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‘Smile 3’ Taps David Bruckner to Direct as Parker Finn Exits Franchise

The ‘Smile’ franchise has a new director. David Bruckner, who made “The Night House” and the 2022 “Hellraiser” reboot, has been hired to direct “Smile 3” for Paramount.

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‘Hunger Games: Sunrise on the Reaping’ Presales Suggest $100M+ Opening Weekend

We might have another blockbuster hit on our hands next month. Presales for ‘Sunrise on the Reaping’ are already turning heads. Robust demand for the film is hinting that a $100M+ opening.

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Ben Wheatley Replaces Rob Savage on ‘Molepeople' — LaKeith Stanfield Also Exits Blumhouse Horror Movie Due Next Summer

Major shakeup for a film that was announced just two weeks ago, and is supposed to come out next year. Was this thing in production when these changes happened?

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The 20 Best Horror Movies of the 21st Century, and the Best of 2026

Halloween is on Saturday, and horror movies keep thriving at the box office. Beyond commercial success, arthouse horror remains at the forefront of American cinema.

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‘You Can See Everything' Adds 600 Screens Friday, Expanding to 3200+ Theaters in Push for #1

A24 isn't being subtle. This Friday, "You Can See Everything" will expand to roughly 600 additional theaters, bringing it to 3,243 screens nationwide. That's a studio going after the top spot at the box office.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Yet Another #OscarsSoWhite Piece From the L.A. Times

January 26, 2023 Jordan Ruimy

An LA Times piece titled “It’s not just the Oscars that fail Black women. It’s the entire awards ecosystem,” written by Robert Daniels, caught some attention this week.

Before I tackle the article, I learned today that Daniels, whom I’ve never spoken to or known of, has me blocked on Twitter — what gives? I guess he’s not a WoR subscriber, or maybe he hate-reads me. Who knows!

Back to his piece, here’s an interesting quote from it:

Before #OscarsSoWhite, the (flawed) prevailing logic held that there simply weren’t enough Black women making movies. In the director field, the rise of DuVernay, Regina King, Dee Rees, Nia DaCosta, Chinonye Chukwu, Janicza Bravo, Mati Diop and many more has obliterated that canard […] Black women have always created. But their heightened prominence in today’s Hollywood means the excuses for not highlighting them ring especially false.

Daniels name-drops a bunch of black female directors and then says “ha! You see, no excuse to not nominate a black director.” Except, have any of the filmmakers he mentioned actually ever deserved a Directing Oscar nod. Not really.

Daniels goes on to moan about how no black actress made it into the Lead Actress category this year. He doesn’t even mention merit — you know, if Viola Davis actually deserved a nomination for her hammy performance. No, what matters to most of the moaners, groaners and complainers isn’t quality of performance, but, rather, quotas.

Of course the entire awards “ecosystem” sucks, but you’d think that there would be more write-ups about how Michelle Yeoh became the the first Asian woman to be nominated for an Oscar in the best actress category. Asian-Americans are one of the most poorly represented groups at the movies.

It’s quite ironic how no one cares about the fact that there has barely been any Asian representation In the Academy’s 95-year history and now you have Yeoh, Hong Chau, Ke Huy Quan, Daniel Kwan and Stephanie Hsu all nominated in the top categories. But, don’t mind me, continue your complaints about the lack of representation with this year’s Oscar nominees.

← ‘Cairo Conspiracy’: Slickly Entertaining Spy Film From Egypt [Review]Oscars: The Daniels are Winning Best Director? →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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