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Ken Russell’s ‘The Devils’ Gets NC-17 Rating for Uncut 4K Restoration Coming to Theaters

Clockwork announced that “The Devils” has been rated NC-17 by the MPA, which, as far as I’m concerned, is basically free marketing. Much of the audience anticipating this release was hoping for this rating.

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First Look: Andrew Haigh’s ‘A Long Winter’ to Screen at Telluride, TIFF and NYFF — Follow-Up to ‘All of Us Strangers’

For Haigh, the film feels like an “endpoint” in his career so far. Shot on film with DP André Turpin, “A Long Winter” was filmed in the Calgary wilderness, the same area used for “The Revenant.”

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Jacob Elordi Joins Ari Aster’s ‘Scapegoat’ Opposite Scarlett Johansson at A24

Jacob Elordi is set to co-star opposite Scarlett Johansson in “Scapegoat,” the upcoming thriller from Ari Aster, who is directing from his own script. A24, which has released his past four films, will distribute.

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Alfonso Cuarón Returns to TV With Horror Thriller ‘Ascension’ at Apple — Hasn’t Directed A Movie in Eight Years

The good news is that Cuarón is only writing “Ascension,” meaning he won’t be tied up with directing duties and should still have room in his schedule for a long-awaited return to cinema.

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LOL: ‘Magic Mike XXL’ Named Greatest Sequel of All-Time by IndieWire

Cue the ragebait — which is precisely what IndieWire intended when putting together their list of the 100 Best Sequels Ever Made, published this morning.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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John Sayles is Back! Set to Direct First Film in 13 Years With Western ‘I Passed This Way’ With Amy Madigan and Chris Cooper

May 13, 2026 Jordan Ruimy

John Sayles, one of the foundational figures of American independent cinema, has not directed a film in 13 years.

It’s not for a lack of trying, either. Sayles attributed his absence to a simple but frustrating reality: financiers are no longer interested, despite the fact that he has two screenplays ready to go.

If I can get the money to make a movie, I’d like to. But it’s: Stand in line. An awful lot of good directors I know haven’t directed in 5, 10, 15 years.

Some really good news: Sayles has found the money to make his next one. According to Variety, Oscar winners Amy Madigan (“Weapons”) and Chris Cooper (“Adaptation”) are set to star in “I Passed This Way,” a Western from Sayles that is scheduled to shoot this fall.

Set in 1898, “I Passed This Way” follows Ross McEwen, a restless cowboy who impulsively robs a bank and escapes into the harsh New Mexico Territory. Pursued by legendary lawman Pat Garrett and his determined young deputy, Ross hides at an isolated Mexican homestead devastated by diphtheria. As the family’s condition worsens, he faces a moral crossroads: abandon them and continue his flight to Mexico, or remain behind to care for them and inevitably face arrest. Through this struggle, Ross is forced to confront who he truly is and what kind of man he wants to become.

The film is based on Eugene Manlove Rhodes’ acclaimed novella “Pasó Por Aquí,” first serialized in The Saturday Evening Post before its 1927 publication and widely regarded as one of Rhodes’ masterpieces.

A true rarity in the industry, Sayles’ debut feature, “Return of the Secaucus Seven” (1980), helped ignite the modern indie movement nearly a decade before “Sex, Lies, and Videotape” (1989). Made on a shoestring budget of $60,000, it went on to gross $2 million at the box office, and just three years later, Hollywood remade it as “The Big Chill.”

Over the past four decades, Sayles has carved out a reputation for creating intelligent, uncompromising, character-driven films, including “Lone Star,” “Eight Men Out,” “Baby It’s You,” and “Matewan.”

At 75, Sayles has hardly been idle. Beyond directing, he has earned a reputation as a highly sought-after script doctor and has published several novels. Still, the film world would certainly welcome at least one more Sayles-directed feature, and that’s just what we’re about to get.

← ‘Babygirl’ Director Halina Reijn’s Next A24 Film ‘Please’ Adds Tom Burke, David Jonsson, Connor Storrie and Gracie AbramsIs ‘28 Years Later 3’ Still Happening? Alfie Williams’ Tease Sparks New Speculation →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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