Penn, 65, is telling Vanity Fair that he’s taking a break from acting to focus on directing, and has lined up quite the actor in the lead role.

Row K has swooped in with an eight-figure deal for Jaume Collet-Serra’s “Cliffhanger” reboot. The film is now being lined for a 3000 screen U.S. theatrical release in 2026.

Coppola is attached to direct “Perfect,” a biopic of Olympic gymnast Kerri Strug, and Netflix is reportedly in talks to acquire the project. Filming is slated for next spring.

Sources also indicate that Knight is drawing heavily from Fleming’s earliest novels, which could mean a return to Bond’s Royal Navy background and his rise through MI6.

The film, backed by Searchlight Pictures, had begun shooting in the U.K., and with that comes our first look — seen above.

while promoting “One Battle After Another,” PTA was finally asked (via Dazed) about the “rumors” of his uncredited writing on “Killers of the Flower Moon” and Ridley Scott’s “Napoleon.”

Claudia Cardinale, the Tunisian-born Italian actress whose career spanned over six decades and who became one of the defining faces of European cinema in the 1960s, has died at 87.

“He got too high on his own supply and needs a change of pace,” the exec said, pointing out that “Us” and “Nope” split audiences and carried increasingly hefty budgets.

Chastain plays a top-secret undercover investigator known only as “The Savant,” who infiltrates online hate groups to take them down from the inside.

Paul Thomas Anderson has never hidden his eclectic taste, often embracing movies far outside the arthouse canon.

In other words, del Toro’s evolution may have finally reached its peak. Things got way too big, and now he’s going to scale back, justifiably so, into less operatic, fantasy-filled diasporas.

The remake, which only wrapped production in March 2025, is being fast-tracked for a straight-to-streaming Disney+ debut this October 22. No theaters. That’s an unusually quick turnaround.

“One Battle After Another” hits theaters this Friday, and while last-minute walkups could still give it a lift, early presales suggest that outside of the die-hard cinephile crowd, general audience interest is virtually nonexistent.

We finally have our first look-see at Maggie Gyllenhaal’s “The Bride” via a 2-minute teaser trailer. What did I just watch? A Bonnie and Clyde-style “Frankenstein” movie? Avant-Garde Visuals? I can’t say I’m not intrigued.

Simon West, the filmmaker behind “Con Air” — and plenty of bad movies — is reteaming with Nicolas Cage on his World War II espionage thriller “Fortitude.”

Shot entirely from police bodycam footage, and edited to perfection, follows a petty disagreement between neighbors in Florida that takes a lethal turn.

Things went down at Warner Bros.? Messy. Very messy. Lifshitz and Margules were told abruptly kicked out of the Warner lot, told to clear out of their offices late Friday.

Just last night, Scorsese moderated a Q&A with PTA at the DGA, where the film received a raucous standing ovation. He opened the conversation with high praise.

Cregger revealed that he had written material focused squarely on Gladys but cut it from Weapons for length. That “lost” storyline is now being eyed as the backbone of the prequel.