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Kleber Mendonça Filho’s Next Film ‘Foreign Correspondent,' Stars Wagner Moura

"Foreign Correspondent” marks the first time Kleber has publicly put a name to the project. And yes, ‘Secret Agent’ star Wagner Moura is coming back with him. We should have known this would be the case.

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Rian Johnson Calls James Gray's ‘Paper Tiger' “An American Masterpiece” and His Favorite Film of the Year

The "Knives Out" filmmaker took to Instagram to declare Gray's crime drama his favorite film of 2026, writing: "I've seen some very good films this year, but this is still my favorite [..] t's an American masterpiece."

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Box Office: ‘Godzilla Minus Zero' Scores $31.6M Opening, ‘You Can See Everything' Dips Just 23%, ‘Wild Horse Nine' Impresses With $6M

Takashi Yamazaki’s “Godzilla Minus Zero” opened to $31.6M this weekend from 3,254 theaters, the highest opening ever for a live-action foreign-language movie in North America.

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Steven Spielberg's Next Film, a Western, Eyes 2027 Shoot, Janusz Kamiński Confirms

A 2027 shoot would mean a 2028 release at the earliest. Spielberg and Kamiński, finally out in the snow and fog of the American West? Sign me up.

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Peter Greenaway's ‘Lucca Mortis,’ Shot in 2024, Starring Dustin Hoffman, Is Caught in a Final Cut Battle

Over the last year, quite a few readers have asked about Peter Greenaway's "Lucca Mortis," starring Dustin Hoffman, which was shot almost three years ago and still hasn't been released.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

World of Reel

  • Yearly Top Tens
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James Gray’s ‘Paper Tiger’ Trailer: Adam Driver and Miles Teller Lead Cannes Crime Drama

August 10, 2026 Jordan Ruimy

Here, finally, is a trailer for James Gray’s “Paper Tiger,” which screened in competition at Cannes and had Gray — yet again — winning no awards. He hasn’t won a single thing at Cannes in the last 25 years, and that’s despite screening six films in competition.

This is very much a James Gray movie — romantic, old-fashioned, sometimes overly serious, but also capable of delivering some incredible suspense. The first half is probably the strongest, the middle gets a little bogged down in melodrama, but the final third is fantastic. Gray hasn’t lost his touch when it comes to creating tension.

Set in 1980s Queens and loosely based on events from Gray’s own childhood, the film stars Miles Teller as Irwin, an engineer who gets sucked into a toxic-waste scheme by his ex-cop brother Gary, played by Adam Driver. Gary promises easy money through a deal with Russian mobsters, and, of course, everything goes to hell.

There are a couple of sequences here that rank among Gray’s best filmmaking. One involves Irwin taking his two sons to Brooklyn to see the Russians at work, only for things to turn terrifying when the mobsters start threatening him and the kids. Another, later on, has intruders entering the family home in the middle of the night. Gray takes his time with the scene, filling the house with shadows and barely any sound. It’s almost like a horror movie. The climax is another terrific piece of suspense.

The cast is good, with Driver especially standing out. He plays Gary as this incredibly confident guy who thinks he can talk his way out of anything, even as he drags his entire family into a nightmare. Teller is solid too, particularly as Irwin slowly realizes what he’s gotten himself into. Scarlett Johansson may be the most divisive of the three. Some of her dialogue even got laughs at the Cannes screening, but her later scene at the doctor’s office is genuinely heartbreaking.

Ultimately, “Paper Tiger” is flawed, but I found much of it compelling. It’s Gray going back to the kind of gritty New York crime drama he does best, but I’m not entirely sure it will convert anyone who already dislikes his style.

Gray, 57, is a filmmaker with a loyal following, revered for his classically influenced style that echoes cinema’s golden eras. A native of Queens, Gray can be hit or miss, but when he’s on his game, with films like “Two Lovers” — arguably his finest work — and “The Lost City of Z,” a rare, haunting beauty seeps into every frame.

“Paper Tiger,” which hits theaters on November 20, sits at 84% on Rotten Tomatoes, and 77 on Metacritic. The film will have its North American premiere at the New York Film Festival on September 25 at Lincoln Center.

← LOL: ‘Magic Mike XXL’ Named Greatest Sequel of All-Time by IndieWireJoel Coen’s ‘Jack of Spades’ Screens for Studios, 150-Minute Cut Showed “Immense Promise” →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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