Writing a review for a movie such as “Run,” much like anything by Alfred Hitchcock, is risky, as you walk that fine line between revealing too little and revealing too much of the plot. I’ve decided to try find some kind of middle ground, because you should really go in with as little knowledge of the plot as possible.
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The short version: "Woman Unknown" was a compromise. The jury deadlocked over "Possible Love" and "NAZA," not able to com to terms, fell back on their #3, May el-Toukhy's film.