• Yearly Top Tens
  • Interviews
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
Matt Reeves’ ‘Bonfire of the Vanities’ Not Moving Forward at Apple, Seeks New Home

Reeves is supposed to direct, David E. Kelley is writing, and just like that, Apple got cold feet — the usual “creative differences” excuse is being cited in the report, and maybe that was indeed the case.

Read more →
IMG_8352.jpeg
Paul Thomas Anderson Reportedly Shadowed Martin Scorsese and Rewrote ‘What Happens at Night’

Having an insurance director is not uncommon in Hollywood. Aging filmmakers, in case a health issue arises, sometimes need to have one. It seems like that’s what might have occurred on “What Happens at Night.”

Read more →
IMG_8356.jpeg
LOL: Eli Roth Blames Lionsgate for ‘Borderlands’ Failure, Says Final Cut Was Not His

The box-office bomb cost $145M to produce and ended up finishing its run with a total of just $31M worldwide in receipts. The film was reportedly a $115M for Lionsgate.

Read more →
IMG_8349.jpeg
Jeremy Saulnier’s New A24 Thriller ‘October’ Reveals First Plot Details — Will It Release This Year?

A24 has been keeping quiet about the film, but I hear it was recently screened internally, and a decision should be coming shortly, if not by the end of this month.

Read more →
IMG_8347.jpeg
Jane Schoenbrun Says A24 Passed on ‘Teenage Sex and Death at Camp Miasma’: “I Want to Destroy” the Systems That Make Movies

Schoenbrun struggled to get ‘Camp Miasma’ made after A24 passed on the project. MUBI eventually came aboard, financing the film with a $10 million budget.

Read more →
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Read more →
August 19, 2019

World of Reel

  • More
    • Yearly Top Tens
  • Interviews

Steve McQueen: ‘Ozark' is a ‘Breaking Bad' rip-off; Says Cinema is Superior to Television.

January 19, 2021 Jordan Ruimy

It is thrilling to see all these great directors make the switch from movies to TV. Legendary filmmakers such as Martin Scorsese, David Lynch, David Fincher, Woody Allen, Steven Soderbergh, Spike Lee, Todd Haynes, Joel Coen and Ridley Scott are all giving us their own serialized statements on the small-screen, hell, even this past year Steve McQueen made the jump to streaming with his powerful “Small Axe” anthology.

However, McQueen has been very adamant in noting that “Small Axe” is not television and that it is in fact five separate movies. McQueen has been very critical of television and the serial mindset, tellling  IndieWire, “Writing is one thing, [but] I don’t think TV does what cinema can do. I just don’t think that that’s possible,” he said. “This is not to sort of say one is better than the other, but I know what I prefer. I prefer cinema. Silence is a very, very big factor. Scope is another factor, which is more familiar to me, as far as being a human being is concerned. We don’t talk all the time. We think a lot as well.”

He then went on to criticize the most popular show in all of streaming the Jason Bateman-Laura Linney crime drama "Ozark." “[It must be] like, ‘Oh, I’ve got to watch this?'” he said. “When you get ‘Breaking Bad,’ it’s amazing, but then you get ‘Ozark,’ which is a rip-off of that. […] It’s unfortunate, right now, there’s so much money, and so little ideas. The problem is when you have no money, you’ve got to think.”

“Ozark” is in fact a rip-off of “Breaking Bad,” I’ve been saying this ever since I laid my eyes on season one of the series, I discontinued watching the Netflix show by the second season. the crime drama starring Jason Bateman and Laura Linney, created by Bill Dubuque ("The Accountant," "The Judge"), has Bateman as Marty Byrde, a financial planner who relocates his family from Chicago to a summer resort community in the Ozarks after a money-laundering scheme goes wrong, forcing him to pay off a substantial debt to a Mexican drug lord in order to keep his family safe.

Going back to McQueen’s take on TV having hit its peak in the early 2000s. That’s an interesting point. Between 1998 and 2013, or so, some of the greatest shows of all-time were all airing on Cable television at the same time; “The Sopranos,” “Breaking Bad,” “Mad Men,” and ”The Wire.” Nothing since then has managed to achieve the kind of complexities and cinematic stylings of these shows. Now, most streaming platforms are interested in content. Sure, there have been hints of potential all-time greats here and there, I’m specifically thinking of two HBO shows heading into their third seasons in 2021 (“Succession and “Barry”), but those shows are still well into their infancies. Time will tell.

In NEWS Tags Steve McQueen, Ozark, Breaking Bad, Directors
← “Notturno”: Watching Paint Dry ‘Ozark' Was the Most Watched Streaming Series of 2020; Followed By ‘Lucifer,' ‘The Crown' and ‘Tiger King' →

FOLLOW US!

Subscribe to our newsletter

Sign up with your email address to receive news and updates.

Thank you!
No results found

Trending

Featured
IMG_7776.webp
‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

Read more →
IMG_7775.jpeg
Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

Read more →
IMG_7752.jpeg
Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

Read more →
IMG_7512.jpeg
Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

Read more →

World of Reel RSS

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

Read more →
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

Read more →
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

Read more →
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

Read more →
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
Aenean eu leo Quam

Quisque iaculis facilisis lacinia. Mauris euismod pellentesque tellus sit amet mollis.

Read more →
World of Reel tagline.PNG
 

Content

Contribute

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2026