It’s been nearly a month since Martin Scorsese’s “The Irishman” hit Netflix, and whether you think its Scorsese’s best, an instant classic or just plainly too long, it can’t be denied it has some of the greatest cinematic moments of the year, and in some cases, the decade.
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“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.