McConaughey recently said that “How to Lose a Guy in 10 Days” is the movie that pays him the most in residuals—the ongoing “mailbox money” he receives from the film being shown, streamed, and rented.
Despite the Venice launch, “Company” has so far failed to land a berth at any of the major North American fall festivals. It was not announced by Toronto, Telluride or the New York Film Festival.
The story being told in “Gold Mountain” feels right at home for Lee — especially after his tech-obsessed filmmaking of the last 14 years (“Life of Pi,” “Billy Lynn’s Halftime Walk,” “Gemini Man”).
Hoult has dropped out of ‘Harry Potter’ and has been replaced by Kit Connor. Hoult’s reason was “scheduling issues,” and hey, maybe it really was “scheduling issues,” but the timing is rather odd.
This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.
Oh Sharon. You trusted the Verhoven and this is what happened.
Just five Cannes competition titles still seek U.S. distribution, four of them subpar, all French. The fifth, and easily the best film still without US studio attachment, is Ira Sachs’ “The Man I Love.”