The first time I saw Steven Spielberg’s cat-and-mouse flick "Catch Me If You Can," I knew it was destined to become a classic. Of course, over the years, when you talk about Spielberg's best films you will have people name-checking the usuals, such as “Saving Private Ryan,” “Schindler’s List,” "Close Encounters of the Third Kind," and "Minority Report." But “Catch Me If You Can”? Almost never mentioned.
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The short version: "Woman Unknown" was a compromise. The jury deadlocked over "Possible Love" and "NAZA," not able to com to terms, fell back on their #3, May el-Toukhy's film.