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‘The Social Reckoning’ Trailer: Jeremy Strong Has Zuckerberg Down, But Can Sorkin Escape Fincher’s Shadow?

A new trailer for Aaron Sorkin’s “The Social Reckoning” has dropped online. I believe this is the same one I saw recently in theaters. Regardless, I’m still not sold on this thing.

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‘The Uprising’ Drops ‘Robin Hood’ Title After Chaotic 24 Hours

Focus is back to just calling the film “The Uprising” in the new trailer, while the UK distributor is outright denying that it’s a Robin Hood movie.

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Zach Cregger’s ‘Resident Evil’ Rated R for “Strong Bloody Violence,” Uses First-Person POV to Recreate the Game

“Resident Evil” appears to be embracing first-person gameplay, with the film reportedly using the perspective across several action and horror sequences rather than as a one-off gimmick.

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Chris Hansen Buys Ads Before Every Screening of ‘Primetime’

Moviegoers heading out to see the Robert Pattinson-starring A24 movie, based on Hansen, the “To Catch a Predator” host, will apparently be greeted by Hansen himself on-screen.

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Joe Carnahan Sets Next Film ‘The Operator’ With Mark Wahlberg at Netflix

Joe Carnahan, director of the Netflix hit “The RIP,” a Quentin Tarantino favorite, has set his next film, reteaming with the streamer on another action thriller, “The Operator,” starring Mark Wahlberg.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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John Waters Says No One Will Fund ‘Liarmouth’ With Aubrey Plaza, 22 Years Since Last Movie: “Nobody Will Give Us the Money”

April 13, 2026 Jordan Ruimy

Hard to believe, but John Waters hasn’t directed a film in 22 years — his last effort was 2004’s “A Dirty Shame.” It’s not for lack of trying, either; for example, in 2009, Waters was set to direct “Fruitcake,” a Christmas comedy at New Line, but the project stalled during development.

A glimmer of hope occurred in 2024, when Waters confirmed that Aubrey Plaza would star in his next film, “Liarmouth.” However, despite turning in the script and the project entering pre-production, it ultimately fell apart.

The filmmaker is now addressing what happened, reiterating his desire to still make the film — but here’s the problem: he doesn’t have the money to do it. Nobody wants to fund it (via Variety):

I was going to adapt my first novel, “Liarmouth.” It was optioned. I wrote the script. Aubrey Plaza was going to star, but nobody will give us the money.

How sad that a John Waters–directed movie, which would likely fall into the mid-range indie film budget — roughly $7M to $10M — cannot find the money to get made. Maybe Waters could crowdfund the project, or A24 could somehow come on board; forget about Neon — they seem to prefer Cannes Competition titles or cheapies directed by Osgood Perkins.

Synopsis: “Liarmouth,” based on Waters’ own novel, follows con artist Marsha Sprinkle, who is described as “a suitcase thief, scammer, and master of disguise. Dogs and children hate her. Her own family wants her dead. She’s smart, she’s desperate, she’s disturbed, and she’s on the run with a big chip on her shoulder. They call her Liarmouth―until one insane man makes her tell the truth.”

As mentioned, Waters’ last filthy creation was “A Dirty Shame”; he’s the iconoclast filmmaker behind “Pink Flamingos,” “Polyester,” “Serial Mom,” and “Hairspray.” This sicko world needs a new John Waters movie, and the fact that nobody wants to invest money in making it happen is too depressing to think about.

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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