I doubt this’ll be getting any awards traction, but MGM has officially submitted Jonathan Major’s “Creed III” performance for Oscar consideration.

Linklater has been doing interviews for the film, and, speaking to NME, he’s a big “Barbie” fan. In fact, he’s seen it multiple times, citing how impressed he was by the musical numbers.

What happened to Chris Pine’s “Poolman”? I had reported about the disastrous premiere screening on Tuesday, before reviews had even come out, but things have only gotten worse since then.

I’m not entirely sure which version of “Aquaman: The Lost Kingdom” will be released since, at least, three different ones have been test-screened. Regardless, a trailer has been released.

After Christopher Nolan, Denis Villeneuve and Danny Boyle, here’s another name that is added to the list of potential Bond directors.

Here’s the trailer for Wes Anderson’s “The Wonderful World of Henry Sugar.” I know some of our readers, actually, a lot of them, have grown to dislike Anderson’s highly stylized cinema, but I’m not one of them.

Canadian filmmaker Guy Maddin, the man behind “The Saddest Music In The World” and “My Winnipeg,” among many others, is one of the most eccentric filmmakers out there.

Sony Pictures Entertainment chairman-CEO Tony Vinciguerra is sounding the alarm on a potential lack of movies for next year. It was to be expected.

Yesterday, I asked around for any additional “The Color Purple” reactions, I found one and it’s pretty positive:

“The Burial,” a courtroom drama directed by Maggie Betts and written by Doug Wright, is the type of baity drama that used to get made in the ‘90s and I do mean that as both a good and bad thing.

There’s no end in sight with the strike, it could very well go on until next year, which means awards campaigning will be severely affected by this situation,

There are still five days left at the Toronto International Film Festival, but practically every big title has premiered now. I can safely say that this has been one of the best TIFF editions in recent years.

Ranking your favorites films, listing them, has been part of cinephile culture for years. Critics’ year-end ten best lists have been around since, at least, the late ‘60s. However, Martin Scorsese wants no part in that tradition.

The general reactions I had gathered about “The Color Purple,” when it was test screened in the fall of 2022, was that it wasn’t a very good movie.

Celine Song’s first film, “Past Lives,” is one of the most acclaimed movies of the year. A delicately hushed debut feature that has had critics raving about it ever since its world premiere at Sundance this past January.

France hasn’t won a Foreign/International film Oscar in over 30 years. Maybe this will finally be the year.

Here’s another movie that rips off Scorsese’s ‘Wolf of Wall Street’ — there have been many of them lately. David Yates’ “Pain Hustlers” premiered at TIFF, and the reviews have been terrible.

Here’s a new trailer for Martin Scorsese’s “Killers of the Flower Moon.”

Martin Scorsese has described modern cinema as being “fragmented” in comparison to his earlier years. This comes from his Time interview from yesterday.

Here’s a film that needs to be tackled. Azazel Jacobs’ “His Three Daughters” which still has no distributor, has turned into one of the more acclaimed films of this year’s festival.