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Brady Corbet’s ‘The Origin of the World,’ His ‘X-Rated’ 4-Hour Follow-Up to ‘The Brutalist,’ Begins Production in South Africa

Brady Corbet's “The Origin of the World,” his X-Rated epic about "Northern California’s economy" in the 1970s epic, has now started production in South Africa under the working title “SALT FLATS.”

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Mia Hansen-Løve’s ‘If Love Should Die’ is Finally Happening — Renate Reinsve Vicky Krieps, Johnny Flynn to Star

Hansen-Løve has a new film — a period piece set in England. “If Love Should Die” will focus on the 18th-century English philosopher Mary Wollstonecraft. This was announced three years ago, and it is finally happening.

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Venice 2026: Koreeda’s ‘Look Back’ Disappoints, el-Toukhy’s ‘Woman Unknown’ Provokes, Moretti Surprises

Venice keeps trudging along. Twelve of the 21 films in competition have now been screened. Tomorrow, we’ll get to see Casey Affleck’s “Company,” Florian Zeller’s “Bunker,” and Ilya Khrzhanovsky’s “DAU.”

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Danny Boyle Eyes ‘Antarctica’ as Next Film — Austin Butler and Colin Farrell Still Attached?

The project was gaining steam in 2023, and then the WGA strikes hit, which deflated the entire thing. At the time, Austin Butler and Colin Farrell were in talks to star as the film’s two leads.

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Luca Guadagnino’s ‘Artificial’ Has A Runtime of 2 Hours 20 Minutes

Luca Guadagnino doesn’t make short movies. His latest, “Artificial,” is yet another example of the indulgence he tends to bring to all of his films.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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David Ellison Postpones Paramount-Warner Bros. Merger Until June 2027

July 24, 2026 Jordan Ruimy

UPDATE: Up to his neck in court battles, David Ellison has decided to postpone the Paramount–Warner Bros. Discovery merger. The transaction will not move forward until June 1, 2027—or, at the earliest, until the courts have ruled on the multiple lawsuits challenging the deal.

The delay does not appear to eliminate Paramount’s financial obligations. The company will likely still have to pay ticking fees to Warner Bros. Discovery shareholders while the merger remains pending, and it could face a substantially larger breakup fee if it ultimately abandons the transaction.

If you remember, the Paramount–Skydance/Warner Bros. Discovery merger cannot be delayed beyond September 30 without triggering a “ticking fee” of roughly $6.8M per day payable to Warner Bros. Discovery shareholders. Is Ellison really prepared to absorb that cost? Don’t buy it ..

Here’s what’s really going on. Paramount is not planning to wait until June 2027 to complete the merger. Instead, it has adjusted its legal strategy to avoid an early court fight that could have resulted in the states suing temporarily blocking the deal. Now, the focus shifts to the main lawsuit, where the court will decide whether the merger can legally proceed. Meanwhile, the September 30 “ticking fee” puts Paramount under significant financial pressure, giving the company every reason to win the case as quickly as possible and close the merger before expensive daily penalties begin.

All of this comes just two weeks after a coalition of 12 states filed an antitrust lawsuit seeking to block the proposed $111 billion Paramount/Skydance–Warner Bros. Discovery merger. The deal had already received approval from the Department of Justice last month. The coalition includes the attorneys general of Arizona, California, Colorado, Connecticut, Massachusetts, Minnesota, Nevada, New Jersey, New Mexico, New York, Oregon, and Washington.

What we essentially have here is a blue-versus-red battle. The politics surrounding the deal now appear to be just as influential as the underlying business and antitrust issues.

This merger was always likely to face lengthy litigation, making a timely closing unrealistic regardless of the companies’ original timeline. Ellison almost certainly anticipated that. At this stage, the situation resembles a chess match: every move from here on out will be crucial.

← Danny DeVito Wants to Direct Again With ‘McTeague,’ His First Movie in 23 Years Chuck Russell Dies at 74, Directed ‘The Mask,’ ‘Dream Warriors,’ ‘Eraser’ and ‘The Blob’ →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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