John Malkovich is set to star in a production of “The Music Critic” in Israel next year, just 24 hours after entering the best actor race for his “Wild Horse Nine” performance. I gather he won’t be getting Mark Ruffalo’s vote.
“Primetime” doesn’t really go beyond being a good movie. For all of its outrageous entertainment value, it ultimately feels like a stylishly conceived riff on a ridiculous show and its even more ridiculous host.
Gyllenhaal says women face systemic barriers in an industry that may not value the kinds of films they want to make. Roy Price’s response? Watch “The Bride.”
And just like that, after Venice and Telluride, the Best Actor race is taking shape, with Andrew Scott (“Elsinore”) and John Malkovich (“Wild Horse Nine”) emerging as major contenders.
This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.
10 Best Foreign Films of 2017, U.S. Release— Jordan Ruimy (@mrRuimy) December 2, 2017
"Foxtrot" (Maoz)
"Happy End" (Haneke)
"Faces Places" (Varda)
"Nocturama" (Bonello)
"The Salesman" (Farhadi)
"Loveless" (Zvyagintsev)
"Human Flow" (Weiwei)
"Raw" (Ducourneau)
"The Square" (Ostlund,)
"120 BPM" (Campillo)
Danny Boyle tells Vanity Fair that AI was used to animate old photographs—which means Margaret Thatcher and the Kray brothers—and to create mice running around the newsroom.