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Ira Sachs’ ‘The Man I Love’ Is Cannes 2026's Best Film Still Seeking U.S. Distributor

Just five Cannes competition titles still seek U.S. distribution, four of them subpar, all French. The fifth, and easily the best film still without US studio attachment, is Ira Sachs’ “The Man I Love.”

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‘How to Lose a Guy in 10 Days’ Sequel at Paramount — With Kate Hudson and Matthew McConaughey

McConaughey recently said that “How to Lose a Guy in 10 Days” is the movie that pays him the most in residuals—the ongoing “mailbox money” he receives from the film being shown, streamed, and rented.

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Casey Affleck’s ‘Company’ Finds a European Welcome as U.S. Festivals Keep Their Distance

Despite the Venice launch, “Company” has so far failed to land a berth at any of the major North American fall festivals. It was not announced by Toronto, Telluride or the New York Film Festival.

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Ang Lee’s ‘Gold Mountain’ Wraps 4-Month Production, Marking His First Film in Nearly Eight Years

The story being told in “Gold Mountain” feels right at home for Lee — especially after his tech-obsessed filmmaking of the last 14 years (“Life of Pi,” “Billy Lynn’s Halftime Walk,” “Gemini Man”).

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Nicholas Hoult Exits ‘Harry Potter’ After JK Rowling Backlash, Replaced by Kit Harington as Gilderoy Lockhart

Hoult has dropped out of ‘Harry Potter’ and has been replaced by Kit Connor. Hoult’s reason was “scheduling issues,” and hey, maybe it really was “scheduling issues,” but the timing is rather odd.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Moana’ Is Heading Toward a Box Office Bomb After $4M+ Thursday, $38M+ Opening Projection

July 10, 2026 Jordan Ruimy

You thought “Supergirl” or “Masters of the Universe” would be the biggest flops of the summer? Think again.

Disney’s live-action “Moana” is shaping up to be a disaster for the Mouse House. Despite the strength of the franchise—which began with the 2016 animated hit and grew into a billion-dollar property with “Moana 2” in 2024—the remake made just $4.5M on Thursday and is now expected to open to $38M or more this weekend.

That’s a disappointing outlook for a film reportedly carrying a whopping $250M budget, especially given Disney’s apparent confidence in the brand.

The film currently holds a 36% score on Rotten Tomatoes and a 42 on Metacritic, but audience reactions from yesterday’s screenings appear to be positive. Still, that might not be enough to move the needle or improve its projections. Disney could be looking at very heavy losses on this one.

Directed as a largely faithful, shot-for-shot adaptation of the animated original, the film stars Catherine Lagaʻaia as Moana, with Dwayne Johnson returning as Maui. Its performance will inevitably be compared to Disney’s live-action “Snow White,” which may ultimately end up with a higher opening weekend ($42M) than “Moana.”

No, really—Rachel Zegler is the big winner here. Unlike “Snow White,” many people were predicting “Moana” would hit the billion-dollar mark in their early box office forecasts. What happened? Did Disney simply oversaturate the brand to the point where audiences lost interest? The studio stands to lose hundreds of millions on this one.

Maybe it really is a case of milking the brand until audiences caught on to the grift. It’s hard to understand the logic behind remaking a film that debuted only 10 years ago—especially when its sequel arrived just two years ago. To top it off, “Moana 3” was announced just a week ago. It’s a mind-boggling example of oversaturating a brand.

← Connor Storrie’s Post-‘Heated Rivalry’ Rise Continues With Sarah Polley’s ‘The Bell Jar’ Starring Billie EilishNetflix and Paramount/Skydance Are Reportedly Interested in Buying Letterboxd →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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