First, the bad news, and sadly there's plenty of it for Alejandro G. Iñárritu's "Digger." The film is getting blasted by critics, sitting at 44 on Metacritic and 53% on Rotten Tomatoes. Its Oscar odds have all but collapsed.

"Forgotten Island" just opened to $13M domestic and $20.6M worldwide. That's one of the five worst openings in DreamWorks Animation history, against an $80M budget.

Remember when Tom Cruise reportedly visited the set of Shawn Levy and Ryan Gosling's "Star Wars: Starfighter"? Turns out it wasn't just a friendly pit stop.

Meyers has always been known as a perfectionist, but perfectionism and a toxic set are two different things, and Warner Bros. is now paying for a rom-com that may end up as the most expensive in history.

The “Miami Vice '85” cast keeps growing. Andrew Schulz has boarded Joseph Kosinski's big-screen reboot for Universal, per Deadline, joining leads Michael B. Jordan and Austin Butler.

The project, shot intermittently, began production in 2019, allowing the actors to age naturally in real time. This same approach earned Linklater acclaim for “Boyhood” in 2014.

This was always going to be a message movie first. The question is whether that's enough to carry it through awards season. ‘Chicago 7’ managed six Oscar nominations with a similar formula.

It took the Audience Award at San Sebastián this weekend, won the People's Choice Award at TIFF just a week ago, topped the Telluride poll a week before that, and of course, won the Cannes best director prize.

Moments have been “refined,” scenes have been reordered, and most intriguingly, there's a heavily reworked final act built from unseen footage to reflect "Mann's preferred ending."

This is an odd pairing. Dan Trachtenberg, known for “Prey” and “Predator: Badlands,” has signed on to direct a new film inspired by “Sleeping Beauty” for Disney.

The author, who co-wrote and executive produced Gina Prince-Bythewood's adaptation of her 2018 novel, tells The Guardian she'll "never" let another of her books become a movie.

The trailer for Simon Stone’s “Elsinore” has just been released, giving us our first substantial look at Andrew Scott in what has quickly become one of the most talked-about Best Actor contenders of the fall.

Hill, coming off the miserable reviews for this year's “Outcome,” now has yet another film destined for a long delay. This time, it's “Cut Off,” his third directorial effort, which was set to hit theaters this July

Driver will play Otis Wardell, the central villain, psychopathic criminal who operates primarily in Chicago. The character’s presence ties together the prequel and sequel halves of the book’s structure.

According to Tariq, Marvel is upfront about it. They tell you, politely, that what you're making is "a Marvel film directed by a person .. They crop your shots. They change things.”

Stewart and Assayas previously collaborated on 2014's "Clouds of Sils Maria," which won her a César, and 2016's "Personal Shopper," which earned Assayas Best Director at Cannes.

At a post-trailer Q&A for “Werwulf,” which opens Christmas Day, Eggers explained why his next movie is Shakespeare’s teen tragedy rather than another gloomy medieval tale.

Reviews are out: 78 on Metacritic and 92% on Rotten Tomatoes. It's not as good as the first one, which had a ridiculous 99% on RT and an 81 on MC, but it's a good start nonetheless.

The timing is interesting. Just days ago, on September 21, journalist Caleb Williams posted on X that a director had been found for the Kinberg trilogy. Turns out, Watts might be the guy.

“Tender Loving Care," Mike Leigh’s final film, took the Golden Shell, plus two more prizes: a Silver Shell for Best Leading Performance for Kate O'Flynn and the Best Screenplay award for Leigh himself.