It’s hardly shocking that staff at NYC’s Film Forum internally rebelling against the decision to bring the 2019 Venice Grand Jury Prize–winning film to U.S. audiences for the first time.

This marks a rare step forward for theatrical-averse Netflix, which is starting to show signs of openness to big-screen releases.

Isn’t it odd how “Yes” was utterly acclaimed at Cannes, yet hasn’t shown up at any of the big fall festivals? No Telluride. No TIFF. No NYFF.

1700 U.S. and Canadian theaters have already committed to the ‘Kpop’ singalong event, and as of August 19, a whopping 1,000 screenings were sold out.

What’s amusing is how Netflix spun this thing. The trades were spoon-fed a nice, clean figure: $30M. That’s what they said the budget was.

“Death of a Salesman” is hard to pull off on film, but the talent assembled for this latest attempt is sure to turn some heads.

Vikander has decided to throw the film she won an Oscar for under the bus, and not because of its quality, but rather because of its non-conformist casting.

Production begins this month in Colombia, with “Rebel Moon” alums Stuart Martin and Fra Fee cast in the lead roles. (Back in 2016, the film was set to star Christian Bale and Sean Penn.)

Commendable in spirit, but let’s be real, this isn’t consensus-building criticism. It’s branding. If you’re going to be that audacious, don’t call it a “Best of” list.

PTA described his career and style as “box-office challenged.” Yet “One Battle After Another” will be his biggest commercial swing, with a reported budget anywhere from $150M–$175M.

Hot off the strong reviews he garnered for “28 Years Later,” Danny Boyle has set up his next film at Studiocanal Production.

Its director, Kevin Macdonald, seems to believe the film marked the end of an era for adult-driven mid-budget productions.

Edward Berger has a new film in the can, premiering at the Telluride Film Festival. It’s called “The Ballad of a Small Player," and stars Colin Farrell as a compulsive gambler.

Fraser will now serve as cinematographer on Sam Mendes’ four planned Beatles films, starring Paul Mescal, Harris Dickinson, Barry Keoghan, and Joseph Quinn.

Pawlikowski’s last two films, “Ida” and “Cold War,” were critically-acclaimed films, both shot in black and white. I would bet good money this one will also be lensed that way.

Attorneys for Rinsch are preparing to argue that he was experiencing a “state of psychosis” during the making of “Conquest” and therefore lacked the capacity to intentionally defraud Netflix of $11M.

Ethan recently confirmed that he and Joel had written a script, a horror project, and that the two would “hopefully” make it down the line.

DaCosta might have been chewed up and spit out by Marvel’s machine, but she’s already noticing there’s life, and artistic freedom, after the MCU.

The trailer is sharp, and unnerving. It not only offers a clearer sense of the film’s story but also plays like two teasers in one — each unfolding from a different character’s perspective.

Anya Taylor-Joy is in talks to play the iconic singer-songwriter. She will play Mitchell during her peak years, while Meryl Streep will play Mitchell during the later part of the singer’s career