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John Malkovich Gives the Performance of His Career in Martin McDonagh’s ‘Wild Horse Nine’ [Venice]

Malkovich, a two-time Oscar nominee, fought back tears while the audience cheered him, which has become a first-stop tradition to kick-start an Oscar campaign — tears need to be shed!

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Matt Damon Spotted in Colorful Superhero Costume on Set of The Daniels’ Mysterious ‘Thasnagar’

So this next film by The Daniels, Scheinert and Kwan, of “EEAAO” fame, is looking exactly like we expected it to be.

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Inde Navarrette Books Another Major Role With Apple’s ‘The Waffle House Index’

The film involves much more than just a hurricane. The script includes a gunman, major flooding, killer crocodiles, a nuclear explosion, aliens, and a secret magical bunker under the Waffle House.

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‘The Odyssey’ ($1.8M) Is Back at No. 1 at the Box Office, Dethroning ‘Spider-Man: Brand New Day’ ($1.7M)

Watch out for “The Odyssey,” which, after a $1.8M Wednesday, is back at #1 at the domestic box office, dethroning “Spider-Man: Brand New Day,” which grossed $1.7M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Four Weeks In, ‘The Invite’ Reaches $15M Domestic After A24’s $12M Sundance Deal

July 20, 2026 Jordan Ruimy

Olivia Wilde’s “The Invite” earned an estimated $3.9M in its latest weekend from 2,110 theaters, bringing its domestic total to approximately $15M and $22M worldwide. I wouldn’t call this a solid hold, as it made $6M last weekend in far fewer theaters—it expanded nationwide this weekend.

I thought the film might benefit from positive word of mouth, even as it competes against major summer blockbusters—and maybe that’s the real issue here. Going up against Christopher Nolan is a losing battle.

When the film was playing in limited release, exclusively in New York and Los Angeles, there were several reports of sold-out screenings with audiences laughing throughout, leading many to believe the film would post stronger box office numbers than it has.

Should A24’s release strategy be questioned here? Sandwiching this one between two blockbuster releases might have limited its commercial potential, and I’ve been suggesting an August release all along.

If you remember, “The Invite” was the biggest sale out of this year’s Sundance Film Festival, with A24 acquiring it for $12M. If the strong reviews it’s been receiving translate into Oscar nominations, then it could prove to be a worthwhile investment for A24. Some Oscar “experts” believe it could earn a Best Picture nomination if the fall movie season turns out to be underwhelming. At the very least, a Best Original Screenplay nomination seems like a real possibility.

Regardless, we’ll see how it holds next weekend. Another $3M–$4M Friday-to-Sunday frame would change the narrative. A24 reportedly acquired the worldwide rights for a relatively modest price, and international distribution deals may ultimately allow the film to break even.

Beyond the numbers, it’s a film worth checking out. Wilde shot her third feature, following “Booksmart” and “Don’t Worry Darling,” in just 21 days, on film, scene by scene, and in chronological order. The result? A Sundance bidding war, ultimately won by A24, and strong reviews: an 82 on Metacritic and a 96% score on Rotten Tomatoes.

← Matt Damon Says ‘Ocean’s 14’ Is Still Moving Forward, But Cast Scheduling Remains a Major HurdleParamount-Warner Bros. $111 Billion Merger Temporarily Paused by Judge →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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