A24 has curiusly dropped “Victorian Psycho,” the new psychological thriller from Zachary Wigon (“Sanctuary”). The film is currently shooting in Ireland.

Pitt is currently shooting David Fincher’s “The Continuing Adventures of Cliff Booth” until around December, and “Riders” will be his next project after that.

Sony’s marketing for Kogonada’s latest has been… minimal at best. The campaign barely exists, giving the impression they might be quietly dumping it.

Daniel Day-Lewis, three-time Oscar winner, long regarded as one of cinema’s greatest actors, will end an eight-year hiatus with “Anemone.”

Disney is suddenly freaking out about losing its “boy” audience. No, really—they’ve finally noticed that the demographic they’ve spent the last decade ignoring might actually matter.

Coming off the ‘Marvels’ stench from just a few years ago, Nia DaCosta has decided to cleanse herself by making a 19th century period piece starring Tessa Thompson.

The film follows Cooper’s previous directing efforts, “A Star Is Born” and “Maestro,” both of which debuted on the fall festival circuit.

Here’s a great film, one of very best films I saw at this year’s Cannes: Kelly Reichardt’s “The Mastermind.” A trailer has been released.

Hot off the heels of “All of Us Strangers,” filmmaker Andrew Haigh has been tasked to direct an Adaptation of Colm Tóibín’s “A Long Winter,” and it’s being prepped as his next film.

“The Long Walk,” which has been in development hell for decades, will finally be released in theaters on September 12 via Lionsgate.

Some of his most notable works include “Glory,” “Legends of the Fall,” “The Last Samurai” “ Blood Diamond,” and “Courage Under Fire.”

Last December, it was announced that Snyder would helm an untitled LAPD action thriller for Netflix. So much for that.

It’s hardly shocking that staff at NYC’s Film Forum internally rebelling against the decision to bring the 2019 Venice Grand Jury Prize–winning film to U.S. audiences for the first time.

This marks a rare step forward for theatrical-averse Netflix, which is starting to show signs of openness to big-screen releases.

Isn’t it odd how “Yes” was utterly acclaimed at Cannes, yet hasn’t shown up at any of the big fall festivals? No Telluride. No TIFF. No NYFF.

1700 U.S. and Canadian theaters have already committed to the ‘Kpop’ singalong event, and as of August 19, a whopping 1,000 screenings were sold out.

What’s amusing is how Netflix spun this thing. The trades were spoon-fed a nice, clean figure: $30M. That’s what they said the budget was.

“Death of a Salesman” is hard to pull off on film, but the talent assembled for this latest attempt is sure to turn some heads.

Vikander has decided to throw the film she won an Oscar for under the bus, and not because of its quality, but rather because of its non-conformist casting.