I won’t even bother quoting Danielle Deadwyler and Viola Davis’ recent condemnations of, in their view, the racist Academy. There’s no point in beating a dead horse twice.

Okay, I get it. Michael B. Jordan’s “Creed III” is supposed to be highly entertaining. I’ve already gotten around a half dozen email reactions this year about how great it is.

If there was any cinematic justice in this world then “TÁR” and “The Banshees of Inisherin” would be the frontrunners to win Best Picture.

What the “Cocaine Bear” trailer showcased was the definition of what Martin Scorsese referred to as “true cinema.”

Details are slowwwwly trickling in concerning Woody Allen’s working-titled “WASP22.” We still don’t know much about the film beyond Allen comparing it to his dark 2005 drama “Match Point.”

It’s no secret that movie theaters are currently in a desperate predicament. So, the need for AMC theaters to be introducing three different seat-pricing options has been met with backlash.

I would mostly agree with Steven Soderbergh’s assessment that movies aren’t as culturally relevant as they were a few decades ago, but I find the advent of streaming only really kicked the irrelevance up a notch in the early 2010s

I mean, honestly, does anyone actually believe Gina Prince-Bythewood is a great filmmaker? The nonsense narrative when it comes to the lack of inclusion in this year’s Best Director and Best Actress race is getting tiresome.

I won’t miss “Magic Mike’s Last Dance,” which I’m set to watch a morning press screening tomorrow. I’m a Steven Soderbergh fan (and completist) but these early reviews are concerning.

17-year-old Kane Parsons hit the jackpot. The YouTube director of short films has been hired by A24 to helm a feature-length version of his mysterious short “The Backrooms.”

Consider me surprised that reshoots for Rose Glass and A24’s “Love Lies Bleeding” have been underway for a few days now in New Mexico. That’s news to me.

It’s always a joy to watch the Criterion Closet’s segments on YouTube. The latest one has “Everything Everywhere All At Once” filmmakers Daniel Scheinert and Daniel Kwan showing up to pick their favorites.

While Damien Chazelle’s “Babylon” bombed stateside, in France it’s just surpassed 1 million tickets sold.

Much like it’s wintry counterpart, Sundance, the Berlin Film Festival is such an unpredictable festival.

During the weekend, I sent a mass email to hundreds of Oscar voters, members of the Academy, asking them to pick the one film they would vote for Best Picture.

80-year-old Harrison Ford had confirmed that “Indiana Jones and the Dial of Destiny,” will be the fifth and final time he plays the titular hero.

There was obviously going to be backlash against Antoine Fuqua’s upcoming Michael Jackson biopic. I would think the makers behind this upcoming new film knew that in advance.

I’ve only seen the first episode of HBO’s “The Last of Us,” a cultural phenomenon that has had millions of Americans hooked to its every scene.

Australian director Justin Kurzel is hit and miss for me, I loved “Nitram” and “Snowtown,” but was no fan of 2019’s “True History Of The Kelly Gang,” and his “MacBeth.” Don’t even ask about his adaptation of “Assassin’s Creed.”

A Premiere Magazine preview of potential Cannes titles basically rehashes the recent Le Film Français article, but with some intriguing new details.