Chalamet didn’t lose the Oscar because of a single scandal or stray comment. Awards races rarely collapse that neatly. More often, they turn because the momentum quietly moves elsewhere.

“The Housemaid 2” is not only happening, but according to its director, Paul Feig, on the Oscars red carpet, the script is in, he’s doing a rewrite, and “we start shooting in the fall.”

The 98th Oscars was dominated by “One Battle After Another,” which won six categories, including Best Picture, Best Director, Best Supporting Actor and Best Adapted Screenplay.

Kogonada has tapped to replace Ben Stiller as the primary director for season three of the acclaimed “Severance,” set to direct most, if not all of the episodes.

Paramount is not moving forward with Landis’ take on a new G.I. Joe movie due to “creative differences.” The studio is continuing discussions with other writers, including Danny McBride.

Not to beat a dead horse, but this is quite something, and if Warner Bros. wasn’t winning a bunch of Oscars tomorrow, this would be a major internal topic of conversation.

Stanton was asked by THR about the reassessment John Carter has been receiving over the past few years—something Stanton says he hadn’t even realized was happening.

This is quite surprising considering Zhao had apparently already shot the 90-minute pilot episode, with Oscar winner Zhao, a self-professed lifelong Buffy fanatic.

Director David Robert Mitchell and actress Maika Monroe are reuniting on “They Follow,” a sequel to the 2014 cult horror film “It Follows.” A summer shoot is planned.

The results of the 46th Razzie Awards are in, and this year’s biggest “winner” is Prime Video’s “War of the Worlds.”

Spielberg is hinting that the one genre he hasn’t tackled yet in his career— the western — might be next, and he’s giddy about the potential.

Pixar’s ‘Hoppers’ will again top the weekend box office, as Universal’s ‘Reminders of Him’ and A24’s indie horror ‘Undertone’ aim for strong openings.

Sky has obtained the U.K. rights to “Blood on Snow,” and has set up a theatrical rollout for sometime in 2027. As of now, there is no U.S. distribution.

“I Love Boosters” screened at SXSW last night, and the reviews aren’t as glowing as Riley’s delirious debut, 2018’s “Sorry to Bother You,” but are mostly positive.

A new YouGov poll finds that “Sinners” is Americans’ top choice for Best Picture at the 2026 Oscars. In the survey, 19% of Americans say “Sinners” should win the top prize.

The current screenplay is by Carrie Solomon, who wrote the 2024 Netflix movie “A Family Affair.” Production is supposed to kickstart this summer in Monaco. Bradley Cooper will in all likelihood direct.

A year later, and the trades are finally reporting on this project. Writer Sarah DeLappe (“Bodies, Bodies, Bodies”) has been tapped to pen the script.

Thirty years ago on this day the Coen Brothers’ “Fargo” was released. The indie boom was in full swing, and American cinema was in the middle of one of its most creatively inspired periods.

Aaron Pierre, who plays Green Lantern hero John Stewart in HBO’s upcoming DC series “Lanterns,” has joined the cast of James Gunn’s “Superman: Man of Tomorrow.”

An anonymous Oscar-nominated director has emailed Deadline expressing frustration with the lack of relevance in recent best picture winners.