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‘Digger’ First Reactions Are All Over The Place: “Baffling,” “A Mess,” “Hollow,” “Self-Indulgent” and ..“Brilliant”

Scratch the 50/50. It's more like 70% mixed-to-negative from what I've seen, but it's got a few defenders, which leaves me very curious.

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Mahershala Ali Agrees Kevin Feige Is a “Gigantic Loser and Failure” Over ‘Blade’

Mahershala Ali is obviously not happy about Marvel’s Kevin Feige repeatedly delaying and finally canceling the “Blade” movie he was supposed to star in.

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Robert Eggers to Direct ‘Romeo and Juliet’ for Focus Features — Will Be His Next Film

Robert Eggers, who has already taken on witches, vikings, a vampire, and now werewolves, is turning to two teenagers in love. He's lined up a “Romeo and Juliet” adaptation at Focus Features.

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NYT's 100 Best TV Shows of the 21st Century, as Voted by 500 Stars, Showrunners and Critics (#100–61)

Much as it did with film, The New York Times has conducted a massive poll of more than 500 "stars, showrunners and other TV insiders," including critics, to come up with "The 100 Best TV Shows of the 21st Century."

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Michel Hazanavicius Used AI to Shoot His WWI-Set ‘The Third Hand’: “Without AI, it's 10 Days of Shooting. With It, it's Two Days."

Michel Hazanavicius, the Oscar-winning director of "The Artist" and a Cannes competition regular, has just wrapped production on his latest film, "The Third Hand."

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Olivia Wilde Claims ‘Don’t Worry Darling’ Drama Never Happened: “None of This Is True”

June 24, 2026 Jordan Ruimy

There’s a special place in my heart for the drama that surrounded the making of Olivia Wilde’s “Don’t Worry Darling,” a 2022 production unlike any we’d seen before.

Where to begin? Between rumors of a feud between Wilde and her lead, Florence Pugh; allegations of on-set infidelity; Shia LaBeouf calling out the entire production; and, of course, Spitgate, the summer of 2022 was a truly astounding—and potentially career-derailing—moment for Wilde.

Wilde is now finally tackling the drama behind the making of “Don’t Worry Darling,” setting the record straight, so to speak, with her own version of the events that transpired—or did they?

In a new interview with The Cut, Wilde claims the speculation, including reports that she and Pugh had screaming matches during production, was false. Wilde admitted she was advised not to publicly respond to the rumors when they surfaced.

“I was told, ‘Don’t say a f–ing word. Just go out there and smile,’” she recalled. “I resent that, but it taught me it’s not the way I want to handle things.”

“I wanted to be like, ‘None of this is true,’” she added, noting that Hollywood “robbed” her of her “naïveté for sure.”

Who here actually believes what Wilde is saying? Do I really need to recap the behind-the-scenes chaos that engulfed “Don’t Worry Darling”? Wilde’s directorial career was unfolding like a reality TV show.

For the uninitiated, it’s now the stuff of Hollywood legend. It has long been rumored that Wilde was not the sole creative force behind the film—here’s looking at you, Florence Pugh and Matthew Libatique. Her on-set presence was, shall we say, reportedly sporadic, with Pugh and cinematographer Matthew Libatique allegedly stepping in to help guide scenes when Wilde and Harry Styles were missing in action. Pugh’s subsequent silence and reluctance to promote the film only fueled speculation about the behind-the-scenes turmoil.

It didn’t help that Shia LaBeouf, who was originally part of the cast, disputed Wilde’s public claim that she had fired him from the film. LaBeouf even provided text messages to Variety that proved he had voluntarily left the project and that creative differences—particularly over rehearsal practices and acting methods—were the real reason for his departure.

LaBeouf was replaced by Harry Styles, who ultimately entered into a relationship with Wilde while her then-partner, Jason Sudeikis, occasionally visited the set with their two children. According to persistent reports, this is when Pugh began expressing concerns about Wilde’s professionalism on set.

It all culminated in one of the most disastrous world premieres in recent memory at the Venice Film Festival. Pugh’s appearance on the Lido became a viral pop-culture event due to her highly visible, frosty distance from Wilde. Citing a scheduling conflict, Pugh skipped the afternoon press conference with Wilde and the main cast. When she finally arrived for the red carpet that very evening, she pointedly avoided interacting with Wilde. The tension appeared to peak during the film’s standing ovation, with cameras capturing the pair keeping their distance from one another. Pugh later capped off the evening with a social media post that omitted any mention of Wilde.

“Don’t Worry Darling” was eventually panned, earning a 38% score on Rotten Tomatoes. Critics hated it. It wasn’t as bad as some claimed, nor was it as good as it should have been. Of course, perhaps unsurprisingly, The New Yorker’s Richard Brody was a fan.

At one point, a making-of documentary for “Don’t Worry Darling”—assuming any behind-the-scenes footage exists—has the potential to be a masterpiece. Note to the producers: scrap whatever you’re currently doing. It’s not too late to assemble a behind-the-scenes documentary. It could very well become the next “Hearts of Darkness” or “Burden of Dreams.”

Pugh obviously wants no part of that. She could see the train wreck coming from miles away. Four years later, she still refuses to comment on the whole saga.

← First Look: Robert Eggers’ ‘Werwulf’ as Director Details “Middle English” Dialogue, and a Unique Black-and-White Color Visual StyleWhat Happened to ‘Wizards!’? The A24 Movie That’s Been Stuck in Limbo Since 2022 May Not Come Out This Year →

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