Legendary writer-director Jane Campion hasn’t directed a movie since 2009’s “Bright Star,” since then, she’s mostly dabbled in creating the TV series “Top of the Lake,” which was quite wonderful, but didn’t come close to the landmarks Campion had created over her illustrious 25 year career. Those landmarks are, as far as I’m concerned, “The Piano,” “Sweetie,” and “An Angel at My Table.” I also have great respect for “The Portrait of A Lady,” and the now, thanks to gender studies classes in film schools nationwide , feminist classic, “In the Cut” (a wildly uneven B-movie that is as fascinating as it is messy and frustrating).