Sean Durkin’s follow-up to his acclaimed 2011 feature “Martha Marcy May Marlene” premiered at Sundance in January to, mostly, positive reviews. And yet, nobody bought it for distribution, I figured that would probably happen at Cannes where I was told it would be part of the Un Certain regard selection.
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Nothing overly grounded or serious will be found here. This isn’t high art. Colorful visuals, exaggerated characters, and high-energy vibes will be served.