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Zack Snyder's ‘The Last Photograph’ Is Getting Destroyed at TIFF: “Unabashedly Sh*t On Every Level”

As expected, Snyder's latest is being torn apart by TIFF attendees. No mercy given. The film, which had its world premiere this evening, is being called by some one of the worst movies to ever premiere at the festival.

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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Yet Another #OscarsSoWhite Piece From the L.A. Times

January 26, 2023 Jordan Ruimy

An LA Times piece titled “It’s not just the Oscars that fail Black women. It’s the entire awards ecosystem,” written by Robert Daniels, caught some attention this week.

Before I tackle the article, I learned today that Daniels, whom I’ve never spoken to or known of, has me blocked on Twitter — what gives? I guess he’s not a WoR subscriber, or maybe he hate-reads me. Who knows!

Back to his piece, here’s an interesting quote from it:

Before #OscarsSoWhite, the (flawed) prevailing logic held that there simply weren’t enough Black women making movies. In the director field, the rise of DuVernay, Regina King, Dee Rees, Nia DaCosta, Chinonye Chukwu, Janicza Bravo, Mati Diop and many more has obliterated that canard […] Black women have always created. But their heightened prominence in today’s Hollywood means the excuses for not highlighting them ring especially false.

Daniels name-drops a bunch of black female directors and then says “ha! You see, no excuse to not nominate a black director.” Except, have any of the filmmakers he mentioned actually ever deserved a Directing Oscar nod. Not really.

Daniels goes on to moan about how no black actress made it into the Lead Actress category this year. He doesn’t even mention merit — you know, if Viola Davis actually deserved a nomination for her hammy performance. No, what matters to most of the moaners, groaners and complainers isn’t quality of performance, but, rather, quotas.

Of course the entire awards “ecosystem” sucks, but you’d think that there would be more write-ups about how Michelle Yeoh became the the first Asian woman to be nominated for an Oscar in the best actress category. Asian-Americans are one of the most poorly represented groups at the movies.

It’s quite ironic how no one cares about the fact that there has barely been any Asian representation In the Academy’s 95-year history and now you have Yeoh, Hong Chau, Ke Huy Quan, Daniel Kwan and Stephanie Hsu all nominated in the top categories. But, don’t mind me, continue your complaints about the lack of representation with this year’s Oscar nominees.

← ‘Cairo Conspiracy’: Slickly Entertaining Spy Film From Egypt [Review]Oscars: The Daniels are Winning Best Director? →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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