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Ben Affleck’s ‘Animals’ Has A Trailer

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

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‘Minotaur' Trailer: Andrey Zvyagintsev's Cannes Grand Prix Winner Gets November Release from MUBI

"Minotaur" won the Grand Prix at Cannes. A two-time Oscar nominee who already has the Golden Lion for "The Return," Best Screenplay at Cannes for "Leviathan," and the Jury Prize in 2017 for "Loveless.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Oliver Laxe (‘Sirat’): “If Brazilians Submitted a Shoe, It Would Get an Oscar Nomination”

January 22, 2026 Jordan Ruimy

Brazil is on an Oscar hot streak: two straight Best Picture nominees. Last year, it was Walter Salles’ “I’m Still Here,” and this year it’s Kleber Mendonca Filho’s “The Secret Agent.” Both films also managed to get an actor nominated for lead acting (Fernanda Torres, Wagner Moura).

Brazilian fans, or “stans,” get especially passionate about the Oscars because they see any nomination or win as a major national achievement. They tend to react intensely online—celebrating nominations wildly, criticizing snubs as evidence the Academy doesn’t appreciate global cinema, and turning wins into viral national pride.

Now, I’m not saying there’s a correlation, but some have suspected that this intensity coming from Brazilians is what has led to these recent above-the-line nominations. I suspect “Sirat” director Oliver Laxe will be getting a lot of hate now from them with these comments.

Here’s what Laxe had to say:

At the Academy there's a ton of Brazilians and we love 'em a ton, but they're ultra-nationalists. I reckon if the Brazilians submitted a shoe, it’d get nominated for an Oscar.

Come on, that’s hilarious.

I don’t think Laxe realizes what he just got himself into. Get prepared for a tsunami of online insults in Portuguese. It doesn’t help that “Sirat” is competing against “The Secret Agent” in the International Feature category. Blood has been drawn. War has begun.

I wasn’t that big a fan of the second half of “I’m Still Here,” but “The Secret Agent” won two prizes at Cannes—a rarity—and went on to have a very successful run on the festival circuit. It helps that it’s a gorgeously shot, and tremendously ambient film. That said, “Sirat” is the slightly better film. Sorry, Brazil.

← Sony Exec Reportedly Called Blake Lively A “F**king Terrorist” Over ‘It Ends With Us’ DramaSofia Coppola’s ‘The Custom of the Country’ Collapsed at Apple, Reemerges as Feature Film Starring …Sydney Sweeney? →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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