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MPA Ratings: ‘Alone at Dawn' and ‘Saturn Return' Rated R; ‘Ebenezer' and ‘The Thomas Crown Affair' Get PG-13

Ron Howard's "Alone at Dawn" has been rated R. Amazon/MGM just dated the film for Christmas 2027. That's over a year away. Yet here we are, with the film rated, and post-production complete.

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Denzel Washington to Star in Christopher McQuarrie-Directed Thriller, October 2027 Release by Amazon/MGM

Denzel playing a broken ex-cop with nothing to lose, under McQuarrie's direction? We all know Washington loves to attach himself to redemption stories. It's his bread and butter.

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Golden Globes Reject ‘Michael' as a “Musical,” But ‘Obsession' Is a “Comedy”

So, let me get this straight. “Obsession,” a horror movie, is a comedy according to the Golden Globes. “Michael,” a movie where Michael Jackson sings and for two hours, is not a musical.

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Keanu Reeves to Star in James Wan's ‘The Gangster, The Cop, The Devil’ Remake

Two weeks ago, I reported that James Wan's remake of the Korean film "The Gangster, The Cop, The Devil" for Paramount was scheduled to start production in April 2027. We now have a lead.

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First Look: Dwayne Johnson Is Almost Unrecognizable As “The Chicken Man” In Benny Safdie's ‘Lizard Music’

Here's our first look at Dwayne "The Rock" Johnson, 54, on the New York City set of Benny Safdie's "Lizard Music," a live-action/CGI hybrid now set for a Christmas 2027 release.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Box-Office: ‘Spider-Man: Brand New Day’ Tops With $22M; ‘Coyote vs. Acme’ $15M, Only -27%; ‘Buddy’ -2%; ‘Dog Stars’ $2M

September 6, 2026 Jordan Ruimy

“Spider-Man: Brand New Day” remains the dominant force, with an estimated $22M over Labor Day weekend, pushing its domestic haul past $900M. The film is expected to hit roughly $922M by Monday, just $14M shy of “Star Wars: The Force Awakens,” a record it should blow past by next weekend to become the highest-grossing domestic movie of all time, unadjusted for inflation.

“Coyote vs. Acme,” distributed by Ketchup Entertainment, continues to show impressive staying power, grossing an estimated $15.3M over four days in its second weekend and lifting its domestic total to $37.8M. Its three-day number represents just a 27% drop from last weekend. The word is clearly out on how much fun this movie is, and that strong word-of-mouth has given it real legs. Ketchup reportedly spent $60M on acquisition and marketing, but with this kind of hold and foreign presales, the company could eventually recoup its investment. It’s also in a tight race with “The Odyssey” for #2.

Speaking of, “The Odyssey,” which briefly returned to No. 1 on Wednesday, is adding an estimated $16.4M over four days in its eighth weekend. The domestic total will reach approximately $588M, putting Christopher Nolan’s epic within striking distance of $600M. Furthermore .. for the first time since “Spider-Man: Brand New Day” opened on July 31, “The Odyssey” claimed the No. 1 spot at the global weekend box office, earning $45.9M worldwide and narrowly edging Spidey which posted $44.1M in its sixth weekend.

Paramount’s “By Any Means,” starring Yahya Abdul-Mateen II and Mark Wahlberg, opened to an estimated $8.5M over four days from 2,903 theaters. With a reported $29M budget, profitability will be an uphill climb. Reviews are mediocre at best, with a 52% critics score on Rotten Tomatoes, though audiences have been considerably kinder: 87% audience score and a B+ CinemaScore.

Then there’s “Buddy,” Roadside Attractions/Saban Films’ indie horror-comedy, which is holding exceptionally well. The film grossed an estimated $5.4M over three days in its second weekend, just a 2% drop from its opening. It will have reached roughly $15M domestic by Sunday, an impressive showing for the little horror movie that could.

A tough break for A24’s “Onslaught.” The Adam Wingard-directed genre film is simply not connecting with audiences, opening to just $2.3M over four days from 1,918 theaters. The film scored a C CinemaScore and only a 33% definite recommend on PostTrak. Yikes. With a reported $15M budget, this one has a long road ahead.

And last, but certainly not least, Ridley Scott’s “TheDog Stars,” released by 20th Century, took in an estimated $3.5M over four days, plunging 64% in its second weekend. Domestic total now stands at roughly $13.8M. Puck recently reported that the film’s budget was not the trade-approved $70M, but actually $89M. If that number is accurate, Disney is looking at a very painful theatrical loss.

← Mel Gibson Says ‘Resurrection of the Christ’ Will Tackle the Origin of Satan, Story Travels Through “Different Realms of Hell”Jesse Eisenberg’s ‘The Debut’ Raved at Telluride! Julianne Moore “Astonishing” Performance in Best Picture Contender →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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