A trailer for Sam Taylor-Johnson’s Amy Winehouse biopic “Back to Black” has been released. The film is being released theatrically on May 10, 2024 via Focus Features.

The film’s plot is total dark absurdism. A neo-horror thriller starring Adams as an overworked woman who is convinced she's, quite literally, turning into a dog.

Speaking of Burton, Deadline is reporting that he’s attached to direct “Attack of the Fifty Foot Woman”, a reimagined telling of the 1958 Warner Bros. movie.

“I think the success of Oppenheimer certainly points to a sort of post franchise, post intellectual property, landscape for movies — it’s kind of encouraging,” Nolan told the podcast, hosted by Alex Zane.

Amy Adams is in negotiations to co-star alongside Jenna Ortega in Taika Waititi’s “Klara and the Sun,” based on Kazuo Ishiguro’s New York Times bestselling novel.

of us have been wondering when Gareth Evans’ “Havoc” will be released. There’s been a lot of speculation about the reasons for its delay, with reshoots having happened in early 2023.

After months of speculation, Daniel Richtman appears to have confirmed what I was theorizing in March of 2023: that Paul Thomas Anderson’s next film will be an adaptation of Thomas Pynchon’s 1990 novel “Vineland.”

The upcoming film starring Julianne Moore, Tilda Swinton, and John Turturro will begin shooting this March in New York and Madrid. There’s one more actress that should be added to the cast soon — Anya Taylor Joy?

A trailer for “The Beast” is now online. Bertrand Bonello’s critically acclaimed sci-fi mindbender, starring Lea Seydoux and George MacKay, was acquired by Sideshow and Janus Films.

After a much-heated bidding war, THR is reporting that Sony has prevailed and acquired the rights to “28 Years Later” and its still-untitled sequel.

Cannes boss, Thierry Fremaux, was a guest speaker at the Goteborg Film Festival. He had some interesting things to say about cinema, festivals, and, most intriguingly, Netflix.

Luca Guadagnino’s “Queer” will have its world premiere at the 77th Cannes Film Festival which is set to take place May 14 to 25, 2024. It’ll be the first time Guadagnino brings one of his films on the Croisette.

Will the bad “Argylle” reviews put a damper on Matthew Vaughn’s current momentum in the industry? He had a promising start in his career (“Layer Cake,” “Kick-Ass,” “X-Men: First Class”) but it’s all going to sh*ts right now for him.

Sean Wang’s “Didi” has been acquired by Focus Features who will give it a much-deserved theatrical release later this year. No word on how much Focus had to fork out to nab the film.

Paul Giamatti is a treasure. Let us remember that he wasn’t even Oscar nominated, and should have won, for 2004’s “Sideways.” He is back in the race, this time nominated for “The Holdovers.”

Now, in a Time Magazine interview, Villeneuve confirms he’s currently working on three projects: “Dune: Messiah,” “Cleopatra” and an adaptation of Arthur C. Clarke’s “Rendezvous With Rama.”

I don’t know why Matthew Vaughn, who has been everywhere lately, needs to weigh in on the MCU, but, sure, why not? He’s got “Argylle,” a spy movie, coming out next week and hasn’t really been involved in the superhero genre since ‘X-Men: First Class.”

Although Nolan prefers to make big studio epics, that doesn’t mean he isn’t fond of smaller budgeted indies. When asked about some of the more recent films that he’s seen, Nolan namechecks two A24 titles as favorites.