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Michael De Luca and Pamela Abdy Out at Warner Bros. as ‘Digger’ Hits Theaters

The decision has reportedly been made, though David Ellison apparently hasn't delivered the news to them directly yet. Those calls are expected by Tuesday morning.

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‘Dune: Part Three' Holds First Screenings, and Early Word is “Very Positive”

After this weekend, when “Artificial” and “Behemoth!” screen at NYFF, there won’t be many Oscar contenders left unseen. In fact, by my count, there are just two: ‘Cliff Booth,’ and “Dune: Part Three.”

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Walton Goggins Joins ‘Miami Vice ‘85’

Joseph Kosinski's "Miami Vice '85" has added Goggins to a cast that includes Michael B. Jordan, Austin Butler, John Leguizamo, Alden Ehrenreich, Whitney Peak, Camila Morrone, Andrew Schulz, and Danny Ramirez.

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‘Rush Hour’ Gets USA Trigger Warning for Being “Outdated”

USA Network has added a trigger warning before Brett Ratner's "Rush Hour.” The warning cautions viewers that some of the film's depictions, language and humor may come across as outdated or offensive.

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Confirmed: Bradley Cooper to Star as Duke in Danny McBride’s G.I. Joe Movie

Chris Hemsworth, who originally had the lead role, has dropped out of Danny McBride’s “G.I. Joe” reboot, for undisclosed reasons, and been replaced by Bradley Cooper.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Jodie Foster: ‘F1’ Was “Made By AI”

July 2, 2026 Jordan Ruimy

Director Joseph Kosinski famously went to painstaking lengths to film the “F1” stunts and races using practical effects and specially designed camera rigs. The result was a $633 million-grossing box-office hit and a Best Picture nominee.

Here’s Jodie Foster, interviewed at the Aspen Institute, never one to shy away from an opinionated take, discussing “F1” — but not with glowing praise. Instead, she claims it was “made by AI,” a dig at the Best Picture nominee’s script and acting.

I look at a movie like “F1” and I'm like, “F1” was made by AI. That movie's like, was it wasn't it? I mean, the structure was exactly the structure that you would learn in school. The actors say the lines exactly the way it would be written if a computer was writing exactly what would be the right thing for that time. and they were able to dominate the technology to make something big and beautiful and potentially where a lot of the information comes from other places.

Now, whether Foster actually, truly believes that Kosinski’s film extensively used AI, I would hope not. I would think she’s using "made by AI" metaphorically to describe what she sees as an overly formulaic film, and not making a literal claim that AI was used in its production. Then again, who really knows.

“F1” delivered a high-octane spectacle. Its immersive racing sequences rank among the most thrilling ever captured on film, and it unapologetically embraced classic sports-movie tropes. Yes, the screenplay was not its biggest strength. I doubt producer Jerry Bruckheimer, or Kosinski, for that matter, used AI to generate the story structure or dialogue, but in this day and age, you just never know.

Hollywood is deeply paranoid about AI these days, and that anxiety isn't going away anytime soon. In the wake of the strikes, with generative AI now looming, it's becoming increasingly common for filmmakers and audiences alike to accuse movies of feeling "AI-generated"—whether there's any evidence of actual AI use or not. Expect more films to be labeled as algorithmic, formulaic, or "made by AI.”

Moviegoers turned out in force. “F1” even surpassed “Superman” at the summer box office, grossing $15 million more. As for its production budget, estimates vary widely, with some reports suggesting it may have reached $400 million. Still, with Apple valued at around $3 trillion, the price tag is likely not a major concern for Tim Cook. The film was such a success that a sequel is now being fast-tracked.

← Boots Riley Compares ‘I Love Boosters’ to ‘Citizen Kane’ After Weak Box Office‘The Mandela Catalogue’ Movie Lands at Amazon/MGM in Competitive 11-Studio Deal for YouTube Horror Series →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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