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‘Austin Powers 4' Is Happening? Mike Myers Says He's “Writing It Right Now"

Part of the reason a fourth 'Austin Powers' was never made is that Myers basically stepped away from the industry. After "The Love Guru" bombed in 2008, he all but disappeared from leading roles.

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‘Gatto’ Trailer: Pixar's Next Original Film Ditches Glossy CGI

"Gatto," featuring the voices of Mark Ruffalo, Laurence Fishburne, Enrico Casarosa, John Turturro, Jason Schwartzman, Isabella Rosellini, and Jason Mantzoukas, arrives in theaters on March 5, 2027.

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‘Avengers: Doomsday’ Has 10 Credited Writers, Including Ryan Reynolds and Hugh Jackman

The WGA directory has updated its listing for "Avengers: Doomsday," and the final tally is a whopping ten writers on “Avengers: Doomsday.”

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Johnny Depp's ‘Ebenezer' Gets Mixed Reviews, 52% Rotten Tomatoes, Eyes $23M Opening Weekend

Given the low budget, “Ebenezer” will probably amount to a win for Depp. For West, I hope this was a one-time paycheck before he goes back to R-rated filmmaking.

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Brad Pitt to Star in Darius Marder's ‘Connector' for Apple, the ‘Sound of Metal' Director's First Film in Seven Years

The story takes place in 1970s New York and follows a working-class legend, a "sky-walking" ironworker who takes on forces much bigger than himself. Pitt as a blue-collar hero in '70s Manhattan? Sold.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘La Bola Negra' Trailer: Spain's 3-Hour Queer Epic Is an Oscar Contender Heavy on Ambition ..and Kitsch

September 28, 2026 Jordan Ruimy

Fresh off its People's Choice Award win at TIFF just a couple of weeks ago, Javier Calvo and Javier Ambrossi's "La Bola Negra" finally has a trailer.

I'm clearly in the minority on this one. Having caught it in a festival setting, I'll need a second viewing to fully settle my thoughts, but for now my feelings are decidedly mixed. The maximalist style is undeniably striking, especially in that bravura opening stretch, but the film's cranked-to-eleven emotionalism too often tips over into melodrama and outright kitsch. Its ambitions consistently outpace its execution, and the heavy-handed messaging? I couldn't stand it.

The film actually plays like Oscar bait put together by Harvey Weinstein and Miramax back in the ‘90s.

Regardless, “La Bola Negra” has become one of the more reliable Oscar contenders out there, and while a Spanish-language, nearly three-hour queer melodrama isn't your typical crowd-pleaser, this one keeps connecting with audiences. It took the Audience Award at San Sebastián this weekend, won the People's Choice Award at Toronto just a week ago, topped the Telluride poll a week before that, and if course, won the best director prize at Cannes.

Furthermore, the film, which hit theaters in Spain on Friday, has broken box office records in its home country — selling 600,000+ tickets in just three days. This all bodes well for Netflix who decided that “La Bola Negra” will have a 47-day theatrical bow in US theaters, kickstarting what will be intense Oscar campaigning between November and March.

The film is built as a triptych, moving across three timelines: 1932, 1937 and 2017. Each follows a different man, their lives quietly linked by desire, repressed sexuality, lingering pain and the inheritance they pass down.

  • 1932: A young closeted man attempts to gain entry into an exclusive casino club in Granada.

  • 1937: In the middle of the Spanish Civil War, a village trumpeter falls for a handsome prisoner.

  • 2017: A drifting historian starts digging into his family history after receiving a mysterious inheritance from the grandfather he never knew.

Guitarricadelafuente leads the cast alongside Miguel Bernardeau, Carlos González, Milo Quifes and Lola Dueñas, while Penélope Cruz and Glenn Close turn up in small supporting roles.

Spain has already selected "La Bola Negra" as its official submission for Best International Feature at the 99th Academy Awards. Netflix is handling the release, opening it in theaters on November 6th before it hits the streamer on December 4th.

Watch the trailer below.

← ‘The Social Reckoning' First Reaction: Aaron Sorkin Blames Facebook for January 6 in His ‘Social Network' Follow-Up‘Miami Vice' Gets a “Significantly Recut” Final Act in Michael Mann's New Director's Final Cut — 4k Release on December 15 →

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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

If you've read this column for a while, you know the drill: I spitball Cannes every month from now until April, updating the latest intel and trying to figure out what will be in competition, vying for the Palme d'Or.

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James Gray Takes Aim at Letterboxd, First Reactions, Star Ratings and Tomatometers: ‘2001’ Would Probably Be Rotten If Released Today”

James Gray is taking aim at the instant gratification that's infected film discourse, including social media first reactions, and Letterboxd. Oh, and he hates Rotten Tomatoes.

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Brian De Palma's ‘Sweet Vengeance,' His First Film in 8 Years, Might Have a Cut Ready by February

Pino Donaggio confirmed he'll score De Palma's next feature, "Sweet Vengeance." It would be their ninth film together, a partnership that dates back 50 years to "Carrie."

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Ari Aster's ‘Scapegoat' Has Started Shooting in New York City

Darius Khondji is back behind the camera as DP. That's a pairing that should give this thing Aster’s usual very specific, unnerving texture. Bobby Krlic is back to compose his fourth straight Aster movie.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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