If you’re a regular reader, then you might already know that the two projects Park is referring to are “Brigands of Rattlecreek,” a western written by S. Craig Zahler, and “Genocidal Organ.”

The best modern example of this approach, that I can think of, is another Eggers film, “The Lighthouse,” which was shot entirely in 1.19:1, an almost square frame.

With Rajamouli, it’s go big or go home. He’s all about excess, with no room for subtlety whatsoever — and that’s part of the reason western audiences fell for “RRR.”

My biggest issue with “The Running Man” is that it didn’t feel like an Edgar Wright movie, missing his signature fast-paced editing, energetic camera work, and visual storytelling.

Still, the film was made for under $10 million. It was a quick, low-budget horror project shot during the WGA strikes, starring non-union actors and written by a non-union Canadian writer — so all is still well in Perkins-land, for now.

It’s no coincidence that the name change comes only two years after the ceremony moved to Netflix for its 30th edition. Organizers were likely “encouraged” by the streamer to rethink the show’s presentation

‘Zombieland 2’ was released in 2019 with the same cast, writing team, and director (Ruben Fleischer). The sequel made more money ($125M) but earned inferior reviews.

Since we won’t be getting Quentin Tarantino’s “batsh*t crazy” R-rated “Star Trek” movie, we’re going to have to make do with a brand new Paramount-approved reboot.

The first image from Danny Boyle’s “Ink,” a Rupert Murdoch biopic, has been revealed featuring Jack O’Connell in his role as Larry Lamb, former editor of The Sun. 

We have Anne Hathaway as Penelope, Odysseus’ wife, with Mia Goth’s Melantho, one of the maids in the palace, lurking in the background.

Those early projections for Edgar Wright’s “The Running Man” seem to be accurate. The soft remake of the 1987 movie might debut below the $20M threshold this weekend.

The last great hope to find a front-runner comes to us via Disney’s “Zootopia 2,” which premiered last night with a select few press in attendance.

It looks like Neon is already preparing for that seventh straight Palme d’Or. They have just added to their 2026 sandbox a film that will quite possibly be in Cannes competition next year.

The slow-burning disaster surrounding “Blossoms Shanghai,” which is supposed to have its North American premiere next month, has now reached a point where it’s hard to see how he recovers from this.

It’s been confirmed by The Wrap that James Gunn’s “Superman: Man of Tomorrow” will have Brainiac as its main antagonist.

Focus Features is getting roasted online for a bit of marketing hubris that’s gone hilariously off the rails. An FYC ad for Chloé Zhao’s “Hamnet” has been making the rounds on social media — and not for the reasons the studio hoped.

Emerald Fennell has described her upcoming adaptation of “Wuthering Heights” as “sexual” and “primal.” The latest trailer, released a few minutes ago, certainly hints at that.

You have to wonder how much longer Osgood Perkins will remain in Neon’s good graces. The indie studio has backed his last four films, but there’s been a noticeable downward trajectory along the way.

I googled how many hours of footage two million feet of IMAX film would yield, and the answer I got was 139 hours. Yeah, this movie will probably end up being over three hours.