I didn't want to review Paul Greengrass’s "22 July" last week, mostly because it portrayed the white nationalist extremist who shot and killed 77 people at a Labor Youth camp in Oslo, as a rational person. Not just that, but Greengrass lays down the terrorist's agenda quite elaborately, having him explain exactly why he committed the insidious act. Briefly, the attacks were carried out to call attention to the wave of to Islamic immigration in Europe and to his view that feminism has created a European “cultural suicide”, whatever that means. The fact that Greengrass's camera has no problem letting the guy explain his extreme right-wing agenda in a measured and somewhat neutral fashion, handheld camera in tow, irked me.