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Anthony Mackie Says His Sam Wilson “Deserves" a ‘Captain America' Trilogy

"I think every character deserves a second film," Mackie said. "I think with Cap, it's been proven every character deserves three films, right? I mean, if you're Thor, you get four, apparently."

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Fincher's ‘Cliff Booth' Screens in L.A.: “Tarantino on Speed," and Elizabeth Debicki Steals the Show

A source over at HE calls it "a violent madcap comedy that plays like a love letter to Los Angeles of the late '70s" and described the era as "ten years after, post Star Wars, creeping disco and even creepier corporatism."

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Danny Boyle on ‘28 Years Later: Part III': “We Gotta Raise the Money for It"

Garland's script is written. Boyle called it "fantastic" in that same interview, Murphy says he's ready, and Boyle wants to direct. All that's missing is the money.

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Noah Baumbach's ‘Jay Kelly' Joins Criterion Collection; February Slate Includes ‘The Sweet Hereafter,’ and ‘Kung Fu Hustle’

Noah Baumbach's “Jay Kelly” is joining the Criterion Collection on February 16, 2027. It's one of the headliners of the newly announced February slate, and it's coming out barely a year after Netflix released it.

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Box Office: Johnny Depp's ‘Ebenezer' Leads ($21M+), Audiences Love It More Than Critics Do; ‘How to Rob a Bank' Bombs ($4M+), ‘Godzilla Minus Zero’ Drops 75%

The film opened in Europe on Wednesday, and the audience scores there have been very strong. Now American audiences agree: an "A-" on CinemaScore and a 90% audience score on Rotten Tomatoes.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘KPop Demon Hunters 2’ Will Get Wide Theatrical Release, Ted Sarandos Says

October 1, 2026 Jordan Ruimy

Netflix is getting serious about movie theaters?

Speaking with Bloomberg, CEO Ted Sarandos confirmed that the upcoming "KPop Demon Hunters" sequel will receive "a very broad theatrical release."

It would have been just plain stupid not to let this one hit theaters. The prevailing sentiment is that — given how golden of an IP this is — a billion dollars worldwide is a real possibility for ‘KPop 2.’ Is it also a coincidence that the announcement comes as Netflix's subscriber growth has hit its ceiling?

It also comes as "La Bola Negra" becomes the first Netflix film to get a full 45-day theatrical window. It will be followed by Greta Gerwig's "Narnia" and the animated "Charlie vs. the Chocolate Factory," both set for wide theatrical releases next year. Before that, "The Further Mis-Adventures of Cliff Booth" (directed by David Fincher, written by Quentin Tarantino, and starring Brad Pitt) becomes Netflix's first-ever IMAX release this November.

According to Sarandos, the strategy comes down to two questions: how to serve audiences who want to see a movie on the big screen, and how to do it without hurting Netflix's own value. He argued that box office success doesn't automatically translate into bigger numbers on streaming, since a film's most passionate fans tend to catch it in theaters first. By the time it hits Netflix, what's left is the crowd that "meant to see that."

Whether this marks a lasting change in Netflix's relationship with theaters remains to be seen, but with "KPop Demon Hunters" now headed to the big screen, exhibitors have plenty to be excited about.

No release date has been announced, though some are already guessing 2029 or 2030.

There's no denying the cultural clout "KPop Demon Hunters" has gained. But how did this phenomenon happen? Some point to slick marketing and relentless word-of-mouth across platforms like TikTok and X (formerly Twitter). Others say it's the film's blend of action, gloss, and camp that makes it irresistible to the mainstream. As with most runaway hits, the truth is likely a combination of both. Would it have been as popular if Sony had kept it and given it a theatrical release? That's the million-dollar question, and I doubt we'll ever have an answer.

← Ben Affleck Says ‘Animals' Used “Lots of AI," But He Won't Tell You WhereRidley Scott's ‘Treasure Island' Sets November 11, 2027 Release via Sony →

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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

If you've read this column for a while, you know the drill: I spitball Cannes every month from now until April, updating the latest intel and trying to figure out what will be in competition, vying for the Palme d'Or.

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James Gray Takes Aim at Letterboxd, First Reactions, Star Ratings and Tomatometers: ‘2001’ Would Probably Be Rotten If Released Today”

James Gray is taking aim at the instant gratification that's infected film discourse, including social media first reactions, and Letterboxd. Oh, and he hates Rotten Tomatoes.

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Brian De Palma's ‘Sweet Vengeance,' His First Film in 8 Years, Might Have a Cut Ready by February

Pino Donaggio confirmed he'll score De Palma's next feature, "Sweet Vengeance." It would be their ninth film together, a partnership that dates back 50 years to "Carrie."

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Ari Aster's ‘Scapegoat' Has Started Shooting in New York City

Darius Khondji is back behind the camera as DP. That's a pairing that should give this thing Aster’s usual very specific, unnerving texture. Bobby Krlic is back to compose his fourth straight Aster movie.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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