Stewart and Assayas previously collaborated on 2014's "Clouds of Sils Maria," which won her a César, and 2016's "Personal Shopper," which earned Assayas Best Director at Cannes.

At a post-trailer Q&A for “Werwulf,” which opens Christmas Day, Eggers explained why his next movie is Shakespeare’s teen tragedy rather than another gloomy medieval tale.

Reviews are out: 78 on Metacritic and 92% on Rotten Tomatoes. It's not as good as the first one, which had a ridiculous 99% on RT and an 81 on MC, but it's a good start nonetheless.

The timing is interesting. Just days ago, on September 21, journalist Caleb Williams posted on X that a director had been found for the Kinberg trilogy. Turns out, Watts might be the guy.

“Tender Loving Care," Mike Leigh’s final film, took the Golden Shell, plus two more prizes: a Silver Shell for Best Leading Performance for Kate O'Flynn and the Best Screenplay award for Leigh himself.

James Gray is hinting at a return to the kind of sweeping, outward-looking, David Lean-inspired filmmaking he last attempted ten years ago — and it won’t be preaching politics.

Chris Hansen finally saw "Primetime" at a Times Square AMC. He gave Robert Pattinson's portrayal a flat "D," called the whole thing a "fever dream" detached from reality

Here's our first real trailer of Robert Eggers' “Werwulf,” and it might be the most Eggers movie Eggers has ever made.

Here's a twist: Alex Gibney’s four-hour Elon Musk documentary, which premiered at Venice, can't get its trailer onto most of the internet, most specifically on social media.

M. Night Shyamalan tells TheWrap that "Lady in the Water" is the film he most wants reappraised, calling it the closest fusion of his family-film and thriller sides.

Qualley will play Adele Astaire, Fred's sister and his original dance partner. Carpenter takes on Ginger Rogers, the partner who helped turn Astaire into one of the most beloved screen stars ever.

A bidding war had broken out. According to Barker, pretty much everyone wanted in, with Neon, Focus, and A24 among the suitors. Netflix was in the mix too, but the offer was to just put it straight on Netflix.

It's rated R for "language" and, strangest of all, "graphic nudity." Who gets naked in this doc? It's left some puzzled, and for good reason.

The power has shifted to Cannes, or just not premiering your film at a festival. There were still some gems, though. Here are my ten favorites among the films I hadn't already seen.

Sky’s reboot is being updated to the present. Blomkvist is now a "cancelled" star reporter who teams up with Salander to look into the decades-old disappearance of Harriet Vanger,

We love Caleb Landry Jones over here, one of the most fearless actors working today, and pairing him with Aster feels like a match made in a very specific, very anxious heaven.

No surprise, “Breaking Bad” tops the 100 Greatest 21st Century Shows. “The Wire is #2, followed by “Mad Men,” “Succession” and “Fleabag,” rounding out the top 5.

The film will stream for free, worldwide, on The Guardian's website in late November. That's a bold distribution move, and it tells you exactly what the filmmakers want here. They want eyeballs, as many as possible.

Theaters are in for a big one. Four wide releases are trying to knock Zach Cregger's "Resident Evil" off the top spot, and as many as five films could gross $20M or more this Friday through Sunday.

Mukdeeprom is well known on the arthouse circuit for his work with Apichatpong Weerasethakul (“Memoria”), and he also shot three Guadagnino movies.