Here's one movie I'd rank very highly as one of the best photographed ones. Bertolluci's The Conformist as photographed by Vitorio Storaro.
Here the colors used are incredible. Storaro finds a lightedly dark shade that practically matches the Italian actresses dress.
Blue is used very much in the movie. As show in example in the next three images.
This might just be my favorite shot.
And this might just be the sexiest shot. The serpia hue used here brings in a sexiness that Bertolluci was very much looking for in the scene.
Using the forrest to his advantage, Storaro gets the light to come on every corner of the branches in the frame. Just stunning.
Here the colors used are incredible. Storaro finds a lightedly dark shade that practically matches the Italian actresses dress.
Blue is used very much in the movie. As show in example in the next three images.
This might just be my favorite shot.
And this might just be the sexiest shot. The serpia hue used here brings in a sexiness that Bertolluci was very much looking for in the scene.
Nathan Fielder and Lance Oppenheim's "You Can See Everything" has been in theaters for, what, three days? And it's already the highest-rated feature film of all time on Letterboxd.