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Linus Sandgren to DP Shawn Levy's ‘Ghost Rider' on Film — Connor Storrie in Talks to Co-Star

Marvel's "Ghost Rider" just hired one of the best cinematographers working today. Linus Sandgren will serve as DP on Shawn Levy's MCU flick, and, most notably, the project will be shot on film.

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Jafar Panahi Sentenced to Five Years in Prison as Iran Orders His Assets Seized

It keeps getting worse for Jafar Panahi. The Palme d'Or-winning director of "It Was Just an Accident" has been sentenced by Branch 26 of the Tehran Revolutionary Court to five years in prison.

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‘The Birds’ Limited Series Starring Sarah Snook Lands at HBO

Hollywood remaking anything connected to Hitchcock has rarely produced memorable results. Yet the industry keeps trying, despite overwhelming evidence that it’s a fool’s errand.

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‘One of Them Days’ Filmmaker Lawrence Lamont to Direct Ice Cube-Penned ‘Last Friday’ Sequel

Lawrence Lamont, whose “One of Them Days” was one of the more pleasant low-key surprises of early 2025, has been tapped by New Line to direct “Last Friday,” the fourth instalment of the “Friday” franchise.

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‘Coyote vs. Acme' Ruled Eligible for Best Animated Feature Oscar — Crashes the Race Against ‘Wildwood’ and ‘Toy Story 5’

Should "Coyote vs. Acme" even be considered an animated film? The Academy requires animation to cover 75% of a film's runtime, and somehow this movie cleared that bar.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Wuthering Heights’ Trailer Is All Sex, Madness, and Linus Sandgren’s Mesmerizing Cinematography

November 13, 2025 Jordan Ruimy

Emerald Fennell has described her upcoming adaptation of “Wuthering Heights” as “sexual” and “primal.” The trailer, released a few minutes ago, certainly hints at that.

All hail, DP Linus Sandgren. The cinematography looks beautiful, and it’s easily the trailer’s clearest highlight, along with some of the set designs and period details. The trailer’s visuals are utterly mesmerizing, with landscapes and architecture that feel almost dreamlike. The striking red of the floor and the dress is particularly eye-catching.

English lit majors will definitely get triggered by the trailer’s claim that this is “the greatest love story of all time” —definitely not quite what the Brontës had in mind. The production has already faced backlash over casting Margot Robbie as Catherine and Jacob Elordi as Heathcliff, with critics calling for a Black actor to play Heathcliff, described in Brontë’s text as having dark hair, dark eyes, and dark skin.

Fennell, known for “Saltburn” and “Promising Young Woman”, has said Emily Brontë’s gothic classic “cracked me open” when she read it at 14. “I’ve been obsessed. I’ve been driven mad by this book,” Fennell said. “I know that if somebody else made it, I’d be furious. It’s very personal material for everyone. It’s very illicit. The way we relate to the characters is very private.”

So, Fennell must then be furious that there have already been seven film adaptations—not to mention five more for TV—of Brontë’s classic novel.

The film was described by one test attendee as “aggressively provocative” and “tonally abrasive,” leaning hard into Fennell’s now-familiar brand of overstylization. It’s a sensual take on Brontë’s novel, full of salacious imagery. Reports suggest the adaptation will “diverge significantly” from the source material, playing out much as one might expect from Fennell reinterpreting a literary classic through her increasingly polarizing lens.

This could well be the most unusual “Wuthering Heights” to date—and that might not be a bad thing. The last thing anyone wants is another by-the-numbers adaptation. What the next film version needed was a jolt of fresh energy, something bold and unexpected. For better or worse, that seems to be exactly what Emerald Fennell may have delivered.

Fennell’s film will feature hyper-sexualized imagery—far more explicit than any previous adaptation of this material. It opens with a public hanging that quickly descends into grotesque absurdity, as the condemned man ejaculates mid-execution, sending the onlooking crowd into a kind of orgiastic frenzy. A nun even fondles the corpse’s visible erection. Later, a woman is strapped into a horse’s reins for a BDSM-tinged encounter. There are several masturbation scenes. The camera lingers on suggestive textures: egg yolks running through fingers, dough being kneaded with quiet aggression, a slug sliding slowly down glass.

Warner Bros. has set up a Valentine’s 2026 release for “Wuthering Heights.”

← ‘Hamnet' FYC Ad Mocked for Over-the-Top “Greatest Film Ever Made" QuoteOsgood Perkins’ ‘Keeper’ Earns Mixed Reviews From Critics: “His Worst Movie Yet” →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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