Golden Globe Nominations: "Shape of Water" leads the way, Plummer nominated for replacing Spacey, "The Big Sick," "Wonder Woman," snubbed

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Best Picture – Drama:
“Call Me by Your Name”
“Dunkirk”
“The Post”
“The Shape of Water”
“Three Billboards Outside Ebbing, Missouri”

Best Picture – Comedy or Musical: 
“The Disaster Artist”
“Get Out”
“The Greatest Showman”
“I, Tonya”
“Lady Bird”

Best Performance by an Actor in a Motion Picture – Drama:
Timothée Chalamet, “Call Me by Your Name”
Daniel Day-Lewis, “Phantom Thread”
Tom Hanks, “The Post”
Gary Oldman, “Darkest Hour”
Denzel Washington, “Roman J. Israel, Esq.”

Best Performance by an Actress in a Motion Picture – Drama:
Jessica Chastain, “Molly’s Game”
Sally Hawkins, “The Shape of Water”
Frances McDormand, “Three Billboards Outside Ebbing, Missouri”
Meryl Streep, “The Post”
Michelle Williams, “All the Money in the World”

Best Performance by an Actor in a Motion Picture – Musical or Comedy:
Steve Carell, “Battle of the Sexes”
Ansel Elgort, “Baby Driver”
James Franco, “The Disaster Artist”
Hugh Jackman, “The Greatest Showman”
Daniel Kaluuya, “Get Out”

Best Performance by an Actress in a Motion Picture – Musical or Comedy: 
Judi Dench, “Victoria & Abdul”
Margot Robbie, “I, Tonya”
Saoirse Ronan, “Lady Bird”
Emma Stone, “Battle of the Sexes”
Helen Mirren, “The Leisure Seeker”

Best Performance by an Actor in a Supporting Role in a Motion Picture:
Willem Dafoe, “The Florida Project”
Armie Hammer, “Call Me by Your Name”
Richard Jenkins, “The Shape of Water”
Christopher Plummer, “All the Money in the World”
Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

Best Performance by an Actress in a Supporting Role in a Motion Picture:
Mary J. Blige, “Mudbound”
Hong Chau, “Downsizing”
Allison Janney, “I, Tonya”
Laurie Metcalf, “Lady Bird”
Octavia Spencer, “The Shape of Water”

Best Director – Motion Picture:
Guillermo del Toro, “The Shape of Water”
Martin McDonagh, “Three Billboards Outside Ebbing, Missouri”
Christopher Nolan, “Dunkirk”
Ridley Scott, “All The Money in the World”
Steven Spielberg, “The Post”

Best Screenplay – Motion Picture:
“The Shape of Water”
“Lady Bird”
“The Post”
“Three Billboards Outside Ebbing, Missouri”
“Molly’s Game”

Best Motion Picture – Foreign Language
“A Fantastic Woman”
“First They Killed My Father”
“In the Fade”
“Loveless”
“The Square”

Best Animated Film:
“The Boss Baby”
“The Breadwinner”
“Ferdinand”
“Coco”
“Loving Vincent”

Best Original Score – Motion Picture:
“Three Billboards Outside Ebbing, Missouri”
“The Shape of Water”
“Phantom Thread”
“The Post”
“Dunkirk”

Best Original Song – Motion Picture
“Home,” Ferdinand
“Mighty River,” Mudbound
“Remember Me,” Coco
“The Star”, The Star
“This Is Me,” The Greatest Showman

Comic Con Brazil: Upcoming DC Films Announced

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Comic-Con Experience in Sao Paulo, Brazil, of all places, had a special treat today for DCEU fans. Warner Bros. revealed its upcoming movies coming from DC Films. As I've previously mentioned in recent posts, there has been a question mark looming around the DC Extended Universe ever since the underwhelming performance of "Justice League" at the box office, however, it seems like the WB is not changing anything in their plans, at least according to the title cards shown during the Warner Bros. presentation. According to Comic Book:

"There was a "Wonder Woman" sequel that showed the logo flanked by Roman columns. There was no “2” in the title, suggesting Wonder Woman 2 may not be the film’s official title. Additionally, the title card for "Aquaman" was shown. "Aquaman" will be the next DC Extended Universe movie out of the gate, arriving in 2018. The title card for "Flashpoint" was shown, indicating that DC Films is moving forward with plans to turn The Flash film into an event. That was followed by "Justice League Dark," suggesting progress is still being made towards bringing the mystical side of the DC Universe to live-action. Suicide Squad 2" was teased with a title card. As well as the upcoming "Batgirl" movie, "Shazam," "Green Lantern Corps," and "The Batman."

"Conspicuously absent from the list was the previously announced "Cyborg" movie, as well as the second "Justice League" movie. There was also no mention of any other of the Suicide Squad spinoff movies – "Gotham City Sirens," the "Harley Quinn solo movie," "the Harley and Joker team-up movie," and the rumored "Deadshot" solo were all absent. The villain-centric "Black Adam" and "Deathstroke" movies were also absent from the list, as was the "solo Joker" movie, though that film will not be a part of the DC Extended Universe, which may explain its absence.

"Justice League" will be followed in the DC Extended Universe by Aquaman on December 21, 2018, Wonder Woman 2 on November 1, 2019, Shazam on April 5, 2019, Cyborg in 2020, and Green Lantern Corps in 2020. Justice League movie poster image.

Mark Hamill Wishes Disney Gave George Lucas' Advice More Weight

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Mark Hamill's interviews for "The Last Jedi" have been incredibly fascinating to watch. The 66-year-old-actor seems somewhat bitter or, should I say, troubled by the way Luke Skywalker has been treated in Episode IX. He's said "if people are expecting me to come out and weigh in with what I think about it, they're going to be disappointed, because it takes me a long time.  At times, I'd say to Rian [Johnson], 'We gotta think of what the audience wants,'" Hamill said. "And he'd say, 'No, we've gotta think of what we want.' Which is a learning process for me." 

Hamill has even admitted he was "shocked" when he read "The Last Jedi script, "“The fact that Luke says, ‘I only know one truth. It’s time for the Jedi to end…’ I mean, that’s a pretty amazing statement for someone who was the symbol of hope and optimism in the original films. When I first read it, my jaw dropped. What would make someone that alienated from his original convictions? That’s not something that you can just make up in an afternoon, and I really struggled with this thing.” 

Want more? Hamill had also been quoted that he "fundamentally disagreed" with how Johnson chose Skywalker's story arc for "The Last Jedi," he then backed up on his comments and said "it was inartfully phrased. What I was surprised was by was how he [Johnson] saw Luke. And it took me a while to get around to his way of thinking, but once I was there it was a thrilling experience. I hope it will be for the audience too."


The comments don't seem to stop there, now Hamill says that Disney should have taken George Lucas' advice a little more seriously when it came to these new films. The actor admitted that he is disappointed that Lucas is no longer involved, while also registering his disappointment that the powers that be:

 “I wish they were more accepting of his guidance and advice. What I wish is that they had been more accepting of his guidance and advice. Because he had an outline for ‘7,’ ‘8,’ and ‘9’. And it is vastly different to what they have done.”

He refused to outright attack Disney but we kinda see what he is implying. 

'Ready Player One' Trailer: Steven Spielberg's easter-egg filled pop-culture nirvana

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The Post hasn't even been released yet and here comes the trailer for Steven Spielberg's next endeavor: Ernest Cline's pop culture masterpiece "Ready Player One." A book which was deemed by some to be unfilmable, but Spielberg will try and make some sense out of its dystopian future filled with virtual reality. 

A look at the original trailer and the fear of overkill comes to mind. It's never a positive sign when you are overwhelmed by the sheer amount of visual effects on-screen, why? A lack of humanism does come to play, even though this is essentially a story set in virtual reality. This new trailer is a little better, there's more character and less reliance of wham bam. I'm confident Spielberg will do something interesting with this, but his last few films have brought a losing streak that I hope can be vanquished with this film, or maybe even the upcoming December released "The Papers."

The official synopsis:


"When the creator of an MMO called the Oasis dies, he releases a video in which he challenges all Oasis users to find his Easter Egg, which will give the finder his fortune. Wade Watts finds the first clue and starts a race for the Egg."


“Ready Player One” will be released March 30, 2018.


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“The Last Jedi” Early Reactions Rave About Rian Johnson's Surprise-filled Sequel #TheLastJedi

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The anticipation is incredibly high for Rian Johnson's "The Last Jedi," so much so that the film's original running time would make the news. We know that the final cut is150 minutes and that makes it the longest Star Wars film yet. Next longest? Attack of the Clones at 142 minutes. The original three films in the trilogy were the three shortest. "Star Wars," "The Empire Strikes Back" and "Return of the Jedi" clocking in at 121 minutes, 124 minutes and 132 minutes respectively. Johnson is clearly swinging for the fences with this movie. As I've said before, he is the most talented filmmaker that has ever helmed a "Star Wars" movie, it's not even close.

The premiere just happened in L.A. and it looks like we ourselves a true stunner of a film, at least judging by these tweets:



















Happy 101st Birthday to the Legendary Kirk Douglas - Douglas's bittersweet insight on aging. “I am now a hundred years old. I read about Hollywood, and I don’t know the people. Where is Burt [Lancaster]? Where is Laurence Olivier? They’re all gone. I miss them. I feel lonely.”



With a staggering 91 acting credits spanning more than six decades, including three Academy Award nominations and honorary Lifetime Achievement Award Oscar in 1996, Douglas' influence on American Cinema is indisputable.
Married for 63 years to Anne Buydens, he is also the father of four sons, including, if ya didn't know for some reason, actor Michael Douglas. Douglas was also an influential voice in ending the Hollywood Blacklist of the 1950's through his support of screenwriter Dalton Trumbo. In addition, he is considered one of the worlds oldest active bloggers and continues to write for the Huffington Post.


In a year when we have lost so many notable people please take a moment to celebrate the extraordinary life of this screen legend by sharing your favorite memories of his work.

From an interview he did last year with The Hollywood Reporter:

Douglas turns suddenly somber. “I am now a hundred years old. I read about Hollywood, and I don’t know the people. Where is Burt? Where is Laurence Olivier? They’re all gone. I miss them. I feel lonely.”

It’s one of the few moments of sadness from Douglas, who is otherwise upbeat and animated. He walks with assistance, and he speaks slowly and carefully, the result of a 1996 stroke. He interrupts the interview by saying, “I hope you understand me, because I used to talk better than this.”

Kirk Douglas in an undated 1950s publicity shot
Kirk Douglas with trumpeter Harry James in 1950
Kirk Douglas
Kirk Douglas in Spartacus
Kirk Douglas with Burt Lancaster in 1985
Kirk Douglas with son Michael in 1965
Kirk Douglas with Catherine Zeta-Jones in 2001

"Quest" [Review]

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The person known as Quest is a North Philly resident who owns a studio that has a "Freestyle Friday" open-house. Residents of the turbulently violently area come into the studio every Friday to throw some rhymes into the mic, with the help of Quest as producer and beat-maker. It's a chance for therapeutic healing, as many of these would-be rappers struggle day to day with the neighbourhoods alarming presence of gang violence and poverty. This is also a chance to have free studio time, a luxury which usually cost in the thousands.

Jonathan Olshefski's moving documentary, which I saw this past January at Sundance, follows Quest and his wife Christine Rainey, a women's shelter employee, sometimes referred to as "Ma Quest," for 8 years as they try to help heal a community in need of radical communal change. They each have kids from previous marriages and one child together: P.J. It's not just community work they provide but stumping for Obama during his 2008 presidential campaign. this was back when hope was a viable possibility for black communities Nationwide and his presidency wasn't the catalyst for what would be eight years of rioting and social disapproval.

Of course, like any family followed over the span of eight years, twists and turns happen. That's life. It's a good thing that Olshefski's camera was there to capture almost every single important moment, all simple but effective and too good to be revealed here. His film is a collection of moments that, thanks to incredible editing, makes the film feel like a natural flowing narrative. And yet, although clocking at just 104 minutes, the film feels epic, a time-spanning journey into the black experience in America. Working-class life is shown in unexpectedly touching ways, but, at the end of it all, this is a movie that's more a slice of life not too far removed from the likes of "Hoop Dreams," zeroing in first and foremost on the characters. Just like any indisputably great documentary, "Quest" pulls you in with a key event, an innocent main character wounded in a drug-related gunfight, her eye shot and then this inventively formless documentary begins to show the true horrors behind the gang epidemic ravaging through the streets of many American cities.

There are tender moments as well, a walk-to-school conversation father and daughter, an emotionally depressed would-be-musician being calmed down, it's the mix of personal and political that makes Olshefski's film one of the year's best documentaries [B+]

15 Documentary Oscar Finalists Revealed

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The 15 finalists are as follows:
“Abacus: Small Enough to Jail,” Mitten Media, Motto Pictures, Kartemquin Educational Films and WGBH/FRONTLINE
“Chasing Coral,” Exposure Labs in partnership with The Ocean Agency; View Into the Blue in association with Argent Pictures, the Kendeda Fund
“City of Ghosts,” Our Time Projects and Jigsaw Productions
“Ex Libris – The New York Public Library,” Ex Libris Films
“Faces Places,” Ciné Tamaris
“Human Flow,” Participant Media and AC Films
“Icarus,” Netflix Documentary in association with Impact Partners, Diamond Docs, Chicago Media Project and Alex Productions
“An Inconvenient Sequel: Truth to Power,” Paramount Pictures and Participant Media
“Jane,” National Geographic Studios in association with Public Road Productions
“LA 92,” Lightbox
“Last Men in Aleppo,” Larm Film
“Long Strange Trip,” Double E Pictures, AOMA Sunshine Films and Sikelia
“One of Us,” Loki Films
“Strong Island,” Yanceville Films and Louverture Films
“Unrest,” Shella Films and Little by Little Films

Tarantino's STAR TREK: Patrick Stewart Might Reprise Jean-Luc Picard Role if Tarantino Directs

The actor said he'd "embrace" an opportunity to return as the USS Enterprise's legendary captain should Tarantino's newly revealed project come together.
Looks like Captain Picard wants to join the latest QT venture into space. 
Patrick Stewart has added his approval of Quentin Tarantino as director of a "Star Trek" film. The 77-year-old actor expressed his interest with working with the writer-director as a chance to return to the "Star Trek" universe. He says a "Star Trek" movie directed by QT would be "gripping" and that his "sense of humor" would be much welcomed by fans.

"People are always saying to me, 'Will you be Jean-Luc Picard again?' And I cannot think that would be possible, but there are ways in which something like that might come about," the iconic actor told The Hollywood Reporter speaking from the sidelines of the Dubai International Film Festival, where he received an honorary award. , 
"But one of my dreams is to work with Tarantino. I admire his work so much, and to be in a Tarantino film would give me so much satisfaction. So, if he is going to direct something to do with Star Trek and there was the possibility of dear old Jean-Luc showing up again and doing that for Mr Tarantino, I would embrace it."
Stewart said one thing was sure about a Tarantino-directed Star Trek installment: it would be gripping. 
"The one thing that characterizes all of his movies is that frame by frame, it always challenges, always demands your attention, always demands a very kind of open and generous response to what he does," he said. "I also love his sense of humor as a filmmaker. So yes, he would be my first choice."

Simon Pegg has mentioned that there are four possible screenplays ready for the next Star Trek film, including his own, but Tarantino's seems to be what cinephiles want to happen.
[THR]

Joss Whedon's "Justice League" Extended Cut May Be Released



You can take this latest news any which way you want to take it, but I believe it. Joss Whedon is now a major part of the DCEU and preferring his director's cut over Zack Snyder's is a decision I can see the WB making. Snyder is bad for business now, the WB doesn't want anything to do with him, why would they release his version? If it were up to me? I'd release both.





Joss Whedon‘s extensive reshoots on “Justice League” no doubt clashed with Zack Snyder‘s original vision. Among the changes, Jesse Eisenberg‘s return as Lex Luthor was reportedly axed, and Gal Gadot‘s Wonder Woman is said to have received more scenes and screentime. It’s not just the characters, the overall mood was rumored to get a lighter makeover with Whedon deviating away from Snyder’s darker palettes for a more colorful tone. “Justice League,” in short, was the mix of two visions and you could see that while watching the film. Sure there’s Zack Snyder’s use of ultra slow-mo, the dark interiors and exteriors he so loves to use, and his penchant for the camera zooming in and out of action sequences, but Whedon crashed the party by pulling back on some of that, so much so that as you’re watching the movie you can tell exactly who shot what. The work of these two titan directors that couldn’t be more different, resulted in the “Justice League” that we got. 

The mixed response to the film was expected, however, while “Justice League” currently has 37% on Rotten Tomatoes, fans seemed to have liked it. The film’s CinemaScore is a solid B+ and its 7.4 IMDB rating is pretty solid for DCEU flick. Also, “Justice League” has done well in China, with its $51 million debut weekend marking the second highest launch for a Warner Bros. movie after “Batman v Superman: Dawn Of Justice.”
Meanwhile, fans have rallied behind an online petition demanding Zack Snyder’s original director’s cut. The film’s cinematographer has also added his voice to the mix, hoping to see Snyder’s fully realized film, and now the director’s son, Jett, has spoken up, pointing out the flaws he saw in the finished product and the unfairness of the WB  “meddling” with his dad’s vision. Posting on Vero, Jett wrote:
“On a more serious note, I did enjoy the movie, although it is clearly not what it could have been due to the meddling of Warner Brothers and the forced comedy. The runtime was my biggest gripe with the movie, with events that should take a long time over in a flash;$ but still definitely a fun movie to watch, and would recommend it.”
As much as Whedon’s flair for humor works in most of his films, it seemed out of place in “Justice League,” in which, before leaving production, Snyder set a tone of grim darkness into its frames. Jett isn’t wrong in saying the full vision wasn’t seen on-screen; the film was reportedly originally much longer than its 121 minute running time.
The call for a director’s cut grows louder each day, with even the film’s stuntman Richard Cetroneweighing in, sharing the online petition on Facebook along with the following comments:
It remains to be seen if Warner Bros. will fulfill the request from fans or if Snyder will be given the keys back to the movie he, unfortunately, had to leave due to a personal tragedy. But one thing is clear: fans would warmly embrace a version of “Justice League” that’s pure Snyder.

X-Men Director Bryan Singer Accused of Raping 17-Year-Old Boy

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As Harvey Weinstein‘s day of reckoning is speeding toward him like a bullet train, what’s even more fascinating about the current purge happening in Hollywood, with one new case happening after another like a never-ending domino-split, is that stories we heard about years ago, which were eventually buried away by top-notch damage control teams, are finally making their way back into the fray and this time with a vengeance. Right now, there’s no way you can bury any story that has to do with this topic. Take for example the case of Bryan Singer. A storm was slowly but surely brewing over the writer-director’s rumored past. It felt like it was just around the corner and ready to explode into the zeitgeist. In fact, many were just waiting for the bomb to come down after word came about his erratic behavior on the set of the Freddy Mercury biopic "Bohemian Rhapsody." He has, surely, been lawyering up, preparing for the worst and rounding up his damage control team. I mean, why wouldn’t he?

Well, now comes the news that Singer is being sued for allegedly raping a 17-year-old boy on a yacht, and then "used his position in Hollywood to threaten him into silence."
Buzzfeed has this:
"In the lawsuit, Cesar Sanchez-Guzman alleges that Singer offered to give him a tour of the yacht during a boat party near Seattle in 2003. Once cornered in a room, Singer allegedly forced the teen to perform oral sex before raping him, according to the lawsuit filed in Washington state court"
"The lawsuit states that the yacht was owned by wealthy tech investor Lester Waters, and that the party was attended by a number of young gay men. Sanchez-Guzman states that he was 17 at the time of the party and did not know Singer except that he was a friend of Waters. After the alleged assault, Sanchez-Guzman states in the lawsuit that Singer threatened to ruin his reputation if he came forward."
Singer's rep told TMZ  that the lawsuit was filed by the same lawyer who represented a man, Michael Egan, who several years ago accused Singer and others in the industry of sexual misconduct, only to withdraw the claims.
"Those claims were dismissed by Egan himself, and he later went to Federal prison for lying in a fraud case," the rep told TMZ.
Here's a bit of history on Singer:
After directing the Oscar-winning hit “ The Usual Suspects,” Singer was a hot commodity in Hollywood. However, only a year after winning the statuette, in 1997, a 14-year-old extra accused the director of asking him and other minors to film a shower scene naked for “Apt Pupil.” The suit was dismissed for insufficient evidence.
Since then, rumors have always been abounding in Hollywood about Singer, but not many “victims” would come forward. Did the “Apt Pupil” incident scare people away? It wasn’t enough to scare actor Michael Egan III whom, in April of 2014, accused Singer of sexual assault in an incident that occurred in 1999. Singer had allegedly drugged and raped Egan, who was a minor,  in Hawaii and Los Angeles at the time of “Apt Pupil.” Singer denied the accusations, proclaiming them to be “outrageous, vicious, and completely false.” The suit was withdrawn by Egan, but another surfaced from a British man alleging similar behavior around the time of “Superman Returns.” Nonetheless, Singer continued making movies.
However, earlier this month, a series of tweets appeared from a man named Justin Smith, that alleged that Singer sexually assaulted him in the early aughts. The tweets have since been deleted, according to The Daily Wire, they read as follows:
I first met #BryanSinger in 2000. My boyfriend was one of his best friends, so I had many interactions with him. From the first time I met him, he was always on something. He also constantly hit on me, always asking me to show him my dick or ass. (1/14)
— Justin Smith ️‍ (@Justin_C_Smith) November 1, 2017
When I’d tell my boyfriend about this, he’d say “oh Bryan just gets playful when he’s high”. But we stopped dropping by his house at my insistence.
We’d still bump into him at parties. He almost always had a “posse”. (2/14)
— Justin Smith ️‍ (@Justin_C_Smith) November 1, 2017
This was always him, 2-3 older 50-70 year old men who were obviously on drugs but still wearing their dress shirts & pants (he introduced them as producers) and at least 5 to sometimes 10 young men. I should really say boys, none of them could’ve been older than 16 or 17. (3/14)
— Justin Smith ️‍ (@Justin_C_Smith) November 1, 2017
They were all aspiring models/actors who were always doped up & partially naked. Bryan always made a point to tell me they were going to his place for a “private party” & asked me to come with them. I said no every time. (4/14)
— Justin Smith ️‍ (@Justin_C_Smith) November 1, 2017
This same scenario happened 5 times. Every time, the cast was different. Different gross old “producers”, different harem of boys. But every time, Bryan tried to convince me to join, offering me drugs, even offering me a bit part in X Men 2. (5/14)
— Justin Smith ️‍ (@Justin_C_Smith) November 1, 2017
One night, I asked him who these old men were, & he said “they have a lot of money”. I then asked who all these young guys were & he said, “does it matter?” & laughed.
And I laughed back.
Yes, I hate myself for it.
I don’t really have an excuse. (6/14)
— Justin Smith ️‍ (@Justin_C_Smith) November 1, 2017
This same situation had played out so many times, & even though I knew what was happening was awful, I think part of me had resigned myself to the fact that this was Hollywood. Speaking out about this was unimaginable then. (7/14)
— Justin Smith ️‍ (@Justin_C_Smith) November 1, 2017
That same night, in response to all my questions, Bryan again asked to see my dick. I said no. He then asked to feel my ass. After hesitating, I relented, thinking he’d give it a quick squeeze. Nope. (8/14)
— Justin Smith ️‍ (@Justin_C_Smith) November 1, 2017
He quickly & very aggressively shoved his hand down my jeans & underwear and tried to shove his finger inside me. He had his other hand clamped on my shoulder so I couldn’t immediately move away. He penetrated me for a split second before I shoved him away (9/14)
— Justin Smith ️‍ (@Justin_C_Smith) November 1, 2017
I said no, that I just wanted to go home. He said fine, but I’d better not tell anyone because no one would believe me anyway.
I absolutely believed this, so I never said anything until now.
(11/14)
— Justin Smith ️‍ (@Justin_C_Smith) November 1, 2017
I never went to any of Bryan Singers “private parties”, but I guarantee the stories of the young men who say they were raped are true. I witnessed the beginning of many of these nights. I wish I would’ve loudly objected to what I saw happening. (12/14)
— Justin Smith ️‍ (@Justin_C_Smith) November 1, 2017
I also wish I would’ve had the courage to speak out when he sexually assaulted me. It didn’t benefit me at all to stay silent, all it did was allow myself to become disillusioned & bitter. I hope telling this story helps. Not just me, but anyone else who’s struggling. (13/14)
— Justin Smith ️‍ (@Justin_C_Smith) November 1, 2017
All this has led people to talking about Singer again, who seems to be hearing some of the growing noise. Firstly, the writer-director deleted his Twitter account, and it appears that articles about his alleged sexual assaults are removed from the internet. But Reddit noticed:
It would appear that Singer’s team is starting to do damage control where they can, but his reputation does seem to already be known in the industry. Jessica Chastain retweeted the Daily Wire article with the caption “Let us not forget.” She was then asked on Twitter if she so wholeheartedly denounces Singer, why then has she decided to star in “X-Men: Dark Phoenix,” for which he is the producer. Her answer? “I didn’t realize he was involved until recently. I had no dealings with him and he wasn’t on set,” she replied.
When pressed to comment on her tweet a day later, Chastain didn’t mince words by saying exactly what was on her mind: “I made a decision very early on to not work with people that I felt abused their positions, and didn’t create a healthy environment for those around them.” She went on to add, “I do not feel beholden to anything. I’m going to speak my mind about any injustice that I see. I’m not afraid of anything in terms of that. And I think the greatest myth that an industry can create is to make people feel like they’re easily replaceable. I’m not going to allow that into my life.”
Aren’t you starring in an X-Men movie he is producing?
I didn't realize he was involved until recently. I had no dealings with him and he wasn't on set.
Amidst all the chaos of Weinstein, Spacey, Toback and co., Singer’s own day of reckoning appears to be coming. People are preparing for the worst and that includes the USC School of Cinematic Arts whose students have created a petition at Change.org asking for the removal of Singer from the Division of Cinema and Media Studios. According to Deadline, “Since posting last night, the petition already counts more than 1,700 names. It is being delivered to Dean Elizabeth Daley at the USC School of Cinematic Arts as well as Akira Lippit, Vice Dean of Students.”

Quentin Tarantino's STAR TREK movie will be rated R

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Last week it was revealed that Quentin Tarantino pitched a Star Trek film to JJ Abrams and Paramount, and that we should take the news very seriously. Tarantino had met for hours with writers Mark L. Smith, Lindsey Beer, and Drew Pearce. The idea was to kick around ideas for this to possibly happen. Rumors indicate that Smith, who wrote The Revenant, seems to be the man for the job. Now comes the news that Tarantino has stipulated the film will require to be R rated, and Paramount and Abrams are okay with that. Wow. There has NEVER been a "Star Trek," or "Star Wars" movie for that matter, that hasn't been rated PG-13.  Of course, we know that a movie rated R is not anymore a Box-Office kiss of death, as Fox's Deadpool justifiably reminded us that a few years ago. 
Tarantino has only made R rated films in his career and I cannot see him ever making anything but that kind of picture.  This latest news will no doubt bring a burst of creative possibilities for "Star Trek," which will most likely go places no other film or TV episode in the franchise has gone before.

"Phantom Thread"

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Paul Thomas Anderson said he was inspired by fashion designer Cristóbal Balenciaga in creating the character of Reynolds Woodcock - a controlling, obsessive stylist, aided by his sister assistant (an excellent Lesley Manville) and who doesn't have time for love in his life.  "Phantom Thread," Anderson's 8th movie as writer-director, has Woodcock, played by Daniel Day-Lewis,  falling for strong-willed Alma (Vicky Krieps), who soon becomes a turbulent fixture in his life as his muse and lover.  Alfred Hitchcock's "Rebecca" is clearly an inspiration here  as that gothic-romance classic had Joan Fontaine's simple working-class woman, a general outsider,  shacking up with millionaire Maxim De Winter (Laurence Olivier,) and having to contend with Olivier's housekeeper Mrs. Danvers (Judith Anderson). 
The film is supposed to be Day-Lewis' last of his career, he announced his retirement earlier this year, as the film's production took a severe emotional and mental toll on the method actor. 

The opening sequences are entrancing. With barely any dialogue, and Jonny Greenwood's score weaving a beautiful, lush symphony of pianos and violins, PTA draws you into his world of models and dressmakers at the House of Woodcock. The entry of a perfect muse in the form of Vicky Krieps' Alma brings about an unequal affair between the dressmaker and the young lady. Their strong will, intense romance, breathless moments of pure expression all set in the fashion era of 1950 is very much breathtakingly served by Anderson, who seems really keen in showing us a love story that is more than just about lust, but about the most primal and internal motherly affection most men still crave in their adulthood. 

The chemistry between the unlikely duo flies off the screen in the forms of upturned lips, gentle touches, and warm laughter. For example, the scene where Woodcock takes Alma's measurements feels like sex rather than him taking in measured numbers. Woodcock eventually molds Alma, a rather simple and modest girl, into a British bourgeois. Things don't seem to click from the start, there's tension between work and love that gives off a rather strained affair between the two, Woodcock's controlling habits overpower Alma's more sensitive mannerisms, but in finding the true dynamic that makes them click, they end up making the most unusual of compromises. 

The viewer is always on the outside looking in, we never see them having sex, nor do we truly witness important personal moments between the two, that creates an unusual pacing that will surely put off unadventurous moviegoers. Although it might be deemed his most classically structured film, "Phantom Thread" is a true original. It is less esoteric than the director's last couple of films, and he even serves as his own DP here. The breathtaking cinematography, shot on a 35mm camera, is a clear highlight. There's a dazzling array of tracking shots and intense close-ups that make this truly feel like a PTA movie. It might also be his most experimental picture, even more so than "Punch-Drunk Love," in that the narrative is replaced for ambiance and character studies of the highest cinematic order.  Alma and Cyril are, indeed,  merely vessels feeding Woodcock's mind for much of the movie, though Alma's own thirst for power ultimately earns its own seat at the table as a beautiful compliment. 

Phantom Thread peaks in its first 100 or so minutes, which are perfectly edited and encompass a truly original vision, the fact that it doesn't quite conclude in a satisfying manner and is hampered by strangely edited final few minutes, something PTA has weirdly been guilty of his last few films, only makes the film's mysteries linger in your head for days. Don't mistake "Phantom Thread" for anything but the work of a true master. [A-/B+]

'X-Men: Kevin Feig "eager" to have X-Men be part of MCU -- Also, EXCLUSIVE Photos of 'X-Men: Dark Phoenix'



Deadline has said that Marvel head Paul Feige is reportedly “eager” to have the X-Men at his disposal, and wants to “cross-pollinate the rich swarm of characters with the existing Marvel franchise heroes.” Isn't that what most of us want as well? This has to do with the Disney/Fox deal, still in discussions, which would most likely expand not just monetarily but creatively the MCU. Fox execs also seem prettye excited about the move, X-Men producer Laura Shuler Donner told Vanity Fair about the possible MCU move: “I would love it, I would love it. But it’s not for me to say.”


Also, Dark Phoenix' Entertainment Weekly Cover
















Kathleen Kennedy "Would Love" for Taika Waititi to Direct a Star Wars Film

“Thor: Ragnarok” is a vast improvement upon the first two Marvel installments, much of it thanks to director Taika Waititi (“Hunt for the Wilderpeople” and “What We Do in the Shadows”) who infuses the proceedings with a healthy dose of wacky meta humor. This latest “Thor” movie follows in the footsteps of “Guardians of the Galaxy,” “Deadpool,” Ant-Man” and, more recently, this past July’s “Spider-Man: Homecoming” by not taking itself so damn seriously. The game-changing 2014 “Guardians of the Galaxy” seemed to have sparked a new attitude in Marvel movies — why be so serious about a movie essentially based on a comic book? DC seems to have gotten the memo as well with this year’s entertaining, highly successful and dour-free “Wonder Woman.”
Consider Kathleen Kennedy as a fan of Waititi's. 
She told Newshub she rather loved his "amazing" work with "Thor: Ragnarok." "I would love for him to direct a Star Wars movie," she said. "I think he has exactly the right sensibility. It was very exciting to see him step into the Marvel universe and do such an amazing job with Thor." She then proceeded to say she would "let him know", and laughed "yeah" when asked if it was an actual job offer.
Waititi has expressed his desire to direct a film for the Star Wars universe. "I'm not an idiot. Who would actually say no to Star Wars?" he told Uproxx. 
I can understand Kennedy's enthusiasm for hiring Waititi. He's a top-notch visualist that uses imagery to further his film's narrative. You can turn the sound off in "Hunt for the Wilder people" or "Thor Ragnarok" and still be transfixed by the films. So Kathleen, what are you waiting for then?

Dexter Fletcher Replaces Bryan Singer as Director of 'Bohemian Rhapsody'

Dexter Fletcher

Dexter Fletcher has been hired to replace Bryan Singer as the director of “Bohemian Rhapsody,” Production on the Freddie Mercury biopic is supposed to resume next week.
Fletcher was the original director of the film, back when Ben Whishaw (“Skyfall”) was supposed to play Mercury. He left the project in 2014 over "creative differences."
This is unexpected. I know him primarily as an actor. The main question we all have is: How do the credits work now? Will Singer still get directing credit? Will it be a co-directing credit between Singer and Fletcher? Just Fletcher?'

Singer was fired earlier this week after failing to show up on-set post-thanksgiving break. Before that, he was fighting with his stars, including an incident involving the throwing of  a metal object towards lead actor Rami Malek. The director later released a statement with his own side of the story, blaming the illness of one of his parents, and Fox refusing to give him two weeks off, for his on-set disappearance.

Mark Hamill doesn't know if he likes The Last Jedi or not

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Hamill expects it will take a while before he decides what he really thinks about The Last Jedi.
"The movie is finished, it belongs to the public," he says. "So if people are expecting me to come out and weigh in with what I think about it, they're going to be disappointed, because it takes me a long time. I'm just about ready to talk about Empire Strikes Back! [laughs] And then I'll get on to Return of the Jedi. Because it takes me a long time."
Also this is interesting:
Mark Hamill learned a major lesson from Johnson.
"At times, I'd say to Rian, 'We gotta think of what the audience wants,'" Hamill says. "And he'd say, 'No, we've gotta think of what we want.' Which is a learning process for me."

[Rolling Stone]