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New Look: Kate and Rooney Mara in Werner Herzog’s ‘Bucking Fastard’

The image shows the Maras’ Jean and Joan in the infamous cave, which plays a central role in their search for an imaginary land where true love is possible.

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Tom Cruise on Paramount-Warner Bros Merger: “I Think It’s Awesome”

Cruise was being interviewed by Pat McAfee on his show Tuesday afternoon (via THR), where they discussed the the “Days of Thunder” sequel, which starts production soon, and, of course, the merger.

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Noah Jupe Joins ‘Avengers: Secret Wars’ in Mystery Role

Anthony and Joe Russo are directing, and the secrecy surrounding Jupe’s character naturally leaves plenty of room for rumors about whether he could be connected to an established Marvel character,

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Janicza Bravo’s ‘PRƎPPY’ to Star Kit Connor and Diana Silvers — ‘Zola’ Filmmaker’s First Feature Since 2020

It’s been six years since Janicza Bravo last directed a feature, with her acclaimed 2020 black comedy “Zola” marking her most recent film behind the camera.

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Vincent Gallo Turned Down Venice Premiere for James Franco-Starring ‘The Policeman’: “He Wanted Competition”

Alberto Barbera revealed to Variety that the Venice Film Festival “almost” took Gallo’s film starring Franco, but — if you can believe it — Gallo ultimately decided against participating.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘I Love Boosters’ Is NEON’s Most Expensive Film Ever, and Apparently Being Positioned for Awards Season?

March 4, 2026 Jordan Ruimy

Boots Riley’s “I Love Boosters” is slated for a May 22, 2026 release via NEON and will open the 40th SXSW Film Festival on March 12. Since the premiere is just eight days away, promotion has kicked off for “I Love Boosters,” including a splashy Variety profile of its star, Keke Palmer, and comments from NEON chief Tom Quinn.

Quinn is reluctant to make firm predictions about how “I Love Boosters” will be received. Still, it appears that NEON may be looking to replicate the strategy A24 used with “Everything Everywhere All at Once,” positioning SXSW as a launching pad for awards buzz.

We have high ambition. I think it’s going to be a film that plays throughout the year, not just in its first window this summer

To further raise expectations, “I Love Boosters” reportedly cost roughly $20M, making it the most expensive film NEON has ever produced—and arguably the riskiest in the company’s history. NEON has largely been known for backing a number of low-budget films by Osgood Perkins and, more importantly, for acquiring titles at Cannes—two of which went on to win the Oscar for Best Picture (“Parasite” and “Anora”). “I Love Boosters” is a homegrown production, and Quinn believes it “could change Neon’s trajectory as a studio.”

Some expected Riley to premiere the film at Sundance or even Cannes rather than SXSW, but SXSW is where it will debut. Whether that gamble pays off remains to be seen.

Riley first made waves with his 2018 debut “Sorry to Bother You,” a madcap critique of corporate America that marked him as a filmmaker to watch. Seven years later, he has finally delivered a follow-up.

“I Love Boosters” stars Keke Palmer, Naomi Ackie, Taylour Paige, along with Demi Moore and LaKeith Stanfield. The story centers on a ring of female shoplifters known as the Velvet Gang, led by Corvette. They survive by “boosting” clothing from department stores. Their next target, however, is the CEO of a designer brand who has stolen Corvette’s idea—prompting her to seek payback and inadvertently ignite a “revolution.”

Since “Sorry to Bother You,” Riley also created the acclaimed 2023 Amazon series “I Am Virgo,” which premiered at SXSW and similarly showcased his surreal style and pointed social commentary.

← ‘Lanterns’ Trailer: HBO/DCU Series Stars Aaron Pierre and Kyle ChandlerTeyana Taylor Confirms Talks With PTA About a ‘One Battle After Another’ Sequel: “The Conversations Are Very Real” →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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