A few more movies to prove that this summer movie season is a total disaster



Did we expect The Green Lantern to be any good? I didn't. Yet I still went to a screening hoping for it not to be a total disaster. Sadly it was. You can put it on the long list for worst movie of 2011. Director Martin Campbell -who did a solid job with Bond in Casino Royale- doesn't have much to work on here. Who are we kidding here, the Green Lantern was never one of the more exciting superheroes. The film adaptation proves it. It doesn't know what it wants to be. Is it an outer space film? is it a monster movie? is it a comedy? is it a drama? What if I answered none of the above .. anyways you get the picture. Add to the fact that I was never a big fan of Ryan Reynolds' -how shall I put this- acting chops and you got a movie recipe made in hell. The character's are hilariously sketched out in an unintended way and the space scenes are ridiculous. It's a great comedy. Seriously though, is there anything worth watching here? maybe the 3D which is better than most of the other 3D I've seen this summer (Cars 2 below) - However, I'd rather look at paint dry than watch this movie again.

I love Pixar so damn much. The classics they've released over the past 10 years are tremendous (Finding Nemo, The Incredibles, Ratatouille, Wall-E, Up, Toy Story 3) yet there's always been much hate directed towards 2006's Cars which -I'll admit it- did not have the inventiveness of the previously said titles but had a sweet, good natured simplicity to its Americana colors. I loved every second of it when I saw it 5 years ago at a screening room in Alberta's Lux movie theatre. Cars 2 I did not love. It is by far the worst movie in Pixar's short 17 year history. While the original had a sweet, simplicity to it, this one is all flash and turns into a predictable spy caper. The characters are wooden and the marketing for Cars products is all over the map. Not surprising considering Cars has become a billion dollar industry, from lunchboxes to toys Pixar has been milking it ever since the original's release. Another big mistake is concentrating the center of its plot on red-neck talkin Mater, a caricature that ranks amongst Pixar's worst. Here's to better Pixar in 2012 when Brave rolls out amidst great buzz.

Cameron Diaz does wonders with her role in Bad Teacher - a raunchy comedy that delivers in some scenes and drags in others. The film comes out after a slew of "Bad" films have been released over recent years, sadly this doesn't rank in the same bogusly outrageous MVP league as Bad Santa or Bad Lieutenant. At times the film earns its R rating and at others it's just too bland to be anywhere near PG. Yet Diaz nails her role as a slutty teacher that has always looks for the guy with the big paycheck. Low and behold a new teacher shows up -played geekily well by Justin Timberlake- a heir to a french watch company and the perfect target for Diaz's ambitions. From there on in it's hit and miss. When the jokes work they work well, when they don't it's a complete mess. As for what passes as a so called plot, well it's thin. The story is more sketch than actual movie and resorts to sap in its finale. The usually great Jason Segal can't do much for an underwritten role. It's Diaz that's the only one that comes out of this one alive, she's dynamite. I guess in Summer 2011 you just can't win them all.

The Green Lantern (PG-13) ★
Cars 2 (G) ★★
Bad Teacher (R) ★★½

Raunchy is BIG this summer -- The Hangover 2 and Bridesmaids



Look what you've started Judd. I'm of course referring to Judd Apatow a filmmaker/producer who first burst out into the scene with 2005's The 40 Year Old Virgin and consequently launched a plethora of smart, adult raunchiness to mainstream theatres (Superbad, Knocked Up, Pineapple Express). In the producers chair for this summers' Bridesmaids, Apatow launches a film that has been dubbed "The Hangover with women" uh oh here come the naysayers. The problem with comparing The Hangover to an Apatow movie is the fact that there really is no comparison. Apatow produced or directed films have a knack for character development and story that the guys at The Hangover strive for. In Bridesmaids Kristen Wiig's Annie lives a life of formidable singleness that as almost become a struggle for her to get out, things get worse when her best friend played by the great Maya Rudolph gets engaged. It's a setup that lets the many talented actresses on screen rip it out and deal with their own femininity.

Compare that to The Hangover 2, Todd Phillips' sequel to his 2008 hit and a film that can't help but bring out the raunchiness in full display. There's dick jokes, drugs, sex and an unusual high amount of racism to boot. Is it funny? at times it is but it's nowhere near as substantial as Bridesmaids which tries to bring humane femininity to a multiplex lacking it. Of course there's pussy jokes too and a hilariously disgusting wedding dress sequence but what The Hangover lacks in human emotions Bridesmaids more than makes up for it in its witty, keenly written script by Wiig and Annie Mumolo. Phillips' Hangover sequel has a sense of deja-vu that ultimately relegates it to cliches, whereas Bridesmaids has a contemporary freshness that brings it all the way home. No wonder it's made more than 85 million dollars so far at the box office and has been a critics darling since its initial release more than 3 weeks ago.

Apatow has started a trend since The 40 Year Old Virgin's release more than 6 years ago. It seems like Hollywood got a wake up call and decided to make adult oriented comedies that had emotion and substance in their scripts. Problem is not everybody can be Judd Apatow and many of these movies forgot rule # 1 in an Apatow movie; Story comes first. The Hangover 2 seems to have forgotten that and decides to concentrate on a sketched out screenplay that sadly resembles the first one, however the freshness isn't there and is replaced by the same old same old. In trying to please the masses director Todd Phillips and his team of writers have struck out and sunk themselves in a pool of no inspiration. If this on makes a lot of money -and I'm sure it will- we'll have to endure another one of these sequels. Better luck next time.

Bridesmaids (R) ★★★
The Hangover 2 (R) ★★½