Ryan Reynolds to Star in Pokemon Movie 'Detective Pikachu'

The actor will join Justice Smith, who will be seen in the upcoming 'Jurassic World: Fallen Kingdom,' and 'Big Little Lies' actress Kathryn Newton.

No joke.
"The Deadpool star has signed on to star in Legendary’s live-action Pokemon movie, THR has learned.  Reynolds joins Justice Smith, who will be seen in the upcoming Jurassic World: Fallen Kingdom, and Big Little Lies actress Kathryn Newton in the movie, titled Detective Pikachu, based on the gaming franchise. Rob Letterman (Goosebumps) is directing the project, which is due to start shooting mid-January in London."
[THR]

"You Were Never Really Here"



I wrote this on 10/03/17:

Amazon studios has given the critically acclaimed "You Were Never Really Here" a pitiful release date, set for next February 24th. Are you kidding me? You should have heard the critics after the Cannes screening I attended back in May, they were doing backflips for this Joaquin Phoenix-starring movie in which he plays a veangeful hitman. Many were even thinking it might win the Palme D'or. It currently has an 88 Metacritic score, which is pretty impressive considering none of the competition at this year's Cannes received a higher score. 


EDIT: Andrei Zvyagintsev's "Loveless" also received a score of 88.

What does this all mean for director Lynne Ramsay's film? Well, that it has an uphill climb to be noticed in February considering many critics are off that time of the year or have come back from Sundance and are taking a break from watching movies. There's also the fact that if Ramsay's film wants to be noticed come awards time, people will have to remember the film 9+ months hence after its initial release date. Terrible decision from Amazon, hopefully the film won't be ignored because it's an original vision Ramsay has given us and well worth a look. 

Here's what I wrote about the film this past Cannes:

"I saw Lynne Ramsay’s latest film twice at Cannes. A rarity for me, but a case could be made for Ramsay’s film to be dissected as it packs a whole can of worms in its 83 minute running time. Joaquin Phoenix plays a war veteran who now works as a hitman. His attempt to save a young girl from a sex trafficking ring becomes very complicated once he uncovers a political conspiracy lurking beneath it. The editing is the real sell here as Ramsay tries an experimental approach through quickly snipped flashbacks and voiceover. She finds ways to show as little as possible, but say as much as is needed, building up her main character in ways that feel like the story is being told through his subconscious. Heady stuff, but masterfully done and a groundbreaker if there ever was one at Cannes."

Official Synopsis:

"A missing teenage girl. A brutal and tormented enforcer on a rescue mission. Corrupt power and vengeance unleash a storm of violence that may lead to his awakening

Steven Spielberg's "The Post" Is Strained and Unimpressive Oscar-Bait [Review]

Image result for the post 600x200

Steven Spielberg has actually become a better and more mature filmmaker since his E.T heydays. Take for example, some of the craft and masterful storytelling he produced between 1998 and 2006 ("Saving Private Ryan," "Munich," "Minority Report," "AI: Artificial Intelligence," "Catch Me If You Can" and "War of the Worlds"), an incredibly impressive and varied résumé. This was some of the riskiest storytelling he'd ever given us."

His technique seemed to have changed around that time. It felt more refined and less obvious. These were also some of the darkest, most despairing films he ever made. In other words, given the 30+ years of experience he had behind the camera, he just became a better filmmaker and learned from his mistakes. The way he edited, shot, and let the scenes breathe was just masterful. He also used long shots more often, a sure sign of having more confidence in his craft. His style looked simple, yet it was incredibly complex and effective.

However, something changed in recent years.  his latest, "The Post," continues in the very recent tradition of talky, slow-burning Spielberg political dramas ("Lincoln," "Bridge of Spies") of old-fashioned Hollywood craftsmanship. Spielberg's clearly going through a Victor Fleming phase of sorts, one of his idols, or, dare I say it, a Stanley Kramer phase as well, another favorite of his. Meryl Streep, playing Washington Post owner Kathryn Graham, a woman who had to fight her entire life as a woman in what was a man's game, is impressive in a role that will surely give her another Oscar nomination, her 21st. 

Tom Hanks is editor Ben Bradlee, editor of WaPo. A story breaks, as The New York Times exposes "The Pentagon Papers," a massive Vietnam war cover-up of government secrets that spans more than three decades, and four American presidents. Bradlee and his crew try to play catch up with the Times. Then a story breaks, Nixon's White House is suing for publishing the unauthorized documents. Bradlee sees this as an open door for catchup and has his crew search for the papers. 

Ben Bagdikian (Bob Odenkirk) is the man that finds them. Odenkirk is the supporting actor MVP as Spielberg's camera follows his every move to nab the elusive papers. Sporting a comb-over and scraggly buttoned shirt, the 55-year-old actor has never been given a juicier role in a movie, it's well-deserved as his scenes are among the highlights of this well-meaning but condescending affair.

Spielberg crew regulars are part of "The Post," Janusz Kaminski's photography, a Spielberg trademark, is used in rather subtle but dull ways here, in fact, this might be the least showy work of his career.  John Williams’ score, usually a reliable composer, is by-the-books atrocious. However, the cast and crew taken from a who's who of TV actors are aces:  Alison Brie (GLOW), Carrie Coon (Fargo, The Leftover), David Cross (Arrested Development), Odenkirk (Breaking Bad), Sarah Paulson (American Horror Story), Jesse Plemons (Fargo, Breaking Bad), Matthew Rhys (The Americans), Michael Stuhlbarg (Fargo), Bradley Whitford (The West Wing) and Zach Woods (Silicon Valley). 

The film is split into a back and forth between its two main characters. There's Streep's Graham and her struggles not just to make the company public, but the tensions that come with being a woman in power. Then there's Bradlee, a no-nonsense kind of guy scrambling to find the papers with his crew of blue-collar journalists. It all comes together in a finale, where last-minute decisions could make or break the Post's future.

"The Post" is a by-the-books drama that goes along just fine, has a few powerful scenes here and there - and its second half zips along with speedy, albeit forced tension, not wasting any time between scenes. Spielberg, deciding to put on pause "Ready Player One," started shooting the film this past June, knowing full well just how relevant and juicy "The Post" might be for the current zeitgeist. The glibness and lack of overall dimension the film sometimes displays might have something to do with the rushed-up creative process Spielberg had to go through.  It doesn't help that the film is also going to be compared to the much preferable "Spotlight," a film which felt more lived-in and wired-through than Spielberg's. 

This is an episode of dramatized experience that undertakes some soapy creative liberties to make a thin story as cinematic as humanly possible, where the gist of it goes down in, what, 15 hours? Meryl Streep has two Oscar-bait speeches towards the end, both of which feel contrived.  Also, like "Lincoln," "The Post" feels like a stripped down, borderline play at times, however, what benefited the former, the setting of hard-knocks spouting feverish political dialogue, doesn't benefit the latter, which needs a more kinetic, fast-paced procedural style to energize its rather dull frames.

The political atmosphere, resistance to powerful intimidating men and the obvious ties to Trump and press, favor it, but as a movie, it strains, despite a handful of spirited moments, most of which involve Bradlee and his team scrambling to publish the papers on-time and without the interference of government. To me, the film actually says exactly the wrong thing about the power of the press: it empowers the owners, whom, in all honesty, have agendas, biases & greedy tendencies.

There's a moment in the film's final few minutes, possibly my favorite scene,  when after winning the supreme court decision Graham descends the courthouse steps as young female protesters smile at her, in awe, amazement. It's a powerful moment, with no dialogue included just the image of triumph over adversity, in a film that desperately needed more.[C+]

"Twin Peaks" tops Cahiers Du Cinema top 10 of 2017




1 Twin Peaks
2 Jeannette
3 Certain Women
4 Get Out
5 The Day After (Geu-Hu)
6 L’Amant d’un jour
7 Good Time
8 Split
9 Jackie
10 Billy Lynn's Long Halftime Walk




Cahiers has had a long tradition of championing misunderstood films. Cahiers also seems to be more American (in their representation) than most typical US publications. I believe 7 out of 10 films are American.Will Billy Lynn's Long Halftime Walk be revisited in the years to come? Who know, but I remember liking it last year.Maybe a rewatch is due on my part.

John Oliver and Dustin Hoffman spar over sexual harassment allegations at a "Wag the Dog" Q&A



John Oliver is a perplexing figure of the highest order. He has more or less built up a politically correct empire from his "Last Week Tonight" show, which has become a YouTube trending topic on a weekly basis. He is the epitome of what is wrong with not just mainstream "news," but comedians taking a stab at politics. Yes, his show is generally well-researched and persuasive, up to a point, but the agenda is explicit, there are never two sides to a story when it comes to his show's talking points. Personally, I'm a liberal but a lot of the issues he covers make it seem too black and white, even though there are a lot more layers and sides to the stories. The facts, the evidence being brought forth are simply what MSNBC does these days, picking and choosing facts and ignoring others in order to push an agenda. I believe this is not an unpopular opinion, there are more and more detractors of Oliver's style, the tired formula, the way his jokes are delivered, people are starting to realize what this guy is all about. I used to really like the show and its expository pieces, but I find that recently it isn't just the blatant bias and one-sidedness that has turned me off it's also the dumbing down of topics to appeal to the "college left." 

Oliver was hosting a panel in relation to the 20th anniversary of "Wag the Dog," a great movie that has gained significant relevance in the last year of Trumpism. Robert De Niro was there, so was Dustin Hoffman, the latter of which had his own accusation in regards to sexual harassment last month, when writer Anna Graham Hunter wrote an op-ed for The Hollywood Reporter alleging that Hoffman groped her and spoke inappropriately about sex in front of her when she was an intern on the TV movie Death of a Salesman in 1985." Hunter was 17 and Hoffman was 47.  Inexcusable behavior but not something that should probably be brought up post-screening in front of an audience that wants to hear  about the movie they just saw. And yet, that's exactly what Oliver did as he grilled Hoffman for over half an hour on the topic. The holier than thou attitude of Oliver rubbed me the wrong way, but you can make your own conclusions on this matter:


What's up with John Oliver?  Is he such an afraid-of-girls nerdlinger that he knows he has zero skeletons in his closet? I think most guys are pretty shy about getting on their high horse on this subject because they all have something in their past that might be misconstrued or could look "bad"... but not he! 

"This to me is some sort of turning point in this business. Oliver smugly and with the audience on his side attacks him. There is no risk. This is a moment where people who feel their own reputations are spotless can use "the bad ones" as pinatas to raise their public profiles. It's like confident right-wingers in the Hollywood 50's bashing the hell out of vulnerable "reds"--people who may have dabbled in the Communist Party because people were starving in the Depression. There is no distinction made between serial rapists and a guy who did some uncouth things at the height of his fame. Why? Because there NEEDN'T BE ANY--the purpose of the game is to play gotcha, to make the audience feel superior to these well-heeled, stammering old men. The worst is Oliver gloating, as if already reading the approving reviews in HuffPost and Vulture the next morning, that he "doesn't like" Hoffman's answers, as if he were picking out a brand of almond milk. All disgraceful; and we probably have not touched bottom yet." -Matthew Wilder

Bohemian Rhapsody drama: Bryan Singer blames parent's illness and Fox for erratic on-set behavior

Image result for bryan singer statement
The Queen biopic “Bohemian Rhapsody“ has been a mess of biblical proportions. So far, we’ve heard of Director Bryan Singer not showing up on-set, having tantrums against his stars, including throwing a metal object towards Rami Malek, which all led to his firing yesterday. It was bound to happen, but the director has finally released a statement with his own side of the story and he says it all has to do with the illness of one of his parents, and that Fox refused his request for some time off to deal with the personal issue:
"Bohemian Rhapsody is a passion project of mine. With fewer than three weeks to shoot remaining, I asked Fox for some time off so I could return to the U.S. to deal with pressing health matters concerning one of my parents. This was a very taxing experience, which ultimately took a serious toll on my own health. Unfortunately, the studio was unwilling to accommodate me and terminated my services. This was not my decision and it was beyond my control. Rumors that my unexpected departure from the film was sparked by a dispute I had with Rami Malek are not true. While, at times, we did have creative differences on set, Rami and I successfully put those differences behind us and continued to work on the film together until just prior to Thanksgiving. I wanted nothing more than to be able to finish this project and help honor the legacy of Freddie Mercury and Queen, but Fox would not permit me to do so because I needed to temporarily put my health, and the health of my loved ones, first."
I'm curious as to what Fox's response would be to this. There are two weeks left in the shoot of “Bohemian Rhapsody,” a new director will most likely come in to help finish the product, but who will receive the director's credit? Suffice to say, there is lots more to come with this drama.
[THR]

‘Get Out’ Tops Sight & Sound Poll As Film Of The Year 2017

Image result for GET OUT 600X200
Announced:  by Jordan Peele has been voted Sight & Sound's Film of the Year 2017! Full list of films in this year’s critics’ opinion poll available later tonight.
Below are the Top 21 titles on the list. 
1. Get Out, dir: Jordan Peele
2. Twin Peaks: The Return, dir: David Lynch
3. Call Me by Your Name, dir: Luca Guadagnino
4. Zama, dir: Lucrecia Martel
5. Western, dir: Valeska Grisebach
6. Faces Places, dir: Agnes Varda
7. Good Time, dirs: Ben and Josh Safdie
8. Loveless, dir: Andrey Zvyagintsev
9. Dunkirk, dir: Christopher Nolan
9. The Florida Project, dir: Sean Baker
11. A Ghost Story, dir: David Lowery
12. You Were Never Really Here, dir: Lynne Ramsay
12. BPM, dir: Robin Campillo
12. Lady Macbeth, dir: William Oldroyd
14. God’s Own Country, dir: Francis Lee
14. The Shape Of Water, dir: Guillermo del Toro
16. Let the Sunshine In, dir: Claire Denis
16. Mudbound, dir: Dee Rees
16. Strong Island, dir: Yance Ford
16. I Am Not Your Negro, dir: Raoul Peck
16. Personal Shopper, dir: Olivier Assayas


A friend who works for BFI sent me the list, but it should be available a little later in the wee-wee hours of the evening.

Bryan Singer Fired from "Bohemian Rhapsody"

Image result for singer bohemian image

And we thought "Justice League" had production problems? 

What kind of irresponsible twerp behaves the way Bryan Singer has behaved on the set of "Bohemian Rhapsody"? This is blatant blacklist material for the 52-year-old writer-director, will he ever nab another job after this? He's clearly going through some kind of mental breakdown, possibly having to do with some past wrongdoings?

It was reported last week that Singer had disappeared from the set of "Rhapsody," and hadn't returned since the film’s Thanksgiving break. Even before that, reports were telling us of a very problematic shoot, with Singer not showing up as he pleased on days of shooting and the cinematographer having to take over directorial duties. 


Well then, it was bound to explode, especially with news of these problems becoming public. THR  is now reporting that Singer has been fired from “Bohemian Rhapsody.” 
20th Century Fox released this statement:
 “Bryan Singer is no longer the director of ‘Bohemian Rhapsody.’"
Yeah, that's the statement. Very blunt, to the point, nothing to hide. He's been axed. There have been rumors that Rami Malek, who is playing Queen frontman Freddie Mercury, complained to the studio about the director’s absence and unprofessionalism. In fact, it was so bad that according to THR Singer and Malek had a physical on-set altercation, with Singer even throwing a metal object towards Malek's direction.
This isn't an isolated event either for Singer, he also disappeared during shoots of  “Superman Returns” and “X-Men: Apocalypse,” so, don't believe Singer when he says he’s “suffering from post-traumatic stress disorder because of the tensions on the set.” 
There are two weeks of filming left on “Bohemian Rhapsody,” and it is scheduled to open on December 25, 2018.

Rian Johnson: First Cut of ‘The Last Jedi’ Was Over 3 Hours

star-wars-the-last-jedi-rey-daisy-ridley

The anticipation is incredibly high for Rian Johnson's "The Last Jedi," so much so that the film's original running time would make the news. We know that the final cut is150 minutes and that makes it the longest Star Wars film yet. Next longest? Attack of the Clones at 142 minutes. The original three films in the trilogy were the three shortest. "Star Wars," "The Empire Strikes Back" and "Return of the Jedi" clocking in at 121 minutes, 124 minutes and 132 minutes respectively. Johnson is clearly swinging for the fences with this movie. As I've said before, he is the most talented filmmaker that has ever helmed a "Star Wars" movie, it's not even close.

And yet, according to a recent interview he did with Collider, he originally had a three hour cut.

“We had a long movie from the start. It was well over three hours, the first cut… It’s much better at two and a half [hours] than it was at over three, but it was a cut I had put together, is where we started. And it was over three hours.”

Don't bother waiting for a director's cut of that 180 minute version, Johnson doesn't believe that was the best version of "The Last Jedi," but there is the likelihood that the scenes that made the cutting room floor will see the light of the day eventually"

“I’m really not into [releasing an extended cut]. I feel like the cut is what it is because I feel like it’s the best version of the movie, so the ‘director’s cut’ is the movie that’s going out in theaters. All the deleted scenes, no matter how much I love them, they came out for a reason and it’s all for the greater good of the movie itself. You can watch the deleted scenes on their own, I think that’s the way to watch them, but the movie is definitely the best version of the movie I think.”

I'm seeing "The Last Jedi" next Monday at a press screening.

 [Collider]

Wes Anderson's "Isle of Dogs" to open 68th Berlinale on 2/15/18



It was announced today that Wes Anderson's upcoming anaimated feature "Isle of Dogs" will debut at the 68th edition of the Berlin film fest. 

Of all the great Wes Anderson movies, and there quite a few, I've always a real fondness for "The Fantastic Mr. Fox," a stop-motion animation treat from 2009 that was the most formally realized picture of his career. So it is with great joy that I see  that there's another film of his that will be in stop motion animation form. If that wasn't enough he has amassed another fantastic cast to take part in this adventure.


Earlier this year, Anderson had mentioned that the film was “less influenced by stop-motion movies than it is by Akira Kurosawa.”


The full cast includes Bryan Cranston, Bill Murray, Jeff Goldblum, Scarlett Johansson, F. Murray Abraham, Edward Norton, Tilda Swinton, Kunichi Nomura, Harvey Keitel, Akira Ito, Akira Takayama, Koyu Rankin, Yoko Ono (!), Courtney B. Vance (!), Greta Gerwig (!!!), Frances McDormand, Bob Balaban and Liev Schreiber


"Isle of Dogs" comes out on April 20th, 2018. Is it a coincidence that this is coming out on 4/20?

Box Office Week: Coco takes #1 again with $26.1M. A24 has a great weekend as Lady Bird expands to wide release with $4.5M and The Disaster Artist opened in 19 theaters to $1.2M, a per theater average of $64K. Finally, The Shape of Water opens to $166K in 2 theaters, a per theater average or $83K.

Image result for coco box office

1. “Coco” — $26.1 million ($108.6 mil.)
2. “Justice League” — $16.5 million ($197.3 mil.)
3. “Wonder” — $12.5 million ($88 mil.)
4. “Thor: Ragnarok” — $9.6 million ($291.4 mil.)
5. “Daddy’s Home 2” — $7.5 million ($82.8 mil.)
6. “Murder On The Orient Express” — $6.7 million ($84.7 mil.)
7. “Lady Bird” — $4.5 mil. ($17 mil.)
8. “Three Billboards Outside Ebbing, Missouri” — $4.5 million ($13.6 mil.)
9. “The Star” — $4 million ($27.2 mil.)
10. “A Bad Moms Christmas” — $3.4 million ($64.8 mil.)

[Reddit]

Is Dunkirk destined to fail at the Oscars?

Advertisement

With a few awards under our belt thus far (NBR, NYFCC, LAFC), the most ominous omission has been the lack of awards for "Dunkirk." Critics seem to have shunned Christopher Nolan's WWII film and it looks like it will continue to be that way. Why? It just doesn't fit the current political narrative most are out to state with these awards. Of course, the guilds could very well save Nolan's picture in the very last minute (DGA, PGA) and it could turn into a legitimate contender again, but now I have taken it off my top spot in my predictions, Steven Spielberg's "The Post" is the film I believe could go all the way, albeit in an undeserved fashion, but it has everything that is needed for a 2017 movie to soar. Dunkirk is destined to make the most number of critics' top ten lists, IMAX has just re-released it in theaters (been invited to watch it tomorrow), and it has a huge box-office behind it. Will it win Best Picture? I doubt it. Why? It's too white and male. What the Academy is striving for this year is yet another political statement.

My ranking as of 12.4.17:

The Post
Call Me By Your Name
Get Out
Dunkirk
Lady Bird
The Shape of Water
Three Billboards Outside Ebbing, Missouri
Darkest Hour
The Florida Project
Mudbound
The Big Sick

‘Call Me By Your Name’ Named Best Picture By Los Angeles Film Critics













Denis Villeneuve is open to directing a "Star Wars" movie











Does this guy ever rest? He already has "Dune" lined up, has been talking about his interest in directing James Bond, now Star Wars? 

“It’s something that, again it’s like, I would be intrigued,” Villeneuve said. “I don’t know, it’s very difficult. What is dangerous with ‘Star Wars‘ right now is its become its own vocabulary. I would love to see them — I think ‘Rogue One‘ was a very interesting attempt to get out of the mold. I think it would be a great idea to get out of there and to go on a new part of the galaxy, that I would be open to.” 

2018 In Perspective: New films by Wes Anderson, Malick, Cuaron, Von Trier, Linklater, Ang Lee, Spike Lee, Spielberg, Scorsese, Eastwood, Chazelle, McQueen, Van Sant, Verhoeven, Leigh, Gray, Farhadi, Assayas, Guadagnino and more

CANNES BOUND?

Terrence Malick‘s Radegund
Alfonso Cuaron‘s Roma
Xavier Dolan‘s The Death and Life of John F. Donovan
Asghar Farhadi‘s Todos lo saben
Lars von Trier‘s The House That Jack Built
Yorgos Lanthimos‘ The Favourite
Laszlo Nemes‘ Sunset
David McKenzie‘s The Outlaw King
Paolo Sorrentino‘s Loro
Paul Verhoeven‘s Blessed Virgin
Claire Denis‘ High Life
Mike Leigh‘s Peterloo
Brian DePalma‘s Domino
Nuri Bilge Ceylan‘s The Wild Pear Tree
Olivier Assayas‘ E-book
James Gray‘s Ad Astra
Jacques Audiard's The Sisters Brothers
Benh Zeitlin‘s Wendy
Woody Allen‘s A Rainy Day in New York

OSCAR BOUND?

Richard Linklater‘s Where’d You Go, Bernadette?
Ang Lee‘s Thrilla in Manila
Martin Scorsese‘s The Irishman
Adam McKay‘s Backseat
Damien Chazelle‘s First Man
Clint Eastwood‘s The 15:17 to Paris
Steve McQueen‘s Widows
Barry Jenkins‘ If Beale Street Could Talk
Bryan Singer‘s Bohemian Rhapsody
Felicity Jones as Ruth Bader Ginsburg in On The Basis of Sex
Gus Van Sant‘s Don’t Worry, He Won’t Get Far on Foot
Robert Zemeckis‘s The Women of Marwen
Jason Reitman‘s Tull
Joe Wright‘s Stoner

POTENTIAL

Spike Lee‘s Black Klansman
Luca Guadagnino‘s Suspiria
Wes Anderson‘s Isle of Dogs
Steven Spielberg‘s Ready Player One
Stefania Solluima‘s Soldado
Ron Howard‘s Solo — A Star Wars Story
Alex Garland‘s Annihilation
David Lowery‘s The Old Man and the Gun
Garth Davis‘s Mary Magdelene
Jennifer Kent‘s The Nightingale
David Robert Mitchell‘s The Silver Lake
Brad Bird's The Incredibles 2

Freddy Mercury biopic: Director Bryan Singer hasn't shown up on-set in a week, rumors abound.

Image result for MALEK MERCURY










THR:
"Twentieth Century Fox Film has temporarily halted production on Bohemian Rhapsody due to the unexpected unavailability of Bryan Singer," reads Fox's full statement. The crew received force majeure letters today, says one insider."
"Sources tell The Hollywood Reporter that Singer failed to return to set after the Thanksgiving holiday break, leaving producers nervous about the state of the production and talking about potentially replacing him."
"In a statement to the BBC, a rep for the director says his absence is due to "a personal health matter concerning Bryan and his family." However, sources say that filming on the biopic has not been easy. For example, insiders tell THR that producers and his star had grown tired of Singer's behavior, which saw him routinely show up late to set. Another source has said that a cinematographer had to step in and direct during a previous "non-showing."

About a month ago I wrote this for The Playlist:
As Harvey Weinstein‘s day of reckoning is speeding toward him like a bullet train, what’s even more fascinating about the current purge happening in Hollywood, with one new case happening after another like a never-ending domino-split, is that stories we heard about years ago, which were eventually buried away by top-notch damage control teams, are finally making their way back into the fray and this time with a vengeance.
Right now, there’s no way you can bury any story that has to do with this topic. Take for example the case of Bryan Singer. A storm is slowly but surely brewing over the writer-director’s rumored past. It feels like it’s just around the corner and ready to explode into the zeitgeist. In fact, many are just waiting for the bomb to come down, which means he has, surely, been lawyering up, preparing for the worst and rounding up his damage control team. I mean, why wouldn’t he?
After directing the Oscar-winning hit “The Usual Suspects,” Singer was a hot commodity in Hollywood. However, only a year after winning the statuette, in 1997, a 14-year-old extra accused the director of asking him and other minors to film a shower scene naked for “Apt Pupil.” The suit was dismissed for insufficient evidence.
Since then, rumors have always been abounding in Hollywood about Singer, but not many “victims” would come forward. Did the “Apt Pupil” incident scare people away? It wasn’t enough to scare actor Michael Egan III whom, in April of 2014, accused Singer of sexual assault in an incident that occurred in 1999. Singer had allegedly drugged and raped Egan, who was a minor,  in Hawaii and Los Angeles at the time of “Apt Pupil.” Singer denied the accusations, proclaiming them to be “outrageous, vicious, and completely false.” The suit was withdrawn by Egan, but another surfaced from a British man alleging similar behavior around the time of “Superman Returns.” Nonetheless, Singer continued making movies.
However, earlier this month, a series of tweets appeared from a man named Justin Smith, that alleged that Singer sexually assaulted him in the early aughts. The tweets have since been deleted, according to The Daily Wire, they read as follows:
I first met #BryanSinger in 2000. My boyfriend was one of his best friends, so I had many interactions with him. From the first time I met him, he was always on something. He also constantly hit on me, always asking me to show him my dick or ass. (1/14)
— Justin Smith ️‍ (@Justin_C_Smith) November 1, 2017
When I’d tell my boyfriend about this, he’d say “oh Bryan just gets playful when he’s high”. But we stopped dropping by his house at my insistence.
We’d still bump into him at parties. He almost always had a “posse”. (2/14)
— Justin Smith ️‍ (@Justin_C_Smith) November 1, 2017
This was always him, 2-3 older 50-70 year old men who were obviously on drugs but still wearing their dress shirts & pants (he introduced them as producers) and at least 5 to sometimes 10 young men. I should really say boys, none of them could’ve been older than 16 or 17. (3/14)
— Justin Smith ️‍ (@Justin_C_Smith) November 1, 2017
They were all aspiring models/actors who were always doped up & partially naked. Bryan always made a point to tell me they were going to his place for a “private party” & asked me to come with them. I said no every time. (4/14)
— Justin Smith ️‍ (@Justin_C_Smith) November 1, 2017
This same scenario happened 5 times. Every time, the cast was different. Different gross old “producers”, different harem of boys. But every time, Bryan tried to convince me to join, offering me drugs, even offering me a bit part in X Men 2. (5/14)
— Justin Smith ️‍ (@Justin_C_Smith) November 1, 2017
One night, I asked him who these old men were, & he said “they have a lot of money”. I then asked who all these young guys were & he said, “does it matter?” & laughed.
And I laughed back.
Yes, I hate myself for it.
I don’t really have an excuse. (6/14)
— Justin Smith ️‍ (@Justin_C_Smith) November 1, 2017
This same situation had played out so many times, & even though I knew what was happening was awful, I think part of me had resigned myself to the fact that this was Hollywood. Speaking out about this was unimaginable then. (7/14)
— Justin Smith ️‍ (@Justin_C_Smith) November 1, 2017
That same night, in response to all my questions, Bryan again asked to see my dick. I said no. He then asked to feel my ass. After hesitating, I relented, thinking he’d give it a quick squeeze. Nope. (8/14)
— Justin Smith ️‍ (@Justin_C_Smith) November 1, 2017
He quickly & very aggressively shoved his hand down my jeans & underwear and tried to shove his finger inside me. He had his other hand clamped on my shoulder so I couldn’t immediately move away. He penetrated me for a split second before I shoved him away (9/14)
— Justin Smith ️‍ (@Justin_C_Smith) November 1, 2017
I said no, that I just wanted to go home. He said fine, but I’d better not tell anyone because no one would believe me anyway.
I absolutely believed this, so I never said anything until now.
(11/14)
— Justin Smith ️‍ (@Justin_C_Smith) November 1, 2017
I never went to any of Bryan Singers “private parties”, but I guarantee the stories of the young men who say they were raped are true. I witnessed the beginning of many of these nights. I wish I would’ve loudly objected to what I saw happening. (12/14)
— Justin Smith ️‍ (@Justin_C_Smith) November 1, 2017
I also wish I would’ve had the courage to speak out when he sexually assaulted me. It didn’t benefit me at all to stay silent, all it did was allow myself to become disillusioned & bitter. I hope telling this story helps. Not just me, but anyone else who’s struggling. (13/14)
— Justin Smith ️‍ (@Justin_C_Smith) November 1, 2017
All this has led people to talking about Singer again, who seems to be hearing some of the growing noise. Firstly, the writer-director deleted his Twitter account, and it appears that articles about his alleged sexual assaults are removed from the internet. But Reddit noticed:
It would appear that Singer’s team is starting to do damage control where they can, but his reputation does seem to already be known in the industry. Jessica Chastain retweeted the Daily Wire article with the caption “Let us not forget.” She was then asked on Twitter if she so wholeheartedly denounces Singer, why then has she decided to star in “X-Men: Dark Phoenix,” for which he is the producer. Her answer? “I didn’t realize he was involved until recently. I had no dealings with him and he wasn’t on set,” she replied.
When pressed to comment on her tweet a day later, Chastain didn’t mince words by saying exactly what was on her mind: “I made a decision very early on to not work with people that I felt abused their positions, and didn’t create a healthy environment for those around them.” She went on to add, “I do not feel beholden to anything. I’m going to speak my mind about any injustice that I see. I’m not afraid of anything in terms of that. And I think the greatest myth that an industry can create is to make people feel like they’re easily replaceable. I’m not going to allow that into my life.”
Aren’t you starring in an X-Men movie he is producing?
I didn't realize he was involved until recently. I had no dealings with him and he wasn't on set.
Amidst all the chaos of Weinstein, Spacey, Toback and co., Singer’s own day of reckoning appears to be coming. People are preparing for the worst and that includes the USC School of Cinematic Arts whose students have created a petition at Change.org asking for the removal of Singer from the Division of Cinema and Media Studios. According to Deadline, “Since posting last night, the petition already counts more than 1,700 names. It is being delivered to Dean Elizabeth Daley at the USC School of Cinematic Arts as well as Akira Lippit, Vice Dean of Students.”

This isn’t the last we will likely hear about the allegations surrounding Singer, who recently wrapped production on the Freddie Mercury biopic “Bohemian Rhapsody” starring Rami Malek.