down and doesn't go 'there.' It will be interesting to watch the director's cut, which now MUST be released, especially considering that its star, Tom Hardy, mentioned the other day that his favorite scenes, about 40 minutes of them, he claims, were entirely cut out during editing. The idiotic decision to make this film, which is about one of the bloodiest, most carnally violent comic characters, into a Marvel-friendly affair turns out to be its ultimate downfall. There's no reason to think "Venom" would have been that much better if Fleischer had the creative freedom to make the movie he wanted to make. However, given the campy nature of the version I did watch last night, and it's destined to become some kind of camp classic in the near future, you might as well add some graphic blood and guts to the looney equation. For the sake of cult classics everywhere, and B-movie infamy, a director's cut of "Venom" MUST be released.

In REVIEWS Tags Venom
← Trailer for Clint Eastwood's ‘The Mule,' His First Leading Role Since 2008's ‘Gran Torino'The New Yorker's Anthony Lane agrees with me about 'A Star is Born': "Ideally, Cooper’s film would end after the first hour." →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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