The writer of “Dude, Where’s My Car?” has such self-loathing about its legacy that he’s decided to write a THR op-ed about how he regrets the film.

This week’s barrage of awards announcements has been a bit much: Indie Spirits, Gothams, NYFCC, NBR, AFI, and now the Critics Choice Awards nominations.

After the lukewarm National Board of Review and AFI picks for the top films of 2025, here comes BFI’s Sight and Sound to the rescue. They give us a strong batch of titles.

Hey, look at that — Netflix is already backtracking on its prior commitment to give Warner Bros. titles decent theatrical rollouts.

Netflix has now entered exclusive negotiations with Warner Bros. Discovery over a potential purchase of the company’s film and television studio assets

Imagine being Paul Dano, one of the most reserved actors around, and suddenly, and most randomly, being called out by Quentin Tarantino for being the “limpest dick” in town.

Flynn, who wrote Steve McQueen’s “Widows,” not to mention adapted her own “Gone Girl” for David Fincher, has had several of her novels brought for the screen.

No franchise is dead in Hollywood. There’s no such thing. You can always reboot, reimagine, sequelize, or wait it out a few years before an IP makes a comeback.

The American Film Institute (AFI) has unveiled its list of the 10 best films of the year, and surprisingly, this is more or less a blueprint for the Oscar-contending American films.

This film has had quite a turbulent history. Rewrites definitely occurred, and they were major enough to have significantly altered the originally announced plot.

Sean Baker recently went location scouting for his next film. No cast has been announced about the project, but the filmmaker mentioned that the story would once again focus on a sex worker.

At the Marrakech Film Festival, Dominik sat down for an expansive conversation that covered his Marilyn Monroe biopic “Blonde,” his collaboration with Brad Pitt, and his next film.

Vin Diesel is set to star and write (!!!) the “Rock ‘Em Sock ‘Em Robots” movie for Mattel and Universal. The upcoming live-action film will bring the tabletop boxing game to life on the big screen.

Boots Riley’s “I Love Boosters” was recently slated for a May 22, 2026 release via Neon. It has now been announced that the film will open the 40th SXSW Film Festival in March 2026.

Andy Serkis’ long-in-the-works animated adaptation of George Orwell’s “Animal Farm” has been a passion project of his for nearly 15 years.

Given the potential headaches Warner Bros. and Netflix could face from Trump’s DOJ if a deal moves forward, it will be interesting to see which way this one ultimately goes.

Yeah, that’s not going to happen. Fennell’s high expectations should take into account how “Wuthering Heights,” at its essence, is about two toxic and unlikable people.

The deal between Paramount and Chu is the latest made by Ellison, who also signed Will Smith, the Duffer Brothers, and James Mangold to deals.

Pre-production on the sequel to “The Batman” is finally picking up steam in Glasgow, and the first casting rumors are finally starting to surface.

Back in February, a report had Saoirse Ronan and Austin Butler starring in Sean Durkin’s “Deep Cuts,” with A24 producing. It turns out both stars have dropped out due to scheduling conflicts.