Attention ’90s indie cinephiles: Gregg Araki’s “I Want Your Sex” does exist, and just premiered at the Sundance Film Festival.

Sam Raimi’s fourth Spider-Man movie came awfully close to getting made in the late aughts, with Sony pushing it deep into pre-production mode.

Tonight, at Sundance’s famed Eccles Theatre—boy, am I going to miss that place—our first “sensation” screened: Beth de Araújo’s “Josephine.”

At a recent Q&A, Guillermo del Toro and David Fincher tried to defend the idea of “cinema” and what it means to watch a film on streaming instead of in theaters.

Pre-sales for “Wuthering Heights” are currently strong, hinting at a $30M-$35M domestic opening weekend. Here’s hoping you don’t sit next to Fennell’s targeted audience.

Furthermore, the original plan was for 2,000+ theaters to screen “Melania” nationwide, but the rollout has been reduced, going from wide to potential limited release.

Clarkson, who remains an underrated actress after all these years, has always thrived in the margins of American indie cinema. “Pieces of April” remains the touchstone of her career.

Well, this ain’t good. By all accounts, Nia DaCosta’s “28 Years Later: The Bone Temple” is going to have a terrible second weekend at the box office, with a $4M tally.

Boy, these private texts and emails involving Sony Pictures executives and “It Ends With Us” star Blake Lively are quite something. Lots of exposing going on here.

I don’t think Laxe realizes what he just got himself into. Get prepared for a tsunami of online insults in Portuguese.

Sofia Coppola’s long-gestating, and suddenly canceled, adaptation of “The Custom of the Country” has undergone a major transformation, and not for the better.

“Send Help,” which has been described as “Misery” meets “Cast Away,” was penned by “A Quiet Place” duo Scott Beck and Bryan Woods.

If Elordi gets the job, he’d be the youngest 007 ever, which does align with previous reports that Amazon was looking for a young Bond to reboot the franchise.

Chalamet thus becomes the youngest male actor to accomplish this feat since the legendary Marlon Brando, who was nominated for “A Streetcar Named Desire” (1951), “Viva Zapata!” (1952), and “Julius Caesar” (1953).

It was one hell of a morning for Ryan Coogler’s “Sinners,” which earned a record-breaking 16 nominations this morning, further cementing it as the one film that could potentially beat “One Battle After Another” for best picture.

I just have a bad feeling about this one, and that’s despite Travis Knight’s involvement — he’s the director behind “Kubo and the Two Strings” and “Bumblebee.”

Interestingly, several perennially acclaimed titles from the NYT list — including “Moonlight,” “Get Out,” “The Social Network,” “Brokeback Mountain,” and “Children of Men” — are nowhere to be found.

Remember when CGI felt like pure magic? Think T-1000 in ‘Terminator 2,’ or the dinosaurs stomping through “Jurassic Park.” Those effects knocked our socks off in the ‘90s.

Kazakh‑Russian filmmaker Timur Bekmambetov — perpetrator of that “Ben‑Hur” remake — is back with “Mercy,” starring Chris Pratt, Rebecca Ferguson, and hitting theaters this Friday.

One of the more intriguing mysteries of the 2026 movie season has got to be Tom Cruise’s role in Alejandro G. Iñárritu’s “Digger.” What do they have in store for us?