Melissa McCarthy was perfectly cast in Marielle Heller “Can You Ever Forgive Me?,” an Oscar-nominated role that also happened to be the best performance of her career. In the film she played biographer Lee Israel, who had a knack for forging celeb letters in the early ‘90s.
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When the announcement hit that Paul Feig remake was going to helm a “Ghostbusters” reboot and that the all-male cast of the original was going to be replaced by an all-female ensemble, the internet freaked. On one side of the aisle was definite praise for a step forward in Hollywood’s never-ending battle with gender equality, but on the other side of the spectrum there was the massive backlash from fans of the original. The latter didn’t want to believe that some of their most beloved movie characters were about to replaced by, shock, women!
Read moreMelissa McCarthy and Richard E. Grant, both Oscar-worthy in "Can You Ever Forgive Me" [TIFF]
Because everything that seems to debut at Telluride is met with overpraise, the raves that met Marielle Heller's low-key but charming "Can You Ever Forgive Me" really don't do justice to its small little pleasures. In essence, this is a character-driven, and slight, film based on a true story which took place in New York City's literary world some twenty odd years ago.
Melissa McCarthy plays author Lee Israel with the panache and memorable flair we are used to seeing her invest in any role she undertakes-- except, in Heller's hands, McCarthy is given a character that is not only nastily hilarious but also darkened by alcoholism and severe pathological tendencies.
The story goes that Israel, down on money with an ill cat and having to find a way to pay its medical bills, decided to forge letters that she falsely claimed legendary authors, such as Dorothy Parker, had written to fellow cohorts. She found a niche market to sell these letters in the NYC literary world, and made thousands of dollars doing so. Of course, the FBI eventually started sniffing around and suspecting there was wrongdoing.
Along with her showstopper role in "Bridesmaids," this is easily McCarthy's best performance, Oscar will come knocking very soon with a nomination. However, I was even more smitten by her co-star Richard E. Grant, playing Israel's conspicuous drunkard sidekick Jack, he is indeed the scene-stealing reason to watch this predictably delivered rise and fall true-life saga. Every line he delivers stings with deadpan laughs, I actually wished there was more Jack and less Lee in this film.
Heller ("The Diary of A Teenage Girl") again showing a great knack for visually intimate drama, hasn't even come close to reaching her artistic peak yet, but you have a sense that it's coming. The screenplay she co-wrote here, with Nicole Holofcener, does its best to smooth around the rough edges that come with this kind of film. You do know where it's headed, but for 2/3 of its running time "Can You Ever Forgive Me" has no reason to be forgiven. [B-]
To say it blew the roof off the place would be an understatement. I don't think I've ever seen a Toronto audience — any festival audience — embrace a movie the way they did last night.