J.D. Vance’s bestselling memoir, “Hillbilly Elegy” is adapted to rigorous Oscar-bait effect by Oscar-nominee Vanessa Taylor (“The Shape of Water”). The result is the kind of big studio crowd-pleaser that used to be the norm in the ‘90s, but is now mocked by our meta generation.
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The short version: "Woman Unknown" was a compromise. The jury deadlocked over "Possible Love" and "NAZA," not able to com to terms, fell back on their #3, May el-Toukhy's film.