So, apparently, Taylor Russell, who just dropped out of “Thomas Crown Affair,” is now attached to star in Frank Ocean’s directorial debut for A24.

Dan Trachtenberg, who revitalized the ‘Predator’ franchise with 2022’s “Prey,” is back behind the camera for “Predator: Badlands,” and the first trailer has officially dropped.

Russell, who was the co-lead, alongside Jordan, departed the film in the middle of shooting. Her exit stemmed from “creative differences.”

James Gunn’s “Superman” has been struggling to meet expectations overseas, currently at $171M, with theories swirling as to why that is the case.

Gus Van Sant is back. After years of radio silence on the feature film front, the iconic filmmaker is set to return this fall with “Dead Man’s Wire.”

Here comes an interesting film from the same team that brought us “The Brutalist.” It’s a radical musical co-written by Mona Fastvold and Brady Corbet.

It’ll be an ambitious film. Clocking in at a hefty 2 hours and 29 minutes, “Frankenstein” is only one minute shorter than del Toro’s last live-action, 2021’s “Nightmare Alley.”

The Toronto International Film Festival is back for its 50th edition, and this morning’s lineup revealed an intriguing update as to what to expect with this year’s fall fests.

I figured this would happen. Marvel will recast its most popular heroes. This means Iron Man and Captain America — two of the biggest names in the MCU — will return in new forms,

The long-gestating, frequently-rewritten, possibly-cursed MCU reboot of “Blade” is still alive. Barely. Marvel Studios head honcho Kevin Feige confirmed that Mahershala Ali was still attached to play the vampire-slayer.

Word is trickling out that Laura Poitras is set to return to the Venice Film Festival competition lineup this year with a brand new documentary.

“Superman” held firm in its second weekend, soaring past the $406M global mark. It has now amassed $235M from North America and $171M overseas.

James Cameron has decided that the best thing to do in between making ‘Avatar’ movies is to direct a Billie Eilish concert in 3D.

Of this week’s theatrical releases, the one most capturing the attention of World of Reel readers has got to be Ari Aster’s “Eddington.”

Corbet mentioned that he was inspired to write it after watching “Texas Chainsaw Massacre. Most notably, he’s shooting this one very rare eight perf 65mm cameras.

Taylor Russell, who was the co-lead, alongside Jordan, has departed the film in the middle of shooting. Her exit stems from “creative differences.”