Cregger has pulled off another box office hit. His reboot of "Resident Evil" opened to $60M — well past the $40–50M tracking and, by a wide margin, the biggest debut the franchise has ever seen.
This weekend, California AG Rob Bonta is meeting with Paramount to discuss a potential deal in the Warner Bros. Discovery merger.
Variety suggests the film is so bad that it may be time for a total ban on major festivals programming films that use AI, and argues audiences deserve some kind of disclosure before they buy tickets.
I can't tell you what it is — but most of our readers can figure it out. There's a social embargo until the 22nd, and reviews aren't permitted to run until 48 hours before release.
This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.
#JustinHurwitz on the music for Damien Chazelle (@DSChazelle)'s Neil Armstrong movie, "First Man": "I'm getting away from jazz and old-fashioned orchestral sounds and experimenting with electronic music" #GRAMMYs https://t.co/c3xBlgI5RD pic.twitter.com/JMcqm6If8J
— Variety (@Variety) January 28, 2018
As Damien Chazelle is no doubt smackdab busy with his next film, the Neil Armstrong biopic "First Man," his composer Justin Hurwitz, he scored "Whiplash" and "La La Land," has revealed that this third collaboration with Chazelle will not be jazzy at all and, in fact, will veer towards electronica.
The 51st Toronto International Film Festival has handed its People's Choice Award to "La Bola Negra," the Los Javis film that premiered at Cannes and has been quietly building steam ever since.