“Spider-Man: Brand New Day” remains the dominant force, with an estimated $22M over Labor Day weekend, pushing its domestic haul past $900M. The film is expected to hit roughly $922M by Monday, just $14M shy of “Star Wars: The Force Awakens,” a record it should blow past by next weekend to become the highest-grossing domestic movie of all time, unadjusted for inflation.
“Coyote vs. Acme,” distributed by Ketchup Entertainment, continues to show impressive staying power, grossing an estimated $15.3M over four days in its second weekend and lifting its domestic total to $37.8M. Its three-day number represents just a 27% drop from last weekend. The word is clearly out on how much fun this movie is, and that strong word-of-mouth has given it real legs. Ketchup reportedly spent $60M on acquisition and marketing, but with this kind of hold and foreign presales, the company could eventually recoup its investment. It’s also in a tight race with “The Odyssey” for #2.
Speaking of, “The Odyssey,” which briefly returned to No. 1 on Wednesday, is adding an estimated $16.4M over four days in its eighth weekend. The domestic total will reach approximately $588M, putting Christopher Nolan’s epic within striking distance of $600M.
Paramount’s “By Any Means,” starring Yahya Abdul-Mateen II and Mark Wahlberg, opened to an estimated $8.5M over four days from 2,903 theaters. With a reported $29M budget, profitability will be an uphill climb. Reviews are mediocre at best, with a 52% critics score on Rotten Tomatoes, though audiences have been considerably kinder: 87% audience score and a B+ CinemaScore.
Then there’s “Buddy,” Roadside Attractions/Saban Films’ indie horror-comedy, which is holding exceptionally well. The film grossed an estimated $5.4M over three days in its second weekend, just a 2% drop from its opening. It will have reached roughly $15M domestic by Sunday, an impressive showing for the little horror movie that could.
A tough break for A24’s “Onslaught.” The Adam Wingard-directed genre film is simply not connecting with audiences, opening to just $2.3M over four days from 1,918 theaters. The film scored a C CinemaScore and only a 33% definite recommend on PostTrak. Yikes. With a reported $15M budget, this one has a long road ahead.
And last, but certainly not least, Ridley Scott’s “The Dog Stars,” released by 20th Century, took in an estimated $3.5M over four days, plunging 64% in its second weekend. Domestic total now stands at roughly $13.8M. Puck recently reported that the film’s budget was not the trade-approved $70M, but actually $89M. If that number is accurate, Disney is looking at a very painful theatrical loss.
To make things even wilder, Gibson won’t be relying solely on the Bible as his source material. He plans to flesh out the gaps in the Gospels, exploring elements of the story that Scripture does not fully detail.