“The Simpsons,” as it happens, is a textbook-perfect example of postmodern entertainment. A pastiche of pop culture sources and meta-commentary, it was originally conceived as a satire about the American family’s relationship to their televisions. Of course, The Simpsons has outlived the phenomenon of “television addiction” (thanks to the internet), but it was still one of the most – if not the most – relevant comedy of the 90s (only “Seinfeld” can claim to be in that same league). It has also been the subject of several academic articles and papers. The show’s artistic techniques have become canonical examples of postmodern television production. The show’s thematic resonance even inspired a book on the series’ relationship to philosophy. In The Simpsons and Philosophy: The D’Oh! of Homer, several academics explored the show’s relation to classic and contemporary philosophy alike, proving the series’ lasting relevance Also, Mark Liberman, director of The Linguistic Data Consortium has stated that “The Simpsons has apparently taken over from Shakespeare and the Bible as our culture’s greatest source of idioms, catchphrases and sundry other textual allusions”. There are many other substantial reasons why The Simpsons will always be better, more important, and more iconic than Family Guy.