It’s official: Michael Mann’s long-gestating “Heat 2” is happening. According to THR, United Artists (the Amazon/MGM arm) has swooped in and picked up the project from Warner Bros., which walked away after months of failed negotiations over the budget.
No shock there — Mann reportedly wanted $230M at one point, eventually trimming it to $170M, while Warners refused to go higher than $150M, and even offered the possibility of a “Heat 3” if Mann agreed to keep costs down. He didn’t bite.
Now, with Amazon’s deep pockets and the producing power of Jerry Bruckheimer and Scott Stuber, “Heat 2” finally has a home. Leonardo DiCaprio is said to be circling a role, but no other rumored names — which include Austin Butler, Adam Driver, and Bradley Cooper — have received offers yet.
Sources tell Deadline that DiCaprio is in talks to star as Chris Shiherlis, originally played by Val Kilmer in the 1995 classic. This was a role that online fancasting had pegged for Austin Butler, who bears an uncanny resemblance to Kilmer.
For those unfamiliar, “Heat 2,” based on Mann’s own novel, operates as both a prequel and a sequel. It spans decades and continents — Chicago, L.A., Vegas, even the jungles of South America — following a young Neil McCauley and Chris Shiherlis while introducing a new villain described as more sadistic than anything in the first film.
The scale sounds massive — too massive, maybe — which explains why Warners walked away. Mann has never been shy about his budgets, and “Heat 2” sounds like a logistical nightmare: multiple timelines, sprawling locations, and a giant ensemble cast he’ll no doubt want stacked with A-list talent.
However, here’s the thing, Mann is 81 years old and still chasing perfection like it’s 1995. “Ferrari” proved he hasn’t lost his precision or his obsession with craftsmanship, though not everyone was on board with that one. If “Heat 2” really happens, it could be his final grand statement — the kind of uncompromising, large-scale filmmaking studios rarely allow anymore.
Then again, with a $170M budget and a notoriously exacting director at the helm — one known for consistently going over budget — it could just as easily become the most expensive passion project in recent years. Either way, it’s Michael Mann — and that means we’re watching.