How can I actually explain what is wrong with Chris Weitz' "Operation Finale"? That's the question that I pondered as I exited the screening of this post-WWII Jewish hunt for Nazis, and was reminded, oddly enough, of the equally dull "Argo." What both films oddly share in common is a rather pedantic, oddly mediocre look at what is, in essence, an extraordinary true story. Suffice to say, this is not the invigoratingly authentic, no-frills cinema of Jews chasing Nazis that I had in mind. I guess what I'm trying to say is this: "Operation Finale" is no "Munich."