A new THR expose confirms that Costner still believes he’s making his “Once Upon a Time in the West,” even if no one else does.

Now, the big question: who will direct it? Steven Soderbergh keeps saying he doesn’t want to, claiming that the series has “been there and done that”

No surprise: “Tron: Ares” prioritizes visual spectacle over story and character development. Those flashy neon aesthetics are certainly dazzling, but there’s no genuine drama, tension, or human interest.

“Coda” was the only Best Picture winner not available on physical media. Nearly five years later, it’s now being reported that the film will finally arrive on Blu-ray and 4K on November 4th.

I was wondering when the inevitable backlash would arrive, but it’s finally here, and it’ll probably only get worse as Oscar season rolls along. 

Its producers hope it will feel like an R regardless, and they maintain the film is still “very violent.” No, this is far from a joke; for a franchise that prides itself on gore, this is a very strange twist.

The sequel only happens if “Michael” becomes a hit with audiences when it opens next April. If it lands big, they’ll move forward. If not, all that extra footage goes straight to the vault

I’ve been tempted to stop posting early test screening reactions — especially after ‘Hamnet’ and ‘Sinners’ tested mixed but were later widely praised.

“Evel,” still in development, is now eyeing — who else — Glen Powell for the lead role. At this point, you might as well just insert Powell’s name as a placeholder on any big project requiring a male lead.

Johnson is taking the disappointment in stride. On Instagram, he framed the film’s flop as a creative victory rather than a financial failure.

Amid rumors that Muschietti had been let go from ‘Brave and the Bold,’ the filmmaker himself has now confirmed that he’s still very much involved, and will be directing the upcoming movie.

We’re living in the era of Briarcliff, Ketchup, and Vertical—indie outfits stepping in to scoop up so-called “problem films” like “The Apprentice,” Luc Besson’s “Dracula,” and “Magazine Dreams.”

Lanthimos once shocked us with the bracing weirdness of “Dogtooth” and the perversity of “The Favourite.” Here, he seems content to give us something “quirky” and “edgy” in quotes.

Following the mockery and backlash, Amazon restored the classic thumbnails that had been on the service for months. Victory for the fans? Not exactly.

A24 gave Aster two blank checks. Neither paid off. And so the question becomes: does Aster still get to make the kind of films he wants to make?