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Curry Barker Says Netflix Wanted Straight-to-Streaming for ‘Obsession’ Before Focus Won the Bidding War

A bidding war had broken out. According to Barker, pretty much everyone wanted in, with Neon, Focus, and A24 among the suitors. Netflix was in the mix too, but the offer was to just put it straight on Netflix.

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Nathan Fielder's Elizabeth Holmes Doc 'You Can See Everything' Is Rated R for “Graphic Nudity,” and It's Not Who You Think

It's rated R for "language" and, strangest of all, "graphic nudity." Who gets naked in this doc? It's left some puzzled, and for good reason.

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The 10 Best Movies I Saw at Venice and TIFF

The power has shifted to Cannes, or just not premiering your film at a festival. There were still some gems, though. Here are my ten favorites among the films I hadn't already seen.

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David Oyelowo as Mikael Blomkvist? ‘Girl with the Dragon Tattoo' Reboot Is Already Stirring Up Debate

Sky’s reboot is being updated to the present. Blomkvist is now a "cancelled" star reporter who teams up with Salander to look into the decades-old disappearance of Harriet Vanger,

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Caleb Landry Jones, Ella Purnell & More Join Ari Aster's ‘Scapegoat’

We love Caleb Landry Jones over here, one of the most fearless actors working today, and pairing him with Aster feels like a match made in a very specific, very anxious heaven.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Paramount Board Approves Exit From California if Deal With State Isn’t Reached by October 1

August 11, 2026 Jordan Ruimy

The key takeaway from Matt Belloni’s Puck report is quite simple, really: David Ellison has given his Paramount leadership team a stark ultimatum over the company’s legal battle with California regulators and the proposed $110 billion Warner Bros. merger.

At a lunch meeting last Wednesday, Ellison—who still believes Paramount will win the antitrust case—authorized plans to relocate Paramount/Skydance if California AG Rob Bonta refuses to negotiate. Ellison reportedly set October 1 as the deadline: if the dispute remains unresolved when the deal’s roughly $7 million-per-day “ticking fee” begins, he could move Paramount or the merged company out of California, initially relocating its headquarters and eventually shifting many studio jobs elsewhere.

The proposed move would be driven largely by economic considerations. Ellison estimates that leaving California could save about $500 million annually in taxes, while selling the Paramount lots could generate additional billions. He’s eyeing a move to either Tennessee, Texas, or Georgia.

The moving plan has been approved by Paramount’s board.

California has already had to contend with several major corporations, including Chevron, Oracle, and Tesla, relocating their headquarters out of the state in recent years following disputes with regulators. The last thing the state needs is for one of the major Hollywood studios to leave as well.

MORE: Given California’s regulatory climate, Paramount moving out of the state is entirely plausible. It would be a devastating blow, especially after the departures of other major companies. I don’t believe the threat to move is just a negotiating tactic aimed at pressuring Bonta. If you’re familiar with the Ellisons’ history, you’ll know this is an entirely credible threat, and the message being sent is unmistakable.

Ellison’s reasoning is that if I have to pay billions in ticking fees because I’m being sued by the state, then moving out of the state and selling the lots will allow me to recoup those billions, and pay far less in taxes.

← Zack Snyder’s ‘Escape From New York’ Lands at Warner Bros?Ken Russell’s ‘The Devils’ Gets NC-17 Rating for Uncut 4K Restoration Coming to Theaters →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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