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Mel Gibson Says ‘Resurrection of the Christ’ Will Tackle the Origin of Satan, Story Travels Through “Different Realms of Hell”

To make things even wilder, Gibson won’t be relying solely on the Bible as his source material. He plans to flesh out the gaps in the Gospels, exploring elements of the story that Scripture does not fully detail.

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Box-Office: ‘Spider-Man: Brand New Day’ Tops With $22M; ‘Coyote vs. Acme’ $15M, Only -27%; ‘Buddy’ -2%; ‘Dog Stars’ $2M

“Coyote vs. Acme,” distributed by Ketchup Entertainment, continues to show impressive staying power, grossing an estimated $15.3M over four days in its second weekend.

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Jesse Eisenberg’s ‘The Debut’ Raved at Telluride! Julianne Moore “Astonishing” Performance in Best Picture Contender

The film has taken over the Telluride Film Festival. It’s a best picture contender. Julianne Moore is a best actress frontrunner. Paul Giamatti might win his first Oscar for as supporting actor.

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The Rolling Stones Biopic Is Happening

The Rolling Stones are heading to the big screen after reportedly finalizing a biopic deal with American production company 101 Studios.

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Drew Goddard Won’t Move Forward With ‘Matrix 5’ Without the Wachowskis’ “Blessing” of the Script

Wachowski, who isn’t involved with Goddard’s “reboot,” confirms being “done” with The Matrix, but apparently Goddard still wants Lily and Lana’s blessing before continuing with his work.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Box-Office: ‘Spider-Man: Brand New Day’ Tops With $22M; ‘Coyote vs. Acme’ $15M, Only -27%; ‘Buddy’ -2%; ‘Dog Stars’ $2M

September 6, 2026 Jordan Ruimy

“Spider-Man: Brand New Day” remains the dominant force, with an estimated $22M over Labor Day weekend, pushing its domestic haul past $900M. The film is expected to hit roughly $922M by Monday, just $14M shy of “Star Wars: The Force Awakens,” a record it should blow past by next weekend to become the highest-grossing domestic movie of all time, unadjusted for inflation.

“Coyote vs. Acme,” distributed by Ketchup Entertainment, continues to show impressive staying power, grossing an estimated $15.3M over four days in its second weekend and lifting its domestic total to $37.8M. Its three-day number represents just a 27% drop from last weekend. The word is clearly out on how much fun this movie is, and that strong word-of-mouth has given it real legs. Ketchup reportedly spent $60M on acquisition and marketing, but with this kind of hold and foreign presales, the company could eventually recoup its investment. It’s also in a tight race with “The Odyssey” for #2.

Speaking of, “The Odyssey,” which briefly returned to No. 1 on Wednesday, is adding an estimated $16.4M over four days in its eighth weekend. The domestic total will reach approximately $588M, putting Christopher Nolan’s epic within striking distance of $600M.

Paramount’s “By Any Means,” starring Yahya Abdul-Mateen II and Mark Wahlberg, opened to an estimated $8.5M over four days from 2,903 theaters. With a reported $29M budget, profitability will be an uphill climb. Reviews are mediocre at best, with a 52% critics score on Rotten Tomatoes, though audiences have been considerably kinder: 87% audience score and a B+ CinemaScore.

Then there’s “Buddy,” Roadside Attractions/Saban Films’ indie horror-comedy, which is holding exceptionally well. The film grossed an estimated $5.4M over three days in its second weekend, just a 2% drop from its opening. It will have reached roughly $15M domestic by Sunday, an impressive showing for the little horror movie that could.

A tough break for A24’s “Onslaught.” The Adam Wingard-directed genre film is simply not connecting with audiences, opening to just $2.3M over four days from 1,918 theaters. The film scored a C CinemaScore and only a 33% definite recommend on PostTrak. Yikes. With a reported $15M budget, this one has a long road ahead.

And last, but certainly not least, Ridley Scott’s “The Dog Stars,” released by 20th Century, took in an estimated $3.5M over four days, plunging 64% in its second weekend. Domestic total now stands at roughly $13.8M. Puck recently reported that the film’s budget was not the trade-approved $70M, but actually $89M. If that number is accurate, Disney is looking at a very painful theatrical loss.

← Mel Gibson Says ‘Resurrection of the Christ’ Will Tackle the Origin of Satan, Story Travels Through “Different Realms of Hell”Jesse Eisenberg’s ‘The Debut’ Raved at Telluride! Julianne Moore “Astonishing” Performance in Best Picture Contender →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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